Spectacular Michio Iga Hanaire and Kazuya Shigaraki Yohen Tokkuri
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Directory: Artists: Ceramics: Pottery: Vases: Contemporary: Item # 1358304
Directory: Artists: Ceramics: Pottery: Vases: Contemporary: Item # 1358304
Please refer to our stock # 135 when inquiring.
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A stoic old codger by Furutani Michio stooped at the shoulders and yet standing proud, like some old soldier on Remembrance Day. This is a superb example of this important artists work, showing both his reverence for traditional form and the lengths he went ot reviving the traditions of wood fired kiln effects. It comes enclosed in the original signed wooden box titled Iga Hanaire.
Size, D 13.8 cm H 25.8 cm
Condition, Excellent
Price,(Sold)
Furutani Michio is one of the Gods of Shigaraki, an artist who wrote the book on Anagama kilns, and one of the more influential artists of the second half of the 20th century. He was born in Shigaraki; graduating the Konan High School of industrial Arts, he moved to further his studies (like so many great artist before him, Kanjiro, Hamada…) at the Kyoto Institute of Industrial Arts in 1964. After breaking out on his own, he started by building an Anagama in Shigaraki in 1970, the first since the middle ages. He was a true pioneer, reviving the tradition and going on to build over thirty kilns over the next thirty years. No other artist has shown such singular dedication to a firing technique. He has been featured in the Nihon Dento Kogei Ten (Japanese Traditional Crafts Exhibition), Nihon Togei Ten (Japanese Ceramic Exhibition) and the Chunichi Kokusai Togei Ten among others. He passed away at the peak of his career. For more on this artists contributions see his book Anagama – Building Kilns and Firing.
An inspiring work showing a plethora of Yohen kiln effects by rising star Furutani Kazuya enclosed in the original signed wooden box titled Yohen Tokkuri. Bidoro form between the traces of three shell props on the side, allowing us a view into the firing as it lay on its side in the kiln, the molten ash building up on the opposite side and following gravity down in streams. A sumptuous work exploiting the best Shigaraki pottery has to offer.
Size, D 10.4 cm H 12.2 cm
Condition, Excellent
Price, (SOLD)
Furutani Kazuya (b. 1976) is one of Japan’s most promising young stars. He graduated the Yamaguchi College of Art in 1997, and spent a year at the ceramics research facility in Kyoto before returning to work under his father, Furutani Michio, in Shigaraki. His Father’s sudden death in 2000 pushed Kazuya to the fore, and left him with big shoes to fill. That he has done! Building three Anagama in the following decade and displaying with the National Ceramics Exhibition and a number of private affairs in some of Japan’s top venues.
A stoic old codger by Furutani Michio stooped at the shoulders and yet standing proud, like some old soldier on Remembrance Day. This is a superb example of this important artists work, showing both his reverence for traditional form and the lengths he went ot reviving the traditions of wood fired kiln effects. It comes enclosed in the original signed wooden box titled Iga Hanaire.
Size, D 13.8 cm H 25.8 cm
Condition, Excellent
Price,(Sold)
Furutani Michio is one of the Gods of Shigaraki, an artist who wrote the book on Anagama kilns, and one of the more influential artists of the second half of the 20th century. He was born in Shigaraki; graduating the Konan High School of industrial Arts, he moved to further his studies (like so many great artist before him, Kanjiro, Hamada…) at the Kyoto Institute of Industrial Arts in 1964. After breaking out on his own, he started by building an Anagama in Shigaraki in 1970, the first since the middle ages. He was a true pioneer, reviving the tradition and going on to build over thirty kilns over the next thirty years. No other artist has shown such singular dedication to a firing technique. He has been featured in the Nihon Dento Kogei Ten (Japanese Traditional Crafts Exhibition), Nihon Togei Ten (Japanese Ceramic Exhibition) and the Chunichi Kokusai Togei Ten among others. He passed away at the peak of his career. For more on this artists contributions see his book Anagama – Building Kilns and Firing.
An inspiring work showing a plethora of Yohen kiln effects by rising star Furutani Kazuya enclosed in the original signed wooden box titled Yohen Tokkuri. Bidoro form between the traces of three shell props on the side, allowing us a view into the firing as it lay on its side in the kiln, the molten ash building up on the opposite side and following gravity down in streams. A sumptuous work exploiting the best Shigaraki pottery has to offer.
Size, D 10.4 cm H 12.2 cm
Condition, Excellent
Price, (SOLD)
Furutani Kazuya (b. 1976) is one of Japan’s most promising young stars. He graduated the Yamaguchi College of Art in 1997, and spent a year at the ceramics research facility in Kyoto before returning to work under his father, Furutani Michio, in Shigaraki. His Father’s sudden death in 2000 pushed Kazuya to the fore, and left him with big shoes to fill. That he has done! Building three Anagama in the following decade and displaying with the National Ceramics Exhibition and a number of private affairs in some of Japan’s top venues.
