Catalog: Antiques: Regional Art: Asian: Chinese (193)

The tube of the pipe is simply cut from a natural bamboo stem to which the artist has chosen to leave some secondary stem ends. The frame, mainly in bronze, is composed of several layers of metals, alloys of different colors, yellow , red-brown and grayish-black, finely cut with motifs, bats, swastikas and stylized Lingzhi,wishing 10,000 years of happiness and long life. There are some jadeite beads embedded in the decor. The main bat has a body made of green jadeite and eyes made of what appears to me to be small garnets,but perhaps pink jadeite. One tip is made of bone, the other is missing. There are two other stones that appear to be rock crystal and amber. Total length 565mm. Dimensions of jadeite beads. Eyes about 1mm 9mm 8mm and 4mm

The head is carved in a grey stone that I think is limestone, it is harder than marble but it can be scratched with a steel tool. The naive sculpture seems to be made by a craftsman who was not a sculptor or a sculptor of a primitive people. It unquestionably represents a Buddha with his third eye in the middle of his forehead. There is some red pigment left in one nostril and in the corner of the mouth.The appearance of the stone seems very old. The style of the hairstyle reminds me of the Tang dynasty but it seems impossible to me that it is Chinese, the same type of wood and the same design as that of pedestals which I believe are found in Indonesia or elsewhere in South-East Asia and on which are mounted indigenous carvings in ivory or deer antlers for export since 1880. It is quite possible that this Buddha, which was life-size, was commissioned by a Chinese expatriate community to a native sculptor who would have done his best. The large eyes, thick lips and pointed skull are rather reminiscent of Africa. It is an intriguing statuary that is certainly unique. High about 35 cm (stone only)

Cast and turned bronze vase. Decor of bamboo, rocks and Greek friezes incised and inlaid with silver wires. The bronze has a beautiful original patina. It lacks inlays that have come off over time. Probably china or vietnam 19th centurie. Height about 16cm. No restaure.

Snuff bottle carved in soft duan stone. Carved in the shape of a spearhead. Simple but very elegant. No stopper. Height. 71mm

Jade water bucket in form of amusing toad.Inlaid with yellow metal. It is impossible to check if it is gold because it would be necessary to tear off encrustations to test ,however the object has not been cleaned for several years and only gold can remain shiny, bronze or brass would have oxide. The metal wires in some places are split in half lengthwise, which is probably due to a certain technique? The work is very neat, underneath there are traces of tools which should help a specialist. The patina of the stone is beautiful, satiny without being shiny. 102 x 18mm. Chinese work Han périod or Qing copy or fake modern?

Chinese hard porcelain dish. Decorated with a palace scene in the center and a rich variegated decoration on the margin, interspersed with a cartouche containing birds. A dominant blue enamel happily illuminates the whole. Although this style of decor is relatively common, it is exceptional to come across some of such good quality, in fact here the firing was perfect, the enamels are superb which is very important. China, probably Jingdezhen kilns mid-19th century. Excellent state of conservation. Diameter 215mm. We have nine others same plates, 5 in fine condition,one with crack and 3 with slight chip.

Cast bronze censer gilded with mercury. Decor of Greek friezes and incised precious objects. The gilding is largely worn, we still see some in the places most protected from wear and tear. It is thick and of good quality, it is a hot-pasted mercury gilding technique. The handles are attached to the body they were cast with it, they are not added, riveted or welded, they represent dragon heads. On the base foot we can see a vertical dark trace of solding that is probably an old restauration. Difficult to certified the antiquity of this bronze ,because cleaned intensively and the old patina missing, but the beautifull and correct gilding traces is encouraging. China Qing 18th centurie? Wide with the handles : 15cm. Weight 550g

Set of fittings in cast and hammered bronze, suitable for 2 Chinese cabinets with one door or for a large cabinet with double doors. All the elements are decorated with chisel-engraved dragons. A padlock is part of the lot. Hand-threaded rods and nuts allow the installation of fittings on the furniture. Dimensions of the hinges: 150 x 55 mm Dimensions of the central plates: 252 x 50 mm Oxidized, patinated. Good condition.

Chinese porcelain bowl decorated in "famille rose" enamels with lotus flowers, scrolls, greek frise and Chinese characters in medallions. The bowl is accompanied by its cup, its lid and its spoon constituting a complete set of 4 pieces which is extremely rare. In addition, the 4 porcelains are in good condition except for a little chip. The edge of the cup (saucer) was slightly deformed during cooking and took on a silver-gray shade as can be seen in the photos. Below are painted the illustrious Imperial marks of Qianlong but they are apocryphal, the whole dating from the end of the Qing around 1900. Bowl diameter about 10cm.

Chinese Famille verte porcelain cover. Decorated with bird and flowers in predominantly green enamels. 19th century China, copying a Kanghi model. Ideally suited for a vase with an opening of 132 to 145 mm in diameter. Outside diameter 198 mm (7,8 inches) Interior dimeter 130 mm (5,1 inches)

Rare carnelian bowl with a beautiful deep orange-yellow. The typical Chinese shape is classic, and the capacity is that of a tea bowl. The grinding work is meticulous, the shape is perfect, the Agate has an excellent color which shows shades of color ranging from yellow to orange through transparency. Difficult to date with precision but all these quality criteria seem to indicate a creation from the Qing period. Excellent condition except micro scratches invisible without magnifying glass. Diameter: 105mm

The snuff box is made with a mold in 2 parts. On the sides are two Buddhist lion heads in relief, their eyes are made by 2 small clay balls. stuck to the slip. The decoration is painted in underglaze cobalt blue, the design is vigorous and goes to the essential, it represents 2 dragons pursuing the sacred pearl in the sky, surrounded by clouds and sparks. Below is written in 4 Chinese characters the apocryphal mark of the Ming emperor Tcheng-Hoa. The style of the dragons allows us to date this snuffbox to the second part of the 19th century. Good condition. Large, 78x78x37mm.

Two rares silver elements with embossed decoration representing scrolls of plants and flowers animated by butterflies and animals which could be rats, dormice or squirrels? It is likely that these 2 elements are the ends of the axle of a paint roller. Chinese goldsmith work from the 19th century or before. Would be suitable for a very large Chinese painting because they are large in size Diameter:68mm x Height:40mm. Weight: 45 g each Good state of conservation. A small piece of border missing. Normal wear and tear for centenarian elements.

Embroidered silk panel. Flower (lotus?)and scroll motifs in silk and gold embroidery. Beijin knot detail. Chinese work from the Qing Dynasty. Good general condition, faded colors, no repairs. Old européan frame in wood and glass. Total dimensions: 55x43cm. Embroidered panel alone: ​​37x24cm

Small dish in Chinese porcelain, green enamel decoration of lotus flowers, tendrils and bats, details in black. Two Chinese characters "Shou" are enameled in red and gold. All this symbolizes longevity (shou), happiness (bat) and Buddha (lotus). However the Lotus flower is not exclusively the symbol of Buddhism, it can also be interpreted here as the marital agreement because there are 2 flowers or serenity or self-fulfillment. Everyone will interpret according to their desires. Chinese porcelain end of the Qing dynasty 19th century, probably reign of Guang-Xu. Good condition, no cracks or grinding. No restaure. Diameter 13cm.

Carved wooden cup representing large lotus leaves and buds on which evolve a crab and a shrimp. The feet are made up of snails. Although the carving work is of excellent quality, the wood used is not purple sandalwood. Part of the edge has been broken as shown in the photo, but this does not affect the aesthetics of the object. In addition, restoration work is possible with a perfect result. Length: 27cm Height: 6.5cm

A removable Chinese travel hat stand. Cut in the shape of two interlocking Lingzhi. Carved in a beautiful hardwood with a very fine grain. Good cabinetwork finish. Simple object but very elegant and rare. Beautiful antique patina of the wood. Difficult to date exactly in the Qing period. Height : about 23cm The two mushrooms broken in half and badly glued together (see photo). I can, on request, glue them back together correctly for free.

Large Chinese porcelain vase. Incised decoration of dragons and clouds enamelled with colors on a yellow enamelled background. Probably from the Guanxu period. Accident with a long crack visible on photo. High: 46cm