Catalog: Antiques (343)

A good early 18th Century Japanese Ko Imari dish made for export to the Western market decorated with an eight pointed star constructed from two squares. Eight is an auspicious number in oriental iconography, associated with such groups of auspicious motifs as the Eight Precious Objects, the Eight Trigrams and the eight-fold path of Buddhism...

A good quality large Japanese porcelain mug or tankard decorated in under-glaze blue with iron red, green and yellow enamels with Peonies and Chrysanthemums. It weighs 444 grams and has a capacity of over a Pint. It stands 15.5cm high and has a mouth diameter of 7.8cm, foot-ring diameter of 7cm and a body diameter of approximately 10cm...

A very unusual large dish of conventional European metal form with a Kraak style fuyo-de pattern partially executed in underglaze blue the remainder painted in enamels. The central reserve decorated with hemp palms, shura, and cyclads, sotetsu, next to a body of water framed by a border of brocade lapets in enamels...

An unusual Arita saucer dish decorated with a three colour pattern of a pair of gnarled prunus , Japanese apricot trees incorporating four low relief Prunus flowers, umehana, approximately 50% larger than the painted flowers, and a central motif of a Flowering Peony branch. The reverse decorated with three further flowering prunus branches. A single underglaze blue circle to the interior of the footring and a set of four spur marks in a "Y" shaped formation...

An Imari miniature condiment set of hexagonal baluster form decorated with trailing foliage in underglaze blue, iron red and gilding. Consisting of four small ewers, three marked with A for azin, vinegar, one marked with “S” for syrup; three with plain covers, one with a perforated cover. A complete pepper pot with perforated cover, 7cm high, and a pillar form salt, 6.2cm high...

An intriguing and rare dish that borrows its overall arrangement from a Chinese export Kangxi precedent, but given a distinctly Japanese twist. It is a parody on the theme of the Four Gentlemanly or scholarly accomplishments, Kinkishoga or Siyi, calligraphy, painting, reading poetry and playing music, mitate-e. Here the scholars are replaced by Bijin, elegant ladies at leisure, set in a large Garden arranged in a continuous frieze that is adapted from a Chinese export plate of the Kangxi period...

A saucer form dish decorated in a full five colour Ko Imari “wucai”, gosai palette. The design arranged in fuyo-de Kraak style with a border of six sectional compartments each containing a panels of “Persian flowers”, precious objects, and Chinese figures standing upon a bridge in a stylised landscape. The central mikomi painted with rocks, viewing stones, and foliage and Banana plantain, basho, flanking a pair of small “Deshima style” figures, standing on a podium...

A saucer form dish decorated in a full five colour Ko Imari “wucai”, gosai palette. The design arranged in fuyo-de Kraak style with a border of six sectional compartments each containing a panels of “Persian flowers”, precious objects, and Chinese figures standing upon a bridge in a stylised landscape. The central mikomi painted with rocks, viewing stones, and foliage and Banana plantain, basho, flanking a pair of small “Deshima style” figures, standing on a podium...

An Hirado incense burner of squat globular form with three scroll feet and lion mask handles with a high domed reticulated cover surmounted by a Shishi and ball filial. The body of the koro decorated in underglaze blue with a Chinese “ko sometsuke” style landscape. The censer is in good condition without chips, restoration, but there are some firing flaws notably to the juncture of the legs and to the body of the koro, and a minor firing crack to the rim...

A very large Chinese porcelain wucai enameled ewer or wine pot of compressed ovoid form with cover decorated with an overall brocade pattern composed of hexagonal cells each containing an enamelled four petal flower inset with two large reserves containing respectively Camelias and Rocks, and Flowering Plum and Rocks. The body of the ewer is comparatively thinly potted, and the handle and spout are simply luted to the body with slip. The ewer was made for the Japanese market...

A very rare “mark and period” wucai dish dating to the late Ming period and the reign of the Emperor Tianqi decorated with the Chinese literati subject of the scholar Wang Xizhi standing beneath a Willow tree observing a flock of Geese in flight. Wang Zhi was a noted Chinese scholar and calligraphy master, known as the Sage of Calligraphy, who lived during the Jin Dynasty...

An interesting Chinese porcelain spoon heavily decorated in bright famille rose enamels, principally blue, green and puce inset with an Urdu inscription to the centre of the bowl indicating that it formed part of a service made for the Nawab Feizsalar and Begum Sahibe in 1824. Shop mark to the underside of the bowl in underglaze blue. In good condition, some minute rim frits, no cracks, chips or restoration. It measures 11.7cm in length.

A rather curious dish decorated in underglaze cobalt blue with an “American Eagle” grasping three arrows in its right claw and framed by a stylised Olive wreath. The reverse decorated with three clumps of stylised grasses and a shop mark within the foot-ring...

Finely potted blue and white Chinese export Canton handleless sugar bowl with minute, barely discernible firing flaws. About 5-1/2" W x 5-5/8" H. No chips, frits, hairlines or repairs. Sugar bowls with braided handles were harder to make and morphed into the later handleless ones, c. 1880-1910. Described as "rare" by the Schiffers in CHINESE EXPORT PORCELAIN, c. 1975. Insured shipping at cost.

A rare Arita zhadou form sake cup warmer. These unusually shaped vessels following the form of zhadou, Chinese lays jar, were used for the warming of sake cups, and as flower vases. The form of these cup warmers seem to follow Chinese Song precedents, an example of the Japanese preference for more classical Chinese forms, rather than later Ming and Qing examples, which characteristically have much wider openings...

A hexagonal moulded small bowl or mukuzuke decorated with alternating panels of Buddhist Lions and Peonies painted in a limited three colour palette of iron red, green and yellow enamels and a Camelia flower to the interior of the bowl based on a Chinese wucai pattern of the late Ming period. A cheerful auspicious pattern celebrating the season of spring...

A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the sarasa ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise. The centre of the dish is decorated with a block of twelve flowers each with nine petals, which presumably has some B...

A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the “sarasa” ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise. The centre of the dish is decorated with a block of twelve flowers each with nine petals, which presumably has ...