Catalog: Antiques (343)

A five colour dish decorated with an auspicious pattern showing a dragon chasing a flaming pearl and a hoo bird chasing a thunderbolt. Integrated within the design are the Three Friends of Winter, shochikubai, and a pair of iron red ogee form lotus medallions each containing a precious pearl tama, surrounded by pear blossom, nashihana, symbols of longevity and prosperity. A central motif of a pair of Pomegranates, zakuro, symbols of fertility...

A nagazara of conventional rectangular form decorated somenishikide style, a combination of underglaze blue, sometsuke, and, nishikide, enamelled decoration. Nishiki literally means brocade. In this case a dense diaper pattern made up of repeating and contrasting cells of Karahana against an iron red ground and five petal flowers, presumably, ume hana, Plum flowers against a striated green ground, usually used to suggest pine needles...

A nagazara of conventional rectangular form decorated somenishikide style, a combination of underglaze blue, sometsuke, and, nishikide, enamelled decoration. Nishiki literally means brocade. In this case a dense diaper pattern made up of repeating and contrasting cells of Karahana against an iron red ground and five petal flowers, presumably, ume hana, Plum flowers against a striated green ground, usually used to suggest pine needles...

A good quality deep bowl on a relatively high foot-ring decorated in a full Imari pallette, sans aubergine enamels, and decorated with a curiously constructed set of three reserves in underglaze blue with a central stylised Chrysanthemum (or possibly a Lotus, or fusion of the two) with assymetric stylised vine like scrolls surrounding a light iron red wash with gilt karakusa vine ground...

A long dish of elliptical form moulded with petals decorated with a dense hagi-karakusa ground and an oval reserve containing a simple flowering Apricot, ume, growing from a rock. The reverse decorated with Karakusa sprigs, and a spiral Fuku within a double square. The dish dates to the early Eighteenth century circa 1700-1740. The dish is in good condition with no chips, cracks or restoration. It measures 20.3cm in diameter, 10xm at its widest and stands 4.5cm high

A bowl, hachi, of kiku-gata, moulded Chrysanthemum form, decorated to the interior with low relief kiku-mon, stylised chrysanthemum flower heads. The narrow panels partly painted in underglaze blue with a gilt lozenge diaper pattern inset with swastikas, and brocades inset with various contrasting motifs of kiku-mon, hanabishi-mon, and matsu-mon (a view of the end of a Pine branch). The remaining four double panels with kiku-mons and Peony and Chrysanthemum sprays...

An intriguing set of five small dishes kozara decorated in kakiwake sometsuke style with a design of three Chinese boys, karako, manoeuvring a large snow ball, set within a yukiwa snow flake shaped reserve framed by a band of plum blossom set against a dark blue ground. The design is a variant of the “One hundred boys playing” pattern popular on Chinese porcelain from at least the Yongle period...

An intriguing set of five small dishes kozara decorated in kakiwake sometsuke style with a design of three Chinese boys, karako, manoeuvring a large snow ball, set within a yukiwa snow flake shaped reserve framed by a band of plum blossom set against a dark blue ground. The design is a variant of the “One hundred boys playing” pattern popular on Chinese porcelain from at least the Yongle period...

A dish of scalloped rim form of six-sun size decorated with a central motif of a bouquet of Cherry blossom wrapped in the traditional manner for formal presentation with a sheath of washi paper, tsutsumi, shaped into a horn and tied with cord. The rim of the dish decorated with auspicious motifs of gobenka and cho butterflies in the typical Imari three colour palette dating to the Kyoho period circa 1710-40. The reverse decorated with ribbon ties and trailing flowers...

A dish of scalloped rim form of six-sun size decorated with a central motif of a bouquet of Cherry blossom wrapped in the traditional manner for formal presentation with a sheath of washi paper, tsutsumi, shaped into a horn and tied with cord. The rim of the dish decorated with auspicious motifs of gobenka and cho butterflies in the typical Imari three colour palette dating to the Kyoho period circa 1710-40. The reverse decorated with ribbon ties and trailing flowers...

A fine quality five colour Arita shallow saucer dish decorated with Cherry branches and storm waves, arashi-nami, awash with fallen rafts of cherry blossom. Presumably the design is a play on the words nami, wave, and hannami, cherry viewing, and the design derived from a contemporary or earlier textile pattern. The reverse of the dish simply decorated with cherry blossom. Dating early Eighteenth century, circa 1700-20. The dish is in good condition with no cracks chips or restoration...

A good Arita sometsuke style dish probably from one of the favoured inner set of kilns at Arita, the so-called Uchiyama kilns. The dish is decorated with a border of stylised waves, painted in reverse style, with a single branch of a Camelia Tree in the centre. The underside of the dish decorated with a pair of sketchily painted Gourd vines. For an identical dish see no 216 of the Shibata Collection Part II at page 87...

The dish has an unusual square form with indented corners and a raised almost vertical rim which suggests that it was probably intended to be used for the serving of sashimi, sliced raw fish. This type of dish is described in Japanese as a shihou-sumioshi sara. By the late Mid Edo period sashimi had been growing in popularity being prepared by professional chefs, and was served both in aristocratic and in wealthy households and Ryokan...

A dish of plain everted form measuring seven suns in diameter and decorated in somenishikide style with a traditional kacho-ga pattern of a pair of Butterflies and a Rock Peony. An auspicious pattern symbolising harmony and prosperity. The reverse decorated with scattered Peony leaf sprigs and the base is plain. The dish dating to circa 1780-1800. The reverse decorated with auspicious stylised Chinese clouds and a four character Fu Ki Cho Sun mark. A single spur mark to the base...

A good example of a late 17th century Arita round bodied jug or wine ewer decorated with three lobed panels each with Peonies inset in a simplified Karakusa ground with additional scroll work to the shoulder and neck of the jug incorporating further floral motifs. The jug measures 21cm high and is approximately 10.5cm in diameter. It is in excellent condition with no cracks chips or restoration. See no 32 at page 54 of Japanese Porcelain by Oliver Impey for an identical jug, there dated circa ...

A decorative and colourful Arita nagazara or long dish decorated with a central botan-mon, double Peony motif with alternating panels of Chrysanthemums and under-glaze blue Chrysanthemum leaf arabesques, and Shishi, lion dogs, set against an iron red Peony Petal ground. The dish is good condition, with the exception of a small shallow flake to the top left hand corner of one of the dishes. Dating circa 1760-90, Horeki to Meiwa, late Mid Edo, a similar dish is illustrated in the Complete Catal...

A square dish with canted corners decorated in Sometsuke style with a Peony mon to the centre made up of three stylised Peony blooms bound together with karakusa and four panels containing vignettes of a Dragon chasing a pearl, and waka matsu, young pine, set against a bank of snow with flower like snowflakes falling in the background. The rim decorated with a band of alternating double crested waves and flowers. The dish dates to the second quarter of the Eighteenth century. The reverse decora...

A late Eighteenth century hexagonal form drinking cup painted with panels of Birds with various flowers, Chrysanthemums, Persimmon and Peach flowers with accompanying panels of reverse. The kacho-ga paintings are exceptionally well painted. The interior of the cup painted with a band of flowering Camellia and Peaches set against a dark blue ground. The bottom of the bowl decorated with further a pair of Camelias, and Peach branches. A four character Chenghua reign mark to the interior of the fo...