Striking Japanese Framed Senshoku Shikishi, Dragon by Minagawa Gekka

Striking Japanese Framed Senshoku Shikishi, Dragon by Minagawa Gekka

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Directory: Vintage Arts: Regional Art: Asian: Japanese: Textiles: Pre 1960: Item # 1343977

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The size of Framed Shikishi: 15 1/2” Long x 14 3/8” Wide. Shikishi(art work board) size: 10 5/8” Long x 9 7/16” Wide. This is rare Senshoku(Dyeing Textile Art) work by renown artist, Minagawa Gekka(1893-1987). Dyeing Textile Art work on Shikishi with beautiful and bold work of Dragon on silk which is very attractive. It has some gold leaves works on the top where it is showing yellowish clouds showing on the photo. Framed work has plexiglass on front. The work has signature of Getsu( Gekka’s Getsu) in red circle. The backside frame has artist’s own hand signed seal. The seal has Japanese writing, “ Sensai”(Dyeing painted), “Nobori-ryu” (rising dragon). “Minagawa Gekka”(his own writing, Minagawa Gekka). The condition of Framed Dyeing Hand-painted Shikishi is excellent. Dated from 1950-1960.

Minagawa Gekka (1893-1987)
Dyeing Textile Artist. His real name was Shuichi. The father of Minagawa Taizo. He studied Yuzen and Dyeing(senshoku) from Yasuda Suisen. Gekka was originally trained in the Yuzen technique of dyeing fabric, a specialty of his native Kyoto that involved painting directly on fabric. Seeking a fresh perspective, he became a student of Tsuji Kakô(1871-1931), a famed Kyoto painter who worked in traditional styles. At the same time, he studied oil painting at the Kansai Art Institute, a famous painting school in the Kyoto area. He developed a unique repertoire of motifs quite outside the traditional mold. Instead of the delicate cherry and plum blossoms associated with Kyoto silks, he favored bold themes such as Dragon design we have. Gekka also departed from traditional Yuzen dyeing by approaching technique in an inventive way. He was a pioneer of applying hand painted technique to Yuzen works. His name first became widely known in 1927, when he exhibited his work at the Imperial Academy of Fine Arts Exhibition (Teiten), the most prestigious competition of the day. Until his death in 1987, Gekka searched tirelessly for new means of expression and formats for textile art: his works include screen panels (byôbu), decorative hangings for the ceremonial carts used in Kyoto’s Gion Festival including, Kikusui Hoko, Tsuki Hoko and many others, and ceiling panels for a Buddhist temple, all of which were traditionally created by painters. Gekka played a central role in elevating the status of textiles as an art in modern Japan. He had many one man show around Japan. He published a books of his works thru Kyoto Shoin as well as Korin-sha. He received many awards in most prestigious Nitten exhibitions, was well as Teiten. His works are among the collection in Tokyo National Modern Art Museum as well oversea museum including in The University of Michigan Museum. He received Kyoto Municipal Cultural Merit Award as well as Japan Geijutsuin Award. He was a judge of Nitten and a member of Nitten judge board.