Catalog: Antiques: Regional Art: Asian: Japanese (181)

Japanese lacquer inro depicting a Daikokuten with his hammer watching children, next to a Matsu plant. Excellent quality decoration with relief details, shine and original patina. Polychrome wooden netsuke depicting a seated sage with a fan, painted ceramic ojime. Inro signed Kajikawa with the kao under the base. Origin: Japan Period: Edo mid-18th century. Overall dimensions: 9 x 4.5 x 3 cm. Netsuke dimensions: 4 x 3 x 2.5 cm. State of conservation: Very good

Samurai menpo mask with the ressei (fierce) expression, belonging to the me-no-shita "half-face" type, which stands out for its leather surface to simulate finely hammered iron. Remarkable are the generously sized imposing nose and chin, which add a distinctive element to the face of the mask. Origin: Japan Period: Edo 18th century Dimensions: 28 x 23 cm. State of conservation: Very good

Kodansu in ivory in the shape of an elephant, resting on four feet, enriched by refined inlay applications in the sophisticated Shibayama technique. The upper opening, facilitated by a bronze grip, reveals its interior. It bears the signature, engraved on the side. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 26 x 4.2 cm. State of conservation: Very good

A Japanese porcelain koi dragon resting on the enameled base to simulate bronze with an open mouth and a sphere on the tongue. Entirely in glazed white porcelain with gold decorations on the fins, tail and long whiskers. Legend has it that a Koi carp leaping from the depths of the river attracted the attention of local demons, who stepped up the waterfall out of mischief. After a hundred years of jumping, a Koi finally reached the top of the waterfall...

Sagemono complete with four-compartment lacquer inro decorated in gold and turtle taka-maki-e depicting Raijin and Fujin. Relief decoration with finely engraved turtle depicting Rajin, god of thunder, and Fujin, god of wind. The figure of Raijin is recognized as the god of thunder and lightning, he is represented as a demon, an Oni, with drums. The figure of Raijin is often associated with another deity, also connected to meteorological events, namely Fujin, the God of Wind. The inte...

An ivory netsuke depicting the samurai warrior Sato Tadanobu, who saved the life of Minamoto no Yoshitsune. Tadanobu is depicted with the goban board under his feet and his right hand behind his head ready to throw the container of pieces, the goke. He signs engraved under the foot and himotoshi on the back. Origin: Japan Period: Edo 19th century. Dimensions: 4.5 x 2.5 x 1.8 cm. State of conservation: Very good

Japanese lacquer inro depicting a dragon partially hidden among clouds lacquered in relief. The outer surface is covered in lacquer with dark brown nuances, which offers an elegant contrast with the dragon's shimmering mother-of-pearl. Looking at the inside of the box you can see that there are two compartments. The ojime is made of glass with parallel horizontal blue lines while the netsuke in lacquered wood and metal depicts an archaic design that could depict the Tama (the sacred Bud...

Ivory okimono, carved from a single block, depicting a Samurai with his katana and fan, while a phoenix appears suspended in the clouds. Next to the Samurai, a fox and a monkey are curious and seem to share the samurai's surprise and enthusiasm. Signed Kazutoshi 一俊 with engraving under the base. Period: Meiji end of 19th century. Dimensions: 26.5 x 6.5 x 5.5 cm. Conservation status: Excellent condition...

A Japanese painted and lacquered polychrome wood Fudo-Myo with horn gilted eyes on glass covered. Fudo Myo-o, god of fire and wisdom, is the most popular of the Myo-o “great kings”. He is the fifth guardian of the heavens and protector of astrologers, he is invoked when difficult undertakings are undertaken...

A Japanese boxwood netsuke depicting Shojo crouched in a typical posture, with his hand resting on his knee, while sleeping from the effects of too much sake, the kimono is finely carved with geometric motifs as well as the long hair on the back. Similar examples of the Nagoya carvers are illustrated in Meinertzhagen, MCI, p.844, Davey, MTH, p.189, no.570 and Lazarnick, NIA, p. .1063. Edo period 19th century Sizes: 3,3 x 2,7 x 2,6 cm. Condition report: Good condition

Japanese tonkotsu, traditional box used to contain tobacco powder, aromas or medicines, made in root and decorated with mother-of-pearl floral applications. Floral applications made of mother of pearl are applied to the surface of the box, creating a contrast with the color of the root. In addition, a butterfly is also present on the tonkotsu. The netsuke ryusa manju, carved, is decorated with floral details while the ojime is in green stone. Period: Edo 19th cent. Dimensions: 7,5...

Ivory okimono, depicting a farmer with an Onagadori rooster and a child on his shoulder offering food to the rooster. The sculpture, carved from a single block, is finely engraved with details of the rooster's feathers and kimono. The Hōzan signature is engraved on red lacquer under the base. Period: Meiji end of 19th century. Dimensions: 27 x 8 x 6 cm. Conservation status: Excellent condition

A Japanese drop-shaped bronze vase worked with a remarkable depth that transforms the work into a breathtaking three-dimensional scene with a majestic bear in relief in the center as it stands powerfully on a rock. The bear is portrayed with a precision that does justice to its majesty. The details of its fur, its powerful paws and the expression of its face give an extraordinary life to the animal...

Satsuma vase, with slender neck and terminal part adorned in pure gold decorated with a garden of chrysanthemums, made with enamel and gold in relief. Different varieties of chrysanthemums are depicted, with precision and detail, which differ in the shape, color and size of the petals, creating a fascinating visual effect. Signed under the base Kinkozan in gold on a framed black background and signature imprinted in the ceramic. Origin: Japan Period: Meiji end of 19th century. Dim...

A Satsuma bowl decorated with a striking landscape that evokes the beauty and serenity of the Japanese hills, with a gently flowing river surrounded by trees and mountains. The bowl is signed Kinkozan under the base, inside a rectangular reserve and impressed into the ceramic. Origin: Japan Period: Meiji end of 19th century. Dimensions: 4.5 x 11 cm. State of conservation: Very good

Okimono expertly carved from a single block of ivory depicting a hunter in the company of an Onagadori rooster. A child stands at the hunter's feet while he strokes the rooster's feathers. This okimono features the Yukiharu 之晴 signature in relief under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

A Japanese lacquer inro depicting two fish swimming in their natural habitat. The outer surface of the ring is covered in lacquer with brown nuances, which offers an elegant contrast with the mother-of-pearl. This inro depicts a mother-of-pearl sole on one side. On the opposite side there is a black catfish, made of lacquer. The fish swim among the underwater plants, embellished with golden leaves and mother-of-pearl in relief. The wooden netsuke depicts a sole...

Lovely ivory netsuke depicting the sparrow Fukura Suzume, a small symbolic bird associated with various legends and stories of Japanese folklore. The netsuke is associated with various legends and stories, including that of “The sparrow with the tongue cut out” (舌切り雀, “Shitakiri Suzume”). The netsuke is signed Masanao 正直 within an oval reserve under the base. Origin: Japan Period: Edo 19th century Dimensions: 2.5 x 4.2 x 3.3cm. State of conservation: Very go...