Catalog: Antiques: Regional Art: Asian: Chinese (219)

Lovely ceramic amber and green sancai glaze fish offering from the Ming Dynasty. These were put on small pottery altar tables and interred with ancestor to provide for them in the afterlife. Good condition , no damage. L: 10cm/4.9in.

Ensemble of four Ming sancai glazed chickens used as ancestral offerings. The large green one has had its head broken and glued back on, otherwise all are in good condition. Heights are between 11cm and 6cm.

Lovely ceramic amber and green sancai glaze fish offering from the Ming Dynasty. These were put on small pottery altar tables and interred with ancestor to provide for them in the afterlife. Good condition. This one is quite small D: 3.8cm/1.7in. A clever bunny good glue a pin on the bottom and use it as a brooch.

Special Offer- reduced from $350 to $250. Good Ming sancai (three colored glaze) horse, in excellent condition- some loss to black pigment on mane and tail but glaze is 100% intact and no fritting and no chips or cracks to the body. H: 26cm/10.2in and W: 30cm/11.8in.

Rare Ming porcelain classic “eight trigram” design censer from the Jingdezhen kiln, with celadon glaze, on three small feet. This is easily mistaken for a stoneware Longquan ware, so please view last enlargements to see the white clay showing through the unglazed portion, unlike the grayish clay from Longquan. This piece is perfect condition. D: 13cm/5.1in and H: 5cm/2in.

Ming Dynasty Tudigong 土地公 Rare Ming Dynasty (1368-1644 CE) pottery image of the Taoist “folk” God, Tudi Gong. He is a very popular God and is considered a community guardian, which is why you will see his small shrines in rural villages and urban neighborhoods, venerated by common people. Literally he is an erath God (God of the soil)...

Special Offer: reduced from $400 to $230. Quirky ensemble of 4 Ming Dynasty (plus one from the Tang Dynasty) sancai courtiers holding Rats, which in the Chinese Zodiac are considered the first of the signs with the attributes of spirit, wit, alertness, delicacy, flexibility and vitality. These all came from different sets and were intentionally aggregated by the original owner. See notes below enlargements for dimension and details.

Song Dynasty Jun ware brush shaper or brushwasher. This was originally the base of flower vase which was later reworked into a scholar’s object. The brown clay indicates this was fired in Henan and in my opinion is representative of the kind that was acquired for the Imperial Qing collection rather then the more typical bowls and saucers. The top surface has more discoloration and minor scratches which indicates, that the repurposing was done some time ago...

Chinese Neolithic high fired, well potted jar with side lugs. Very good condition with original pigment and no repair- just some small chips on the mouthrim- please examine enlargements. Majiayao culture circa 3000BCE. D: 12cm/4.8in and H: 12cm/4.8in

Song Qingbai bowl with high foot rim and thick classic aquamarine Qingbai glaze, there is a 1cm hairline off the mouthrim (noted in last enlargement) otherwise good condition. The glaze is absolutely fabulous. D: 14cm/5.5in and H: 7cm/2.8in

Good Tang Dynasty gray clay brick/tile depicting “Atlas” type, Yakshi figure seated on a lotus blossom. I was in Taxila, (cradle of Gandharan Civilization) and saw a similar figure. This illustrates the Greco/Roman influence in Tang art. The lotus shows indicates an obvious Buddhist connection. The left side of the face is molded a bit obscure, but no damage. An unusual piece, in that it is smaller than the other ones I have had- ergo cheaper shipping...

Beautiful image of Tang Dyansty noble woman or lady-in-waiting. Good condition no damage or repair. She is standing in relaxed natural pose, with a sweet face and complicated to coiled double chignon. H: 27cm/10.6in.

Good Cizhou type high fired, well balanced, ovoid soy glazed with russet highlights jar from a northern kiln, circa- Five Dynasties to Northern Song. There is a possible chip on the outer mouthrim (see enlargement)- difficult to tell if this happened after firing or before. There are remnants of kiln supports on the concave foot. H: 9.6cm/3.8in and D: 10.3cm/4in.

Lovely two handled pottery jar from the Northern China circa (2200 BCE – 1600 BCE) in near perfect condition with just a couple of minor chips on one handle. H: 12.9cm/5.1in and W: 11.8cm/4.7in.

Small bronze spoon from the Han Dynasty, these were usually found with miniature bronze cooking stoves, good study piece for fans of ancient Chinese bronze. There is crack that may be seen last enlargement. L: 9cm/3.5in. Free shipping.

Simple Han inkstone, polished smooth one side and rough underneath. Signs of exavation and typical distinct petrichor smell. L: 20cm/7.9in x 6.3cm/2.5in. Note last image is from Chinese Inkstones- Simon Kwan, for reference.

Very rare pottery bowl and eclectic with Taoist imagery. This is made from a high fired light gray pottery, with traces of a white slip and depictions of musicians, dancers and “demon” masks. This is a funerary piece; the symbology suggests the transition from this world to the afterlife. D: 14cm/5.5in and H: 5.2cm/2in. No cracks original pigments with some kiln warpage

Neolithic/Bronze Age reddish clay, pottery jar from an unknown culture. I acquired this in a group of Chinese Neolithic pottery pieces but I can’t find any references to this being Chinese. I tend to think this from Thailand or some other Southeast Asian culture. Low fired with very good near invisible restoration. If you know what this is, drop me a line and let me know. D: 12cm/4.7in and H: 8.5cm/3.6in.