Catalog: Antiques (343)

. A Nabeshima style dish hand painted with an underglaze blue “karahana” pattern. The reverse decorated with Shippo-tsunagi, six coins bound with trailing ribbons to the reverse and a comb pattern to the foot. The dish measures 18.5cm in diameter (six suns) and stands 4.5cm high. The foot-rim measures 8.6cm in diameter and is 1.2cm high. The dish is in good condition no cracks, chips or restoration...

A rather curious dish decorated in underglaze cobalt blue with an “American Eagle” grasping three arrows in its right claw and framed by a stylised Olive wreath. The reverse decorated with three clumps of stylised grasses and a shop mark within the foot-ring...

A fine pair of Fukugawa vases dating to the late Meji period of wasted baluster handled form standing on tripod bases. A traditional Japanese form, vases with similar tripod bases date from the late 17th century. The vases are decorated with a dark underglaze blue ground with gilt dots inset with auspicious dragons and clouds painted with enamels in doucai style, whilst the feet are decorated with stylised rocks emerging from waves, a representation of the Isles of the Immortals...

A small Hirado porcelain koro with reticulated kagome basket weave panels, salamander form handles, and small scroll feet. Decorated in underglaze blue with floral scrolls and auspicious clouds set against pink and turquoise enamel grounds inset with chrysanthemum motifs enriched with gilding. Dating probably to the late Meji era circa 1880-1910. The koro and cover are in excellent condition with no chaps, chips or restoration...

A pair of a very well painted Kutani porcelain sake bottles painted in “Kenjo Imari” style painted with gilt karakusa to the neck with various marumon, a band of diaper to the shoulder, and further aka-e dama, and stylised karahasna-mon. to the body of the bottle. The vases are thinly potted and wreathing to the interior of the neck suggests that they were originally thrown in two parts...

An novelty Hirado porcelain moulded sake ewer in the form of a large carp with the figure of Kinko Senin hanging on to his back decorated with a combination of iron brown and cobalt blue underglaze colours. The ewer measures approximately 23cm in length and 15 stands in height. The ewer is in excellent condition with no cracks, chips or restoration and unusually it retains its original lid...

A rectangular bronze suiban decorated with patterns of swimming Koi in fast flowing water. The design apparently largely cold worked rather than cast and patinated with a reddish brown finish. The moulded handles in the form of Kuwai, the marshland Japanese Arrowhead plant. The suiban measures 18.5cm long, excluding the handles, and 13cm wide and stands 7.2cm high to the rim and weighs approximately 1.1kg. The bronze is in good, sound condition. It dates to the late Meji period...

A set of five drinking cups, choko, that are decorated with a pattern of underglaze blue bifurcated pines set against a ground of iron red bamboo leaves, with an irregular cloud shaped reserve containing a gilt and iron red prunus tree with a pine bark lozenge superimposed containing a stylised cherry blossom motif set against a seeded green ground...

A gilded bronze or brass alloy hand mirror of round form with a pair of four toed thick bodied Dragons characteristic of the Qing dynasty. The Dragons are impressed into a very fine sandy textured ground and are delineated entirely in flat raised lines similar to champlevé work. The pierced cylindrical knob or button has a V shaped opening for a silk cord and it appears to have been soldered to the centre rather than cast. It has an impressed Shou motif...

A small beaker form vase of square section with vertical barbed halberd shaped vertical flanges dating to the Meji period. The decoration rather than cast has been cold chiselled in “Chinese style”. The upper register contains four seasonal vignettes, Spring Ume ni Egisu, Bush warbler and Plum blosson, Summer, Botan ni Kiji, Autumn Maple and Deer, Shika Momiji-zu, and Winter, Pine and Cranes, Matsu ni Tsuru...

An unusual Arita bowl decorated to the exterior with an auspicious Hundred Chinese Boys pattern, baizi tu, which shows karako, Chinese boys, engaged in various playful activities, principally Fan and Flag waving, moving large objects and chasing chicken. There may be references to various Chinese folk tales within the procession. The enormous water jar is probably a reference to the tale of Sima Guang and so on...

A Japanese handled mirror, e-kagami, cast with a Hoo bird in flight, a symbol or harbinger of peace, and a Kiri tree to its right, auspicious symbols associated with the Empress of Japan, Kiri ni Hoo. Beneath which is pine tree set upon a rocky shoreline washed by seigaiha; a wave pattern symbolizing eternal peace and happiness. The design overall connoting a wish for Peace and Harmony. To the left of the pattern is a set of four characters reading Fujiwara Mitsunaga...

A very unusual pair of moulded dishes in the form of three bamboo leaves, take, cobalt blue glazed with gilt and iron red Sparrows , Suzume, set against a woven ground in gold. A variant on the popular Sparrow and Bamboo pattern, “Takesuzume”. The reverse painted in iron red with precious objects, scrolls. The dishes are graduated the largest measures in 21.5cm in length and iis 3.5cm in height and 13cm in width, and the smaller measures in 18cm in length and is 3cm in height and 11cm in ...

An unusual very heavy and coarsely potted Imari shallow dish of gong shape form decorated with a central motif of a Kirin within an arabesque of foliage surrounded by a diaper band. The rim decorated with roundels, marumon, and wreath shaped medallions in underglaze blue with enamel details. The dish is further decorated with gambolling shishi with cash symbols in enamels.The reverse is similarly decorated as the interior. A six character nien hao for the Chinese Ming Emperor Jiajing The body o...

A finely potted six-sun dish painted with the subject of two fisherman in a boat in the style Of Hokusai. The design is probably derived from several sources, notably the prints “Fishing in Rough Water” at Takamizawa, one of the 100 views of Mount Fuji and “Long line Fishing” on the Miyato river. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter...

An oak leaf shaped moulded dish of six-sun size in “Ko Sometsuke” style decorated in underglaze blue with three seated figures sitting around a low table with a typical Chinese style landscape of mountainous islets in a costal setting with a Ting, small pavilion in the foreground. The reverse decorated with prunus blossom sprigs and a seal for the Kameyama kiln in the centre of the foot-ring. Dating late Edo, Tenpo era. The kiln was established on the slopes of Mount Kazagashira near Nagasa...

An interesting dish of barbed, lotus petal, form with a bulls eye base, janome, decorated in Nanga style, monochrome (sumi-e) landscape paintings in the Chinese Literati tradition of Southern China, a school particularly associated with the Nagasaki area and the work of the Kameyama kiln, where it is believed artists of this school provided designs for use on their wares. The dish is in the style of the Kameyama kiln, but is marked with a simple two character mark in seal form reading “tama-y...

A rare large Kameyama bowl of sanpan form decorated to the interior with a painting of a large koi carp. The border decorated with patterns of prunus against a cracked ice pattern and sekigaha wave pattern. The exterior decorated with auspicious Bats. The stern displaying a seal mark for the Kameyama (Turtle mountain) kiln. The dish was probably produced for use in Shippoku Ryori, Chinese style table dining, the famous Edo period cuisine of Nagasaki. The Kameyama kiln was closed in 1865 at the...