Ogawa Machiko Platinum Glazed Chawan Tea Bowl
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Liquid white gold glaze spills out of the parched earth clay of this tea bowl by Ogawa Machiko enclosed in the original signed wooden box titled Wan and Circa( 2021). The clay itself is smooth and thick, however the bowls seem to have been formed while the clay was half dry, creating a parched sensation which is especially poignant when thinking of imbibing in the libations of rice. The shape is very comfortable, with a rounded body inviting the hand to hold and touch.
Size, D 12.2 cm H 9.1 cm
Condition, Excellent
Ogawa Machiko was born in Sapporo on the Northern Island of Hokkaido in 1946. She studied under future Living National Treasures Fujimoto Yoshimichi, Tamura Koichi and Kato Hajime at the Tokyo University of Arts, graduating in 1969, then went on to further studies in France and Africa, returning to Japan in 1975. She began garnering attention in the mid eighties, and has since become one of the leading female figures in Japanese pottery. She was awarded the JCS prize in 2001, one of Japans most prestigious awards. Work by her is held in the Brooklyn Art Museum, LACMA, New York Metropolitan Museum of Art, Smith College, MIA, MOMAT and a host of others. For more see “Touch Fire, Contemporary Ceramics by Women Artists” (2009) or Toh, volume 67 (1993).
Liquid white gold glaze spills out of the parched earth clay of this tea bowl by Ogawa Machiko enclosed in the original signed wooden box titled Wan and Circa( 2021). The clay itself is smooth and thick, however the bowls seem to have been formed while the clay was half dry, creating a parched sensation which is especially poignant when thinking of imbibing in the libations of rice. The shape is very comfortable, with a rounded body inviting the hand to hold and touch.
Size, D 12.2 cm H 9.1 cm
Condition, Excellent
Ogawa Machiko was born in Sapporo on the Northern Island of Hokkaido in 1946. She studied under future Living National Treasures Fujimoto Yoshimichi, Tamura Koichi and Kato Hajime at the Tokyo University of Arts, graduating in 1969, then went on to further studies in France and Africa, returning to Japan in 1975. She began garnering attention in the mid eighties, and has since become one of the leading female figures in Japanese pottery. She was awarded the JCS prize in 2001, one of Japans most prestigious awards. Work by her is held in the Brooklyn Art Museum, LACMA, New York Metropolitan Museum of Art, Smith College, MIA, MOMAT and a host of others. For more see “Touch Fire, Contemporary Ceramics by Women Artists” (2009) or Toh, volume 67 (1993).
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