Catalog: Antiques: Regional Art (115)

DESCRIPTION: Pipestone (Catlinite) is the sacred red clay stone that American Indians used for trade and for making beads or ceremonial pipes. It is found in only a few places in the world, with the best quality pipestone coming from mines in southwestern Minnesota. Pipestone ranges in color from pale pink, to brick, to blood red. Since pipestone is smooth to the touch, can be easily carved and takes a high polish, it was highly valued by Native Americans...

DESCRIPTION: An attractive oval brass box, the hinged lid decorated with a carved carnelian stone at the center with raised brass leaves on either side. Signed at the interior lid, such a box might have been used for snuff, jewelry, cosmetics or medicines. This attractive little box is in excellent condition and dates from the first quarter of the 20th C. DIMENSIONS: 2 ¼” long (5.7 cm) x 1 1/8” wide (2.9 cm) x 1” high (2.5 cm).

DESCRIPTION: A colorfully painted Tibetan chest with four side drawers having leather strap pulls (two drawers on each side). The chest is painted with green floral panels having red floral borders and is supported by short legs. A carved key fret pattern decorates the neck just below the top. Dating from the 19th C, this chest is in good condition with very minor scuffs to paint. DIMENSIONS: 33” high x 28.5” wide x 18”deep.

DESCRIPTION: An attractive scholar’s brush, the cloisonné handle having colorful vine and floral designs on a black ground. The ferrule and tip are both crafted from turned wood while natural bristles form the full brush. In excellent condition, this is a handsome, well made brush dating from the early 20th C. DIMENSIONS: 13.5" long (34.2 cm).

DESCRIPTION: A nice old Chinese toggle carved from a striated wood in the form of two peaches. The peach is a symbol of longevity, and this thick toggle has a wonderful aged patina that only comes from age and handling. Strung with a cord through the holes under the stems, it would have hung from a sash and been used as a counterweight to a tobacco pouch or other utilitarian object. A wonderful example of Chinese folk art, this toggle dates from the 1700’s...

DESCRIPTION: A beautiful antique Chinese necklace strung with pink coral, turquoise and silver beads. Three silver figural pendants hang from the necklace, including a foo dog, a horse with saddle and bridal, and a child holding a large flower, each with agate beads. Qing Dynasty, excellent condition. DIMENSIONS: 28.5” end to end (72.5 cm).

DESCRIPTION: A red and gilt ink cake in the form of a turtle with a curled snake on its back. In ancient China, the tortoise and the snake were thought to be spiritual creatures symbolizing longevity. Both the front and back have been finely pressed in raised relief with gilt accents. One of the treasures of the Chinese scholar’s studio, this ink cake is in excellent condition, in its original box, and dates from the first quarter of the 20th C. or earlier. DIMENSIONS: 3” long (7.7 cm).

DESCRIPTION: A beautiful antique Chinese tobacco pipe, elegantly crafted from a long bamboo stem lacquered in red and black. The tip (bit) is carved from a pure white nephrite jade stone that is tapered and then flared to form the lip. The bowl and shank are crafted from silver metal, and bands of brass rings decorate each end. This pipe is in excellent condition and dates from the latter Qing Dynasty. DIMENSIONS: 17 ¼” long (44 cm).

DESCRIPTION: A Chinese minority tribe antique silver bracelet, handcrafted from two sturdy silver coils, each twisted and joined to form a braided pattern, with each end terminating in a silver, four-horned dragon head. The woven coils, simulating the dragons’ bodies, and the gap between the horned heads allow the bracelet to be “sized” to any wrist. Very decorative and an authentically old piece of tribal jewelry...

DESCRIPTION: A pair of substantial, deeply carved Chinese doors originating from Zhejiang province and dating from the early 1800’s, Qing dynasty. These handsome, heavy solid elm doors still have all of their original pegs attached, which would have been set into round sockets at the top and bottom, allowing the doors to be opened and closed.

The top panels are carved with flowers and a repeating swastika pattern, the Chinese character meaning good fortune or longevity...

DESCRIPTION: A fine red and gilt Chinese scholar's ink cake in circular form with the front and back molded in relief in the form of a foo dog (shi shi) with tightly curled mane. Both the front and back have raised Chinese characters in relief. Excellent condition in original box, and dating from the first quarter of the 20th C. or earlier. DIMENSIONS: 2 ¾” diameter (7 cm).

DESCRIPTION: A fierce pair of Chinese pottery foo dogs, early Qing, 18th/19th C., covered with a heavy green glaze and seated on pedestals. Each bares its teeth ferociously while holding a ball between their front paws as well as in their mouths. Good detail with finely ribbed backs and curled manes. Very good condition. DIMENSIONS: Each approximately 9 ½” high (24 cm) x 5” wide (12.7 cm).

DESCRIPTION: A heavily cast, six-sided Chinese pewter teapot, the domed lid mounted with a foo dog and the base raised on six feet. Latter Qing Dynasty (19th C.) and in good condition with light usage wear. DIMENSIONS: 8 ¼” high (21 cm) x 7 ½” wide (19 cm).

DESCRIPTION: A Qing dynasty bamboo pipe, possibly used for either opium or tobacco, with a bulbous body crafted from a large segment of giant bamboo. Mounted onto this segment are heavy brass fittings, one for the tubular tobacco bowl with its long brass shaft descending into the body. The other brass tube holds the long, bent bamboo stem that is used to draw the smoke out. Very good condition with a nice patina. DIMENSIONS: 16” high assembled (40.5 cm)...

DESCRIPTION: A Chinese peach toggle (guajian) crafted from a flat piece of burl wood with large spreading leaves, representing longevity in Chinese iconography. Two holes on either side of the stem were used for threading a cord from which this toggle would have been suspended as a counterweight to some other object, such as a tobacco pouch. A nice example of Chinese folk art dating from the mid 1800’s or earlier, this toggle is in overall fine condition with aged patina...

DESCRIPTION: Long acknowledged as masters of porcelain, the Chinese also excelled at pottery making. Qing Dynasty domestic pottery used regional clays and showed distinctive regional styles. This pottery, used for the storage of oil and other household goods, exhibited tremendous, quiet beauty as well as utility...

DESCRIPTION: Long acknowledged as masters of porcelain, the Chinese also excelled at pottery making. Qing Dynasty domestic pottery used regional clays and showed distinctive regional styles. This pottery, used for the storage of oil and other household goods, exhibited tremendous, quiet beauty as well as utility. Crafted of red clay and originating from Jiangxi Provence, this handsome jar is an excellent example with its incised geometric decorations in two-toned brown and yellow ochre glazes...

DESCRIPTION: An antique Chinese boxwood toggle (Guajian) carved as a pair of men’s shoes resting side by side, a symbol of marital harmony and the wish for many sons. The shoes are elaborately carved with hollowed interior, relief banding, and incised designs on all sides including the soles. A hole running through the inner sides of each shoe forms the track used for threading cords from which this toggle would have been suspended as a counterweight to some other object...

DESCRIPTION: A large, carved wood figure of the Chinese deity Guanyin (also Quanyin, or Kwan-yin), seated on a throne with right leg folded and right hand extended in the abhaya mudra position, a gesture of reassurance, blessing and protection (or “do not fear”). Her hair is worn pulled up in a chignon inside her crown, and around her shoulders is draped a short shawl with flowing ribbons. In good, solid condition with minor age wear; early 20th C...

DESCRIPTION: A rare and beautiful Chinese daybed or opium bed (also referred to as a lady's couch bed, lohan, or "ta" bed), the black lacquered wood back and side panels shaped as an unfurled scroll with elaborate decorations including figural scenes, animals, flowers and birds, Chinese poetry and pierced gilt carvings. These surround a rectangular support frame topped with a woven mat seat. Below the seat an elaborately carved skirt stretches between thick, boldly carved legs...

DESCRIPTION: An attractive scholar's calligraphy brush, crafted using long brown horsehair bristles attached to a bulbous ox-horn ferrule and segmented, solid ox- horn shaft. A very handsome brush in good condition from the latter Qing Dynasty, which would have been used for calligraphy or painting. DIMENSIONS: 14” long (35.5 cm).

DESCRIPTION: An attractive antique Chinese stoneware jar with wide body and outward turning rim, hand crafted with a pleasing celadon glaze over a raised border of circular designs. In original firing condition and dating from the early 20th C. Though the origin is Chinese, this crock would lend a nice touch of "country" in a cottage or farmhouse setting. DIMENSIONS: 7.5” high (19 cm) x 8” diameter (20.3 cm).

DESCRIPTION: A fine Chinese boxwood water-well basket toggle, intricately carved in an acorn shape with a realistic and detailed basket weave pattern with carved wood rim. The arched overhead handle has a free-carved wood ring attached; the interior is hollowed out. Excellent condition, a beautiful toggle, 19th C. For a similar example see: Schuyler Cammann, Substance and Symbol in Chinese Toggles, #188, p.228. DIMENSIONS: 1-3/4” high.

DESCRIPTION: A large, non-damper opium pipe, consisting of a long bamboo tube terminating at one end with a bowl of brass and copper overlay acting as the saddle, socket and damper. A tapering brass tip finishes the other end. Around the bowl is a double flower design in copper and brass, and on each side is a decorative brass fish with scales. Attached along the bamboo stem are lengths of braded yarn, one of which terminates in a brass ring for hanging. Purchased from the collection of Jean-P...

DESCRIPTION: A fine and very sculptural Chinese Duan ink stone in the form of a bell with a deeply carved water well on one end, and a flaring flat surface on the other for mixing ink. The stone is raised on two elongated prong feet, between which is a five character inscription. Worth noting is the attractive coloring of the stone, best described as a plumb or eggplant color mixed with dashes of scattered sea-green inclusions, often called “eyes.” CONDITION: One tiny chip on raised lip at...

DESCRIPTION: A large and masterfully carved Chinese shou shan stone (soapstone) seal in tall rectangular form, the knob carved with a crouching dragon having both wings tucked back covering its sides, and whose mouth is poised to grasp the sacred pearl. On each flat surface of the base are engraved inscriptions and characters among idyllic scenes of rivers with boats, hills, houses and pavilions. The bottom seal characters leave a positive (red) impression. An outstanding seal in very good co...

DESCRIPTION: Outstanding Japanese porcelain Imari charger, circa 1880, acquired in Brussels, Belgium. This charger is profusely painted in under-glazed blue, red, green and gilt with a central blue medallion of scrolls highlighted in gilt. Surrounding the medallion is a wide border of alternating cartouches enclosing pairs of birds with bamboo leaves, and flowers issuing from rockwork with butterfly. The reverse is painted with three sets of flowering blue branches. Perfect condition, no cracks...

DESCRIPTION: A handsome scholar's calligraphy brush, crafted using a dark brown bamboo for the shaft which connects to a shaped horn ferrule and long, natural bristle brush. One of the "four treasures of the scholar’s studio," this striking scholar’s brush would have been used for calligraphy or painting. This attractive, well made brush dates from the early 20th C. DIMENSIONS: 13.25” long (33.5 cm).

DESCRIPTION: This outstanding and rare antique Japanese Tonkotsu, or tobacco box, has been crafted from boxwood in the form of the Three Wise Monkeys, with a beautifully carved Iwazaru, or “Speak no Evil” monkey, serving as the main tobacco container. Mizaru, or “See No Evil”, forms the ojime and Kikazaru, or “Hear No Evil”, forms the netsuke to complete the set. Each of these has been meticulously carved with inlaid eyes and finely delineated fur. The large monkey wears a decora...

DESCRIPTION: This large, boldly decorated early 19th century Japanese Arita sometsuke (blue and white) porcelain dish in square form (“kaku-zara”) is hand painted in deep cobalt blue with a center floral design against thin parallel lines. This center ground is bordered by diaper designs around the raised rim with floral cartouches at each corner. Such a dish was used in Japanese tea ceremonies for serving raw fish or shellfish. The reverse is hand painted with stylized decorations in cobal...

An attractive antique Chinese porcelain plate, hand painted with a large, leaping blue carp with russet colored cross-hatched scales. The carp was an auspicious fish in China and a symbol of perseverance and success, often applied to success in business enterprises and state examinations. In excellent condition (no cracks, chips or hairlines), this deep-dish plate would have served as a large shallow bowl as well. Dating from the Yongzheng to Qianlong Periods (AD 1723 - 1795), this plate is o...

DESCRIPTION: An engaging Spanish Colonial carved santo figure depicting Saint Anthony holding the Christ Child. St. Anthony of Padua is perhaps one of the most loved and admired saints in the Catholic Church. Born in Portugal in 1195, he was a Portuguese Catholic priest and friar of the Franciscan Order who later did much of his work in Italy. Here St. Anthony is dressed in a brown friar's habit with head tilted to one side, gently holding the Christ Child in his arms. This figure, dating f...

DESCRIPTION: An antique Chinese toggle (guajian), carved from boxwood in the form of a Buddha's hand fruit (or fingered citron), a symbol of happiness, longevity and good fortune in China. The fingered citron is unusually shaped with bright yellow fruit segmented into finger-like sections, resembling a human hand. Highly fragrant, it is used predominantly in China for perfuming rooms and personal items such as clothing. According to Buddhist tradition, the Buddha prefers the "fingers" of the ...

DESCRIPTION: An appealing Chinese toggle (guajian), carved from Huanghuali wood (a hardwood similar to Rosewood) in the form of a Buddhist lion seated on a plinth with one paw placed on top of a ball. With raised tail, textured fur on his back, and brass studs decorating the eyes and each limb, this foo dog would have been used as a counterweight for a tobacco pouch or other object suspended from a belt. Displaying a luscious patina from use and handling, this little grinning lion is a real ch...

An attractive pair of antique Chinese porcelain plates, each hand painted with a large, leaping blue carp with russet colored cross-hatched scales. The carp was an auspicious fish in China and a symbol of perseverance and success, often applied to success in business enterprises and state examinations. In excellent condition (no cracks, chips or hairlines), this pair of deep-dish plates would have served as large shallow bowls as well. Dating from the Yongzheng to Qianlong Periods (AD 1723 - ...

DESCRIPTION: A large polychromed wood figure of Saint Martin De Porres, Peruvian, 18th C. Here he is depicted gazing upward toward heaven, arms outstretched, wearing his Dominican robe embroidered in gold with a long painted rosary dangling past his waist. His white undergarment is richly painted with flowers and gold leafy tendrils. Carved in full round, his head is set with glass eyes and he retains a good amount of the original paint. DIMENSIONS: 26 inches high (66 cm).

SAINT MARTIN...