Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1362107
Apolonia Ancient Art
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This attractive ancient Greek coin is a Sikyon silver obol that dates circa 360-330 B.C. This coin is approximately 13 mm in diameter, weighs .83 gms, and is in Extremely Fine/good Very Fine (EF/VF+) condition. This coin has a very light gray patina, perfect centering, excellent metal, and exceptional artistic style. The obverse (Obv.) features a beautiful wreathed bust of a young Apollo facing right, and the reverse (Rev.) shows a flying dove right with a monogram behind. The dove is also a civic symbol of Sikyon, and was also sacred to Apollo. The Apollo seen on the obverse, has exceptional artistic style, as it is a very realistic portrait of a young Apollo, has long flowing hair as earlier "Classical Period" portraits show, and has minute detail in the rendering of the wreath. This coin is also a better example than what is normally seen for this scarce issue. The condition is also better than most examples, and this piece is one of the better recorded examples of this type. References: Sear 2776. Ex: Harlan Berk collection, Chicago, Ill., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this coin is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1362275
Apolonia Ancient Art
$1,685.00
This extremely detailed figurine is a Greco-Roman bronze wild boar that dates to the Hellenistic Period, circa 2nd century B.C.-1st century A.D. This cute piece is approximately 1.75 inches long, by 1.2 inches high, and is a complete example with no repair/restoration. This piece is also a solid example, as it was cast as one piece, and it also stands by itself. This piece has extremely detailed features, with scaled skin, realistic facial features, an incised and raised hair neck ridge, and a tightly curled tail. This piece also has an exceptional and even dark green patina, with some minute spotty light red highlights. This piece is very analogous in design to another example seen in Christie's Antiquities, London, "A Peaceable Kingdom, The Leo Mildenberg Collection of Ancient Animals", Oct. 2004, no. 211. ($1,800.00-$2,700.00 estimates, circa 2nd century B.C.-2nd century A.D., and nearly identical in size. See attached photo.) The wild boar was very important to the Greek Hellenistic culture, as it was the ancient boar hunt that defined the passage of a boy to a man. The wild boar was one of the most dangerous beasts that roamed the ancient countryside, and ancient hunting expeditions often assumed mythic proportions, such as the famous Calydonian boar hunt. A nice complete example that has a great deal of eye appeal. A custom display stand is also included, and the piece sits down into the grooves of the stand, and can easily be removed. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Concordia Art, Las Vegas, NV., circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1362320
Apolonia Ancient Art
$925.00
This superb graded ancient Greek coin is a silver didrachm that is attributed to the island of Corcyra (Corfu), and dates circa 229-180 B.C. This coin has an extremely large flan that is approximately 23mm in diameter, weighs 4.7 gms, and is superb condition (EF+/EF+). The obverse (Obv.) features the ivy wreathed bust of a young Dionysus facing right, within a dotted border; and the reverse (Rev.) shows the winged Pegasus flying right, with a ships prow symbol and a (PK) monogram below, and a (APK) monogram above. This coin is also perfectly centered and has an extremely large flan which shows all the elements noted above on the reverse, and this is rarely seen on this scarce issue. This coin may also have been over-struck over another coin, and during the minting process, the flan was hammered several times before being struck, and this may also explain the extremely large size of the flan. This coin also has high relief which is also seldom seen on this issue. This coin was also likely minted shortly after the island surrendered to the Romans circa 229 B.C., and it became a Roman protectorate. Although this coin is classified as being a Greek coin, it technically is a Roman coin, not only because of it's minting technique, but also because of the artistic style of the issue. This coin in fact has very analogous artistic style to many Roman Republic issues. The coin offered here is one of the best recorded examples, and is seldom seen on the market in this superb condition, centering, and extremely large flan. References: HGC 6, 65; Sear 2027. Ex: Harlan Berk collection, Chicago, Ill., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1362411
Apolonia Ancient Art
$2,365.00
This superb Roman bronze is a portrait bust of the Roman emperor, Marcus Aurelius, and dates circa 170-180 A.D. This mesmerizing piece is approximately 1.35 inches high, by .8 inches wide, and is a complete bust with most of the lower neck. This piece was part of a figurine, and was broken at the lower neckline, and the bust is a complete example, with no cracks and no other noticeable areas of damage. This realistic portrait bust is in superb condition, and has a beautiful light to dark green patina with some minute red spotty highlights. In addition, there are some light green and blue deposits seen mostly on the inner surface of the piece. This piece is classified as a "Type IV" portrait of Marcus Aurelius, as it shows the emperor in an advanced age with a very full beard. The beard is also divided in the center of the chin that also shows parallel locks of hair. This "Type IV" convention of art can easily be seen on this portrait bust, along with the distinctive arc of hair that frames the forehead. The emperor is also seen wearing a diadem crown in the hair which also signifies the wearer as being regal in status. The overall look of the face also conveys the Stoic nature of this emperor-philosopher, and conveys a peaceful ideal. (For the portrait type see: Klaus Fittschen and P. Zanker, "Katalog Der Romischen Portrats in den Capitolinischen Museen und den Anderen Kommunalen Sammlungen der Stadt Rom", 3V., Berlin: P. von Zabern, 1983-2010.) Marcus Aurelius Antoninus Augustus ruled from circa 161-180 A.D., along with Lucius Verus as co-emperor from circa 161 until Verus' death in 169. During his reign, the empire defeated a revitalized Parthian empire, and fought the Marcomanni, Quadi, and Sarmations with success during the Marcomannic Wars, but it was the Germanic tribes that Marcus fought incessantly with during the remaining years of his rule. The realistic portrait bust offered here was likely created during this time, and is likely a provincial portrait, which may also have been in a private shrine where the Roman legions were stationed near Germania along the Danube. Whatever the case, this portrait served a Roman well in the period in which it was created, and is an excellent image of this important emperor. This attractive piece also sits on a custom display stand, and can easily be removed. Ex: Private Swiss collection, circa 1970's. Ex: Phoenix Ancient Art, New York and Geneva, Switzerland. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1362875
Apolonia Ancient Art
$875.00
This piece is an intact and attractive Daunian askos that dates to the 4th century B.C. This piece is approximately 10 inches long, by 8.3 inches high, by 9 inches wide through the center of the vessel. This intact piece has no repair/restoration, is in mint "as found" condition, and in addition, it is also a thick-walled ceramic which lends this vessel a great deal of durability. This piece was likely used to hold a liquid such as wine, and was designed for pouring, with the strap handle seen at the top, and the elongated neck at one end of the vessel. There is also an interesting "wavy-line" symbol seen on the piece which may be a representation for water. This piece also has a decorative raised "duck-tail" element at the other end of the vessel, and the entire vessel was likely designed to resemble a sitting duck. This piece also has attractive light brown geometric "line designs" that run around the vessel, and ceramics attributed to the Daunian culture, that was centered in northern Apulia in southern Italy, also resemble earlier Etruscan "Duck-askoi". The piece offered here also has some spotty light tan mineral deposits, along with some attractive root marking. This piece is also slightly larger than what is normally seen, and is a nice example for the type. For a comparable piece see "The Art of South Italy: Vases from Magna Graecia", Virginia Museum of Fine Arts, 1983, no. 147. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Pre AD 1000 item #1362902
Apolonia Ancient Art
$1,265.00
This intact piece is an attractive Daunian funnel krater that dates to the 4th century B.C. This large piece is approximately 8.25 inches high, by 10.4 inches wide through the center of the vessel. This superb example has no repair/restoration, is in mint quality "as found" condition, and in addition, it is also a thick-walled ceramic which lends this vessel a great deal of durability. This piece was likely used to hold wine or a grain commodity, and was likely used in life, as well as in the afterlife as a votive type vessel. This piece was very functional, as it was designed with a funnel at the top, which made it easy to pour a liquid or grain into the vessel for use and/or for storage. This piece also has two handles at each end of the globular body, and two raised decorative elements that may resemble a human form. This piece also has attractive light to dark brown geometric "line designs" that run around the vessel, and are also seen on the top inside surface of the funnel. The piece offered here also has some spotty white and light brown mineral deposits, which are light to heavy in various sections of the vessel, and there is also some attractive root marking as well. This piece is also a better quality example than what is normally seen, as it also has not been over cleaned, and is a nice example for the type. For a comparable piece see "La Ceramica Geometrica Della Daunia", by Ettore M. De Juliis, Firenze, 1977, Pl. III, No. 26. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1363343
Apolonia Ancient Art
$1,675.00
This dainty and superb piece is a Greek bronze oinochoe that dates to the 5th-4th century B.C. This lovely piece is approximately 6.75 inches high, by 2 inches in diameter through the center of the vessel. This piece features an elongated strap handle that is approximately 5.5 inches high, from the top of the handle to where it attaches to the main body of the vessel. This strap handle also has two small, finely worked rivets that attach this handle to the lip of the vessel, and a heart shaped applique, on the other end of the handle, which is attached to the main body of the vessel. This piece has a flat bottom and stands very stable, as this piece is well balanced. This exceptionally well designed piece also has a raised lip that allowed for better control of a precious liquid, such as an oil-based unguent, and this may also have been the primary function of the raised elongated strap handle. This piece likely served as an accessory for a woman's toilet cabinet, and is an extremely rare to rare design with this elongated handle. This piece has a beautiful dark and light green patina with dark red highlights, and has some spotty dark green mineral deposits. This piece is also intact, has no repair/restoration, and the raised strap handle is remarkably intact and complete. An exceptional Greek bronze vessel that is also a rare type. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1363479
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This sensual Egyptian bronze figurine likely represents Isis, and dates to the Late Period, 26th-30th Dynasty, circa 664-342 B.C. This beautiful piece is approximately 5 inches high, and is mounted on a wooden base that is approximately 1 inch high, and this wooden base dates to the turn of the century. This standing figurine also has very pleasing and well-defined facial features, along with detailed armbands, wristbands, individual hair strands, and feet. The goddess is seen with her hands straight down by her sides, and is seen wearing a long close fitting dress which accentuates the sensual curves of her body. One can also see that she exudes the concept of fertility with her smiling face and well endowed breasts. This clearly is a goddess that represents fertility and the bounty of the Nile, and Isis was thought to be responsible for the yearly inundation of the Nile that developed from her tears that she shed for the loss of Osiris. This goddess is also seen wearing a broad collar, a finely striated tripartite wig that is seen passing behind her ears, and a uraeus with a raised cobra and a diadem of uraei that is surmounted by raised horns and a sun-disk. She is also seen bare-footed and has a smiling mouth with full lips, and large eyes with tapering eyebrows. The overall design of this sensual piece is very striking, and is a classic example of ancient Egyptian art. This esoteric piece also has an even and beautiful dark brown patina, with some spotty minute traces of gold gilt. This piece was also cast as one piece, and is a solid, intact example with no repair/restoration, save for the extreme tip of one raised horn. Ex: Heinrich Ferdinand Karl Brugsch collection, Berlin, Germany, circa 1864. Ex: Archaeologie, Drouot-Richelieu, "Collection Emile Brugsch-Pacha et a Divers Amateurs", Paris, France, Sept. 30th-Oct. 1st, 1996, no. 497. Ex: Sotheby's Antiquities, New York, Dec. 2015, no. 12. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1363639
Apolonia Ancient Art
$325.00
This interesting Greek bronze coin is a Tarsos (AE 26mm), and dates circa 164-27 B.C. This coin is approximately 27 mm wide, weighs 16.3 gms, and is in very fine/good very fine condition (VF/VF+). This coin is also scarce regardless of grade, and overall, this coin is a better example than what is usually seen, and in addition, this coin has a beautiful even dark green patina. The obverse (Obv.) features a seated Tyche on a chair facing right, holding a grain ear, and below, the river god Kydnos is swimming right. The reverse (Rev.) features Zeus Nikephoros seated on a throne facing left, and is holding a Nike with a magistrates legend seen below the extended arm. The Greek legend (TARSOS) is also seen behind the detailed throne. The design of the seated Zeus and throne also copies the earlier coins of Alexander the Great, and the seated Tyche seen on the obverse is also a scarce depiction in ancient Greek coinage. Tyche was the patron goddess of Tarsos, and was easily recognized in antiquity as such, and this is also an explanation why this coin has no obverse legend. A nice Greek bronze with a beautiful dark green patina. References: Sear 5674; SNG Levante 979. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Byzantine : Pre AD 1000 item #1363649
Apolonia Ancient Art
$375.00
This rare Byzantine bronze coin is a "double-follis" attributed to Basil II, circa 976-1025 A.D., and is likely Constantinople mint. This rare coin is approximately 35mm wide, weighs approximately 22.1 gms, and is in extremely fine/extremely fine (EF/EF) condition. This coin was minted at the height of the Byzantine Empire under Basil II, and is approximately twice the weight of a "single follis", as the average weight of a "single follis" is approximately 9.54-10.25 grams. This rare coin is a denomination seldom seen on the market, as it was produced with dies that were used for a "single follis", along with a flan that is simply twice the weight of a "single follis". This coin type is also classified as a "medallion", and Byzantine "medallions" were only minted on special occasions. The obverse (Obv.) features the bust of Christ Pantokrator with long hair, along with the image of a halo and cross behind, and within each limb of the cross, there are five dots. There are also two dots seen to the right of the bust, all within a dotted border. The reverse (Rev.) features three lines of lettering that also name Basil II. This superb Byzantine bronze also has a great deal of eye appeal, as it has a beautiful dark green patina with spotty red highlights. This piece is not only a nice example of a Byzantine bronze coin, but it is also a Christian artifact in this large size. References: Sear 1813 (follis); Berk 948 (follis). Ex: Harlan Berk collection, Chicago, Ill., circa 1980's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1363783
Apolonia Ancient Art
$365.00
This superb Greek bronze coin is an (AE 17) that is from the city of Mesembria, and dates circa 4th-3rd century B.C. This coin is approximately 17mm in diameter, weighs 5.8 grams, and is in superb condition (EF+/EF+). This coin also has a beautiful dark green patina, perfect centering, excellent metal, and high relief. The obverse (Obv.) of this coin has an excellent image of a Greek "Attic type" helmet, which was the favorite helmet type of elite cavalry units forged by Alexander the Great. This coin also has perfect centering, and the full crest of the helmet is seen on the flan, which is not often completely seen relative to this coin type. The reverse (Rev.) features an Celtic war shield, and has Greek lettering above and below, which also names the city Mesembria. This lettering is also complete, as this coin has perfect centering, and is not often seen on this coin type. The city of Mesembria was a Greek colony in Thrace on the Black Sea coast, and traded in slaves, and agricultural products. This coin is an exceptional example, is one of the better recorded examples with perfect centering, and has details not often seen both on the obverse and reverse. References: SNG BM 276. Ex: Harlan J. Berk collection, Chicago, Ill., circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this coin is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1363867
Apolonia Ancient Art
$985.00
This superb Greco-Roman bronze piece is an applique that is in the form of a theater mask, and dates to the late Hellenistic Period, circa 1st century B.C.-early 2nd century A.D. This piece is approximately 1.3 inches high, by 1.25 inches wide, by .8 inches in relief. This piece has a flat back with a small raised iron knob, and may have been the terminal end of a vessel handle, or may have been fitted into armor such as a cuirass. The latter scenario is more likely, as the raised knob resembles the remnants of an iron pin which would define this piece as a fitting, or a decorative attachment. This piece has a very well-defined face with sharp eyes, and detailed individual hair with hanging curls. The hanging curls are very detailed, and are very realistic in their design. In addition, this piece has a finely sculpted mouth and rounded chin, which is an artistic style that resembles the earlier Greek facing head coinage from Rhodes. The overall image greatly resembles a Greco-Roman theater mask, or it may also be, and double as a protective Medusa. Whatever the case, this piece is a very fine example, with extremely fine artistic style, very high relief, and a beautiful even dark green patina with minute spotty red highlights. This piece is also attached to a custom Plexiglas display stand. Ex: Private Austrian collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1363891
Apolonia Ancient Art
$2,675.00
This scarce piece is a Greek silver cup that dates to the Hellenistic Period, circa 4th-3rd century B.C. This piece is approximately 3.9 inches high, by 4.65 inches in diameter at the upper rim. This beautiful piece has a flat bottom, and easily stands by itself. This attractive piece also has a slightly flared rim, and graduates in size down to the flat base, and overall, this piece has a very esoteric shape and a high degree of eye appeal. This vessel also has a light to dark gray patina with some attractive spotty light gray mineral deposits. These attractive mineral deposits are not only a mark of authenticity, but they also show that this piece has not been over cleaned, and is in it's natural "as found" condition. There is also some minute root marking and scratches, which is normal for a vessel of this type, and there is no repair/restoration. This piece may also have been produced in ancient Thrace, and may also have been produced for the Scythian market. For the type see: D.E. Strong in "Greek and Roman Gold and Silver Plate", London, 1966, pp. 84-86. The piece offered here is scarce to rare, and overall, is a superb example seldom seen in this condition on the market. Ex: Private Austrian collection, circa 1990's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1364381
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This group of twenty Greek and Roman gold beads and fittings date to the Hellenistic Period, circa 3rd century B.C., to the late Roman Imperial Period, circa 3rd century A.D. This group ranges in size from approximately .1mm in diameter, to 12mm in diameter for the larger round beads. All of the gold pieces together weigh approximately 9.1 grams. The pieces in this group all have an attachment hole for the stringing of a necklace, or possibly for a bracelet in antiquity. Some of the beads and fittings have minute detail, and would make an excellent addition to a modern work of jewelry, or an ancient gold display. A nice group of ancient jewelry with many shapes and sizes. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Stone : Pre AD 1000 item #1364438
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This extremely rare ceremonial stone ball is attributed to the Taino culture, and dates circa 1100-1250 A.D. This piece is approximately 5.3 inches in diameter, and is a perfect sphere. This piece is a hard sandstone that is native to the Caribbean region where the Taino culture dwelled, and there also have been many ceremonial ball-courts found in Puerto Rico, where the Mesoamerican ballgame was played with a rubber ball. The piece offered here may have been from this region of the Caribbean as well. This interesting piece features many geometric designs that were minutely hand pecked into the stone, and the designs appear to be a mirror image of one another when one rotates the stone. This piece was definitely a "votive-type" piece, and may also have been a trophy for the ball-game itself. The exact ceremonial nature of this piece is unknown, but what is known, is that this piece was definitely connected to the ceremonial ball-game. This game was also believed to have been played by only bumping the ball with the elbows and torso. This piece also has some minute dark black and gray mineral deposits, and some slight wear in various sections of the piece. This piece also comes with a Plexiglas display ring. Ex: Throckmorton Fine Art, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1364645
Apolonia Ancient Art
$1,375.00
This nice piece is a Greek bronze oinochoe that dates to the mid 5th century B.C. This large piece is approximately 9.2 inches high, by 6.5 inches in diameter. This piece is in superb condition and is intact, save for a minor crack repair at the base of the vessel which is normal for a large vessel of this type. This attractive vessel has a trefoil spout, and a graceful upper shoulder that extends up from the rounded flat base. There is a heavy looped handle attached to this vessel, and was cast as one piece. This interesting handle was also designed so that the vessel could be suspended from a cord from the raised loop. The lower end of this heavy vertical handle terminates with a thick "ivy-leaf" that is attached to the side of the vessel. There are also two small openings, on each side of the handle near the upper rim, where the cord was attached, and these small openings could also have supported a hinged lid. This piece was also hand beaten from one solid sheet of bronze over a series of molds. This piece also has a beautiful dark to light green patina, with dark blue highlights, and has a great deal of eye appeal. This piece also easily stands upright, as it has a flat bottom, and the heavy handle was also designed into the upper center of the vessel. (A bronze hydria, dated to circa 450 B.C., with thick "ivy-leaf" terminating handles is seen in the Goulandris Collection in "Ancient Greek Art", Athens, 1996, no. 258. See attached photo.) This scarce vessel is an exceptional example for the type, and is also much rarer than ceramics of this type. Ex: Private Austrian collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1365159
Apolonia Ancient Art
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These eight complete Greek "sling bullets" date to the 5th-4th century B.C., and are approximately 1 to 1.6 inches in length, by .4 to .7 inches in diameter. These pieces all have some light mineral deposits, and have a light dark gray-brown to tan patina. These relatively heavy lead pieces were mold made, and one can easily discern each half of the piece that fitted into the "two-part mold". These pieces were fitted into a hand sling that generated tremendous force and speed as they were released from the sling. These weapons also have an almond shape, as most lead "sling bullets" have, and this shape provided a stable aerodynamic flight. These pieces also have some light marking and minute impact dents that indicate that many of these pieces were likely in battle. These interesting pieces are all different sizes, and are also fitted into a custom display case. Ex: Joel Malter collection, Los Angeles, CA., circa 1990's. Ex: Private CA. collection. I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1365728
Apolonia Ancient Art
$1,865.00
This attractive piece is a Moche standing warrior that is Moche IV Period, circa 400-600 A.D. This intact piece is approximately 8.9 inches high, and is a full portrait figurine that is seen standing with both arms seen at the front. This piece has an attractive light orange-red glaze that is seen over a buff terracotta, and is a type known as a "stirrup-vessel", as it has a orange-red "stirrup-handle" seen at the back. The standing warrior has a very realistic face with engaging open eyes, and although his eyes are wide open, he has a very serene expression on his face. This piece may also have been meant to portray this individual in life, as well as in the afterlife, and this perhaps explains the wide open eyes seen on his expressive face. This warrior is likely a regal personage, and is seen wearing a conical hat/helmet with a chin strap, a tunic with a broad collar, wide wristbands, and what appears to be braded hair that hangs down on the backside. The conical hat/helmet along with the chin strap frames the face, which also makes it even more noticeable to the viewer, and the portrait seen here is likely of a notable individual who was well known within the Moche elite. ( A near identical piece, also described as a "Middle Mochica Standing Warrior Vessel", is seen in Sotheby Park Bernet, Fine Pre-Columbian Art and Colonial Paintings of Latin America, May, 1979, no. 49. $650.00 realized. See attached photo.) The realistic piece offered here is intact, has no repair and/or restoration, and has some spotty light brown burnishing. This attractive piece also has a flat bottom and stands very solid. Ex: Dr. Gunther Marschall, Hamburg, Germany, circa 1960's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including a TL authentication document from Kotalla Lab, Germany, no. 39R270317, and EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition: