Wow! Matsuzaki Ken Yohen Shino Chawan Tea Bowl
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Directory: Artists: Ceramics: Pottery: Bowls: Contemporary: Item # 1375206
Directory: Artists: Ceramics: Pottery: Bowls: Contemporary: Item # 1375206
Please refer to our stock # 263 when inquiring.
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An amazing plethora of Yohen kiln effects with thick white Shino glaze by Matsuzaki Ken enclosed in the original signed wooden box titled Haikabu Yohen Shino-Chawan. A sumptuous work exploiting the best of Matsuzaki Ken pottery has to offer.
Size, D 12.2 cm H 10.2 cm
Condition, Excellent
Matsuzaki Ken was born in Tokyo in 1950, and grew up in that dynamic post war era where tradition and modernity were at constant loggerheads. He graduated Tamagawa University in 1972, and moved to Mashiko to take up an apprenticeship under (to be) Living National Treasure Shimaoka Tatsuzo; putting him in direct lineage with Mingei legend Hamada Shoji. In 1978 he established the Yushin kiln, initially emulating the ordinary Mashiko-Mingei themes. However he could not be labeled so easily, and has sought expression in many forms and themes, including Shino, Hakeme, Yakishime, Zogan and porcelain. He is widely exhibited both inside and outside Japan, including New York, Boston and England and including the Metropolitan Museum of Art, New York. Works by the artist are held in the Victoria and Albert Museum, Metropolitan Museum of Art, New York, Sackler Museum、Museum of Fine Arts, Boston, Cleveland Museum of Art, Israel Museum, Philadelphia Museum of Art, Ibaraki Prefectural Museum and Mashiko Ceramic Museum as well as any number of other important public and private collections. See also the book “Ken Matsuzaki, Burning Tradition” (2008).
An amazing plethora of Yohen kiln effects with thick white Shino glaze by Matsuzaki Ken enclosed in the original signed wooden box titled Haikabu Yohen Shino-Chawan. A sumptuous work exploiting the best of Matsuzaki Ken pottery has to offer.
Size, D 12.2 cm H 10.2 cm
Condition, Excellent
Matsuzaki Ken was born in Tokyo in 1950, and grew up in that dynamic post war era where tradition and modernity were at constant loggerheads. He graduated Tamagawa University in 1972, and moved to Mashiko to take up an apprenticeship under (to be) Living National Treasure Shimaoka Tatsuzo; putting him in direct lineage with Mingei legend Hamada Shoji. In 1978 he established the Yushin kiln, initially emulating the ordinary Mashiko-Mingei themes. However he could not be labeled so easily, and has sought expression in many forms and themes, including Shino, Hakeme, Yakishime, Zogan and porcelain. He is widely exhibited both inside and outside Japan, including New York, Boston and England and including the Metropolitan Museum of Art, New York. Works by the artist are held in the Victoria and Albert Museum, Metropolitan Museum of Art, New York, Sackler Museum、Museum of Fine Arts, Boston, Cleveland Museum of Art, Israel Museum, Philadelphia Museum of Art, Ibaraki Prefectural Museum and Mashiko Ceramic Museum as well as any number of other important public and private collections. See also the book “Ken Matsuzaki, Burning Tradition” (2008).