Catalog (148)

An impressive mokubi painting in ink and gold on silk depicting the Zen Buddhist patriarch Bodhidharma/Daruma in profile. Signed and sealed: Imai Tenroku (b. 1866), a specialist in the painting of Buddhist subjects. The present painting is dated Taisho 8 (1919). Fully inscribed box and paper w. artist’s data. L 185, W 52 cm. Picture frame: L 112 cm, W 40.5 cm. Condition: Very fine (at the bottom a small portion of the silk has loosened from the mounting).

A nyoi scepter (in Chinese: ruyi) made of a natural branch of lacquered wood. For the scholar’s table. Late Edo to early Meiji. L 42 cm. Condition: Fine all-over.

Unique carved wood vessel for use in Tea Ceremony for flower arrangement, ikebana. Very smoothly polished and lacquered in the inside; standing on three small “feet”. It has a wonderful smooth patina all-over. L. 26 cm x 17 cm. Meiji-Taisho. Condition: great!

A very attractive and rare Pair of Mandarin Ducks OSHIDORI made of slightly modified and patinated root wood. The male wIth raised head and the female looking at the ground after food. Meiji, c. 1880/1900. H 16 cm, L 25 cm. Mandarine ducks are symbol of long life fidelity as they stay together forever. It comes with inscribed Storage Box Tomobako. Condition: Excellent

A beautiful brooch of amber ( MILA) of deep honey / mottled colour. Silver mounting. From Scandinavia, Denmark. Great quality amber. Weight : 15 grams. From before 1920. L. 5,5 cm W. 4 cm. Condition: good patina, some traces of age and use.

Three well painted Shunga scenes with a loving couples. Silk with ink and colors. Fitted on traditional, gold-spotted cardboard. Meiji, ca. 1880. H 17 cm, W 19 cm. Condition: One in very good condition, the other two : over-all quite good. Minor spots.

A large and stupendous glass vase with a wide mouth decorated with deep, green abstract bands on gold foil by glass artist Tabuchi Koseki (b. 1932). Mouth and bottom with darker bands of deep brownish colour. Signed in the bottom ‘Koseki.’ It comes with fully inscribed, signed and stamped storage box, kiri-tomobako. Japan, late Showa, ca. 1980. H 24 cm, W 24 cm. Condition: Excellent. 

A very rare Phurba ritual dagger of purple zitan wood with three heads of protectors on the top, a central vajra in the handle and the head of a garuda holding the triangular blade. Tibet, 15/16th century. L 28 cm. Condition: Good wear and only a few minor chips.

A rare and beautiful, flattened form bamboo box with cover, probably used as a seal paste or brush washer. It is carved out from the root part of bamboo and nicely polished. Inside the lid a compass (no longer functioning). Qing, 18–19th cent. H 3 cm, D 7,5 cm. Condition: Over-all fine, and really good, old patina, but with small chip to lid.

A wood sculpture of a reclining young, naked woman seated on a oblong base. Carved in naturalistic style from a single piece of wood. Light, brownish color. Good expression and fine details. Signed: Shoji. Japan: Showa period, 1950s. L 33,5 cm, H 20,5 cm. Condition: Excellent.

A lidded container in a divided, compressed form of finely, carved bamboo root. Good luck bringing Bats (bianfu) carved in relief decorate the sides and lid. Bottom with a la grec pattern. Mid Qing, around 1800. H 10 cm, W 8.2 cm. Condition: Very good. Traces of wear. One short crack on the middle part of the bottom panel filled.

A large and very expressive, ceramic figure of sitting shishi, lion-dog, with turned head. It is covered in a creamy, white crackled glaze. The open, staring eyes made of inserted glass are rendered with gold. Unsigned. Japan, late Edo, before 1850. H. 35 cm, L. 25 cm, W. 16 cm. Condition: good, but for a few chips, fire cracks and minor area of repair on underside.

A beautiful Nashiji (sprinkled gold flakes) ground lacquer Natsume, Tea caddy. It has an elaborate cartouche on the lid in gold makie, gold and silver on a chocolate lacquer background depicting a stylised landscape (mountain, hermitage river and boat). 3 cartouche on the sides in lozenge form in heavy, raised lacquer; one with fishing hut among reeds and half moon; one with fish nets and seagulls and the last with seabirds on raised waves. The inside also in sprinkle gold flakes nashiji...

A small, attractive incense table on four legs in classical style with openwork in red Negoro-lacquer with the typical ‘rubbed’ surface to reveal the layer of black lacquer underneath. Japan, late Meiji, c. 1900. H 13.5 cm, W 20 cm, L 26 cm. Condition: Generally good (minor wear and a few, small cracks).

A very good Tibetan Meditation Mat / Rug made of hand woven wool of different colours; the centre medallion is decorated with a stylised Dragon while the large outer border has Buddhist symbols and flowers. Measurements: L 65 cm x W 57 cm. Condition: very good considering the age and use; only a very small area (1/5 cm) of repair at the border see picture no 4.

A very interesting and well-carved figure-group (okimono) on a fitted base depicting the ox-herding boy and his ox loaded with fire wood in naturalistic style. The head, hands, feet of the body as well as the leash and the bundle of fire wood carried by the ox have been made from tinted ivory, as has the plaque with the artist’s name. The rest of the group has been made from a dense type and beautifully veined Oriental wood. The base itself is made in what appears to be Chinese red wood (hongm...

A kakemono for samurai depicting the Chinese God of War Kantei (Guandi) seated on a chair and flanked by his martial attendants. Ink and colours on paper. Signed: Ryugo (with 2 seals of the artist). Late Edo, ca. 1840. H 110 cm, W 35 cm (picture itself). Condition: Very good with minor wear due to age.

A finely cast bronze image of Sakyamuni Buddha seated in meditation posture on a high lotus seat. The image with dark brown-black covering patina. Ming, Wanli period (1573–1615). H. 26,8 cm. (10.5 inches) Good condition.

Made in simple design with green colour wool in changing hues, it is woven in narrow strips joined together and finished with red wool for the border. The Tsudruk carpets are made of three panels, each of the three panels is woven individually and then hand-stitched together. Tsukdruk rugs were not used for the floor but for a sitting or sleeping couch / bed as they are quite soft and supple.. C. 1920. Measurements: L 145 x W 79 cm. L 57 x W 31 inches. Perfect for a modern home or for hanging...

A Tibetan single seat meditation mat (Kang ma type) of hand woven wool with the central field decorated with floral pattern in different colour on a deep red background; a meander frame in white on blue indigo is separating the central square from the outer border of floral design on rust colour. The rug is finished with thick red cotton frame and blue cotton backing. Tibet, early 20th cent. Measurements: L. 76,5 x W 67 cm; L. 30 x w 26,3 inches. Condition: very good considering the age and use...

A large and impressive image of olive-green soapstone (shoushanshi) depicting the demon-catcher Chonggui in martial pose standing above the small image of a seated demon disguised as a Buddhist monk. Extremely fine details. Late Qing Dynasty. H 24 cm. Condition: Excellent.

Small shunga book (vol. 1) with indistinct title in oblong format. 14 colour prints with erotic motifs and texts, five scenes in black ink and other pages with text only. Japan, late Edo, early 19th century. H 8 cm, L 18 cm. Condition: Good impressions and bright colours. Some wear to paper.

Japanese Erotic Shunga Prints. 8 double-page book illustrations in colours from a shunga book (6 with erotic motifs). Extremely good details of the interiors and clothing. Also part of the lot are 3 pages with poetic inscriptions. Probably by Utagawa Kunisada (1786–1865). Japan, late Edo, c. 1850. H 18.5 cm, L 26.5 cm. Condition: Good colours, general fine state of preservation with minor worming (repaired) on a few of the leaves.

A very good Famille Rose Jardiniere / Fish Basin decorated with 3 large cartouche with butterflies, rocks and flowers of different types surrounded by wines, flowers and bats ( bianfu). Gold to rim with some wear. Qing midle of the 19th. H 30,5 cm x Diam 36 cm . Condition: a star crack on one side otherwise fine.

A Japanese Contemporary Large Bamboo Sculpture made of thin strips of madake bamboo and lacquer. The artist is using an irregular, open work plaiting technique creating a kind of large cocoon shape. It can be seen from different angles and it can also be use for flower arrangements as there are openings through which a receptacle can be placed inside. But it can be admired simply as a sculpture. Made by Homura Reiryu ( b. 1970 ) from Oita prefecture, Kyushu, Japan. Unsigned ( the bamboo st...

A very good, embroidered satin silk unofficial informal robe for a Manchu lady. The background in turquoise colour satin, is embroidered with butterflies, bats, different kind of flowers etc., in multicoloured silk floss. Borders in black and blue band with embroidered light blue small flowers. Fastened with five knot-end-loop toggle buttons. Lining in light silk. Calf-length type: H. 110 cm; W. 145 cm. Qing, late 19th to early 20th cent. Condition: very good, but some wear and minor st...

A large root-wood sculpture made of a single piece of burnished and lacquered cypress or perhaps rosewood. Dramatic details. All in all very decorative piece for the scholar’s studio. China, early 20th cent. H 55 cm, W 40 cm. Condition: Excellent.

A tall, cylindrical shape bronze vase by Nakajima Yasumi II (1905-1986). Patinated dark reddish - brown bronze. Vase ornamented with horizontal bands raised in relief and flaring out at the waist and sloping inward to the shoulder. Wood box inscribed on the outside of the lid and signed and sealed on the inside. Vase signed at the bottom: Yasumi. H. 28.5 cm. Showa period. *** Nakajima Yasumi II (1905-1986) was a very well known Osaka bronze artist who's real name is Nakajima Mitsuo. He c...

A finely carved brush pot (bitong) decorated with ‘fu’ characters for good luck in raised, low relief, all done in different type of script. Good, dark honey color. H. 14 cm D. 9,5 cm. Qing, second part of 19th cent. Condition: Excellent. Minor traces of wear.

A beautiful Wangden carpet from Tibet, made with Yak hair warp with thick wool pile and fringe borders. Central floral pattern surrounded by a large tridimensional meander pattern. These kind of carpets were traditionally used in the monasteries to keep warm while sitting during long pujia ceremony in the cold winter. But were also used by wealthy families. Size: L. 160 x 92 cm; 63 x 36 inch Early 20th cent. Condition: very good colours but on one of the short sides there is a small area ...

Vintage Mediterranean Coral, 6 Strand Red Coral Beads Bracelet with 2 spacers and 4 larger corals on safety catch. Weighs: 41 grams. L. 17 cm ( end to end). From 1950 ca. Perfect condition.

The expression of Sakyamuni is beautiful and serene. Clearly carved by a master artist. The image is made of one single piece of precious, dark purplish zitan wood. These type of wood images were made of different parts and assembled ( it can be seen by the holes where the various parts would have been stacked together ). Unfortunately the arms and lower part of the body has been lost but it is still a very charming piece! Fixed on a newer hardwood stand. Tibet, 16–17th cent. H 14,5 ...

An antique Tibetan painted wood image depicting the Female Bodhisattva Green Tara (Sanskrit: Syamatara; Tibetan: Dölma) seated on a lotus throne in the posture of 'royal ease' with the right leg extended; the left hand is held in the mudra of blessing; the right hand extended across the right knee in the gesture of giving protection. Both hands are holding the stem of an utpala flower. H. 19 cm. Tibet, 19th cent. Condition: generally good a part the hands that are partly broken off as the ...

A beautiful and elegant beige Han Chinese Lady’s silk robe. The beige ground has woven patterns of flowers and butterflies on which different kind of flowers and large butterflies in multicolored silk floss are embroidered. Borders in dark blue bands with embroidered flowers; cuffs in yellow silk ground with embroidered Immortals in garden scenes. Lining in light blue silk. Central frontal opening. Calf-length type: H. 110 cm; W. 144 cm. Qing, 19th cent. Condition: good.

Tibetan painted Zitan wood figure of a standing Padmapani Bodhisattva one of the many forms of Avalokitheshvara. Tibet or Nepal, 18th cent. His right hand lowered and extended in varadamudra while the left is raised in vitarkamudra. His face has a serene expression; he is wearing a dhoti, a scarf and jewels. The Bodhisattva only has been made of precious Zitan wood. Standing on a separate carved lotus base, behind him a flaming halo, both base and halo made of a different type of wood. The bac...

A modern, tokkuri-shaped vase of heavily thrown Shino-ware with thick white, partly covering, glazed over which are powerful, brown splashes. The body with raised tapering bands that turn clock-wise. The piece was made by artist Tsukamoto Haruhiko (b. 1959).* Fully signed kiri-box with artist’s seal and signature. Made around 1980. H 15.5 cm. Condition: Perfect. * Tsukamoto Haruhiko was born in Mino in 1959, and is now based in Gifu prefecture. Tsukamoto does not come from a traditional potte...