A Burmese Lacquer Masterpiece by U Aung Myint
This current piece is done in the yun style in a 4 color scheme of burnt-orange, black, green, and a pale yellow or straw color, and took months from start to finish to complete. The designs you see appear both on the front AND on the back. As aficionados of Burmese lacquerware know, the more colors, the more time consuming the piece, as each color must go thru its own separate application and drying cycle. In addition, the painstaking detail and intricacy on this particular piece is utterly astounding, even for yun-style pieces, which are already painstakingly detailed and intricate in general. Just look at some of the close-ups (the central buddha medallion is a good example): You can see fields of color which at first glance, look merely like solid fields of coloration, but when you look closely, you see that those seemingly solid fields are actually comprised of hundreds upon hundreds of tiny individual incising strokes per section... It's utterly mind boggling to contemplate a young artisan sitting there for hours upon hours at a time, etching these individual strokes into the lacquer, and yet that is exactly what we saw there. Masterpieces like this are the product of such labor and talent.
There are many Burmese-style imitations these days coming from China and Thailand, with painted enamel designs being passed off as lacquerware to the unwary. For those who appreciate the tedious intricacies of genuine Burmese lacquer production, there is no comparison. This is a genuine and superior quality Burmese lacquerware item sourced directly from one of the best and now relatively famous (thanks to the British Museum) modern practitioners of this ancient craft.
Size and Condition: 28 1/2 inches in diameter, 3 inches deep. Perfect aside from some minor wear.