Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1380004
Apolonia Ancient Art
Sold
This attractive piece is an Egyptian bronze torso of Osiris that dates to the Late Period, circa 713-332 B.C. This piece is approximately 2.9 inches high, by 1.3 wide from shoulder to shoulder, and is the upper torso of a standing or seated Osiris. This Osiris is seen wearing an Atef-crown with a detailed and protective raised cobra seen above the forehead, along with an extended false beard. This figurine is also depicted with a mummified form, with the arms folded tightly over his chest, and is seen grasping the regal crook and flail insignia. The face is also very esoteric, and has very fine artistic style with realistic features. The hollow eyes may also have held an inlay as well. This piece has a beautiful dark green patina with red highlights, and is a near complete upper torso, save for a small section of both of the upper part of the feathered crown attachments. This piece has exceptional detail with esoteric features, and is a better example than what is normally seen in the market. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1367981
Apolonia Ancient Art
Sold
This intact and dainty Greek Boeotian Greek kylix dates circa 400-375 B.C., and is approximately 2.6 inches high, by 8.25 inches wide from handle to handle. This pleasing little piece has black, brown, and dark orange colors which follows the traditional fabric of ancient Greek Attic and Boeotian ceramics for the period. This piece has olive sprigs painted around the outer body of the piece that have brown stems and black olives. There is also a black band above the stemmed base, and a black band under the flat base. The interior of the bowl has a wide outer black band with two circles and a dotted center. The overall shape is very esoteric and is an extremely fine example for the period. This piece is completely intact, and is in superb to mint condition with only some minute stress cracks seen at the base of one of the handles. This piece also has some spotty white calcite deposits, and has a high degree of eye appeal. (Another analogous piece of this type was offered by Charles Ede Limited, Catalog 176, 2005, no. 47. See attached photo.) Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre 1492 item #1392177
Apolonia Ancient Art
$465.00
This appealing piece is an Inka bronze tumi that dates circa 1450-1550 A.D., and is approximately 4 inches high, by 3.6 inches wide, by .15 inches thick. This piece is intact and is in mint quality "as found" condition, and has a beautiful dark green patina. This piece also has some light brown earthen deposits, along with some spotty minute dark green mineral deposits that are adhered to sections of the piece. This piece was cast and then hammered into shape, and has a raised edge border that runs down from the curved blade to the base of the piece. This was added to give this piece some added strength, and shows that this piece was made with a great deal of skill. This tumi was also votive, and was likely added into the wrappings of a mummy, or was simply added into a tomb. This piece was likely a symbolic offering, and was also likely a "trade type" piece which served as a form of trade currency. This piece also represented the power of the Inka Empire, and this type of implement was also used for ceremonial sacrifice. A nice complete example with a high degree of eye appeal. This piece also sits on a custom display stand, and can easily be removed. Ex: Dr. Gunther Marschall collection, Hamburg, Germany, circa 1960's. Ex: Private German collection, circa 1970's-2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1360510
Apolonia Ancient Art
Sold
This nice Egyptian swivel ring dates to the Second Intermediate Period, circa 1650-1549 B.C., and is approximately 1.1 inches in diameter and was made for an adult male. This piece is in superb condition, and has no repair and/or restoration. The stone has no cracks or chips, and the overall condition of this piece is superb to mint quality. This piece has an attractive green-black steatite stone that swivels around a wire that runs through the piece. This piece has a clever design, in that the wire that runs through the extremely dense steatite stone, is wrapped around a bronze hoop at each end of the stone. The overall design of the ring is very esoteric, and the ring with the raised steatite stone is very noticeable on one's finger. The bronze hoop also has a pleasing dark brown-green patina with some minute red highlights. The attractive green-black steatite stone was highly polished in antiquity, and it still retains a great deal of it's brilliant luster. The stone also has a thin multi-colored iridescence that is seen on both the upper rounded side, and the flat bottom side. This ring is durable enough that it can easily be worn today, and the stone also swivels freely around the inner wire. A nice Egyptian ring that is a high quality example. A black ring display stand is also included. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private new York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1039437
Apolonia Ancient Art
$425.00
This flawless piece is an intact Greek olpe vessel that dates circa 4th century B.C. This piece is approximately 6.5 inches high by 3.25 inches in diameter. This esoteric piece has an attractive tan earthern glaze and is made from a light red clay. This piece has nice "as found" deposits, a flat bottom, and a single strap handle. The large open and round mouth was also designed to pour liquid very rapidly, which lends this vessel very well as a table vessel. Vessels of this type were widely produced in the ancient Greek world, and this vessel shape was also produced in bronze. In fact, our research reveals that bronze vessels of this type seem to be more common than the terracotta vessels of this type, and in addition, this type of terracotta vessel seen in this mint condition is scarce, as most examples have some degree of repair/restoration. This piece probably was used for everyday use and may also been a votive example, and the latter case is probably the case here, as this piece has no apparent wear from use. This piece probaly was used for water and/or wine. A nice example seldom seen in this condition. Ex: Bonhams Antiquities, London, April 2004, no. 343. Ex: Private Ill. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1333494
Apolonia Ancient Art
Sold
This little gem is a Greek Attic black-glazed kantharos that dates circa 350-325 B.C. This piece is approximately 2.4 inches high, by 4.6 inches wide from handle to handle. This charming piece is intact, and is in mint quality condition with no repair/restoration. The lustrous black glaze is even around the vessel, and is seen both on the inner and outer surfaces. This piece has a "flat handled" design, and these handles have spurred edges, a looping design, and connect to the main body of the vessel. This piece sits on a torus foot, and there is no reserve underneath, as this piece is entirely covered in a black glaze. This dainty piece was also designed to imitate silver vessels of this type. This type of Attic black-glazed ceramic is also scarce to rare on the market, as it is a rare form. This piece has some spotty white calcite deposits, and a multi-colored iridescent patina. (Another analogous vessel of this type was offered by Charles Ede Limited, London, 2010, Catalog 182, no. 35 for 900.00 pounds.) For the type see, B. Sparkes and L. Talcott, "The Athenian Agora, Vol. XII, Black and Plain Pottery", Princeton, 1970, no. 701, fig. 7. Ex: Private U.K collection, circa 1990's. Ex: Phoenix Ancient Art, Geneva and New York, Inv. #091613-05. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #579338
Apolonia Ancient Art
$4,625.00
This x-large Roman glass jug dates circa 1st-2nd century A.D., and is approximately 7.5 inches high by 5.8 inches in diameter. This beautiful piece is also in mint condition, with no stress cracks and/or chips. This pleasing light green vessel has beautiful multi-colored iridescence and nice minute root marking. There are also five decorative wheel-cut (lathe) bands that run around the main body of the piece, and these bands may also have served as a measurement indicator of the level of the contained liquid. This was likely the case, as the five cut bands are evenly spaced on the vessel. There is also a thick strap handle that was applied to the upper shoulder and below the lip. The lip of this attractive vessel was also turned out and down, which formed a rounded edge. (For an analogous example, see Christie's Antiquities, New York, June 2001, no.213. This vessel is approximately 9.25 inches high, and has eleven decorative wheel-cut bands, three of which are deeply cut. $20,000.00-$30,000.00 estimates, and realized $23,500.00. Another recent comparable sold at Cristie's Antiquities, London, April 2010, no. 98, for 5625 Pounds, approximately $7600.00, and had 5,700-7,900 pounds estimates. This vessel is approximately 6.5 inches high and is a light green color with six decorative wheel-cut bands. See attached photo.) The piece offered here is an exceptional large example of early Roman blown glass, is very analogous to the two examples noted above, and is scarce in this mint quality condition. Ex: Private English collection. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private New York collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1384480
Apolonia Ancient Art
$965.00
This extremely rare piece is a Greek bronze jewelry mold that dates to the Hellenistic Period, circa 4th-3rd century B.C., and is approximately 1.75 inches long, by 1.25 inches wide, by .3 inches thick. This complete piece was cast as one solid piece and has a flat back, a single hole for suspension seen below the rounded top, and two extended handles with mounting holes seen on each side of the main body of the piece. This piece was also likely secured with cords through the extended handles to a flat surface, and the artist was then able to apply pressure to the mold. A thin sheet of gold or silver was placed into the mold, and pressure into the mold with a tool formed half of the body of the acorn. Two halves were subsequently joined together to form the complete decorative acorn that were often strung side-by-side into a necklace. This piece also has a beautiful dark green patina, and appears to have some minute wear from use in antiquity. The bronze mold offered here is extremely rare, and offers some insights as to how ancient jewelry was produced. This piece may also have been suspended by a cord with other molds of various sizes in a workshop. This piece also comes with a custom display stand, can easily be removed, as it simply hangs on the stand, and is an extremely rare piece that is seldom seen on the market. Ex: Private Swiss collection, circa 1990's. Ex: Phoenix Ancient Art, Geneva and New York, Inv. #12608. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1249809
Apolonia Ancient Art
$1,265.00
This vibrant piece is a Greek Attic Sessile Kantharos, that dates circa early 4th century B.C. This piece is also classified as being of the "Saint-Valentin Class". This attractive piece is approximately 4.9 inches high, by 6.5 inches wide from handle to handle. This piece is repaired from several large tight fitting fragments, and is 100% original. What makes this piece better than most examples of this type, is that there is no glaze loss, and the bright glossy glazed surface is seen with a deep black, a bright white, and a vibrant light orange color. This piece has on each side a dotted checker-pattern, a band of laurel in added white, and vertical lines seen above and below. The dotted checker-pattern is very detailed, and is designed in a rectangular box like a tesserae floor mosaic. This piece also has a black dot pattern on the bottom, and a deep black glaze is seen within the vessel. There are also some white calcite deposits seen mostly on the bottom surface as well. Another analogous vessel of this type and condition is seen in Christie's Antiquities, "The Morven Collection of Ancient Art", New York, June 2004, no. 362. (See attached photo. $3,000.00-$5,000.00 estimates.) The piece offered here has an exceptional glossy surface with a detailed painted design, is a better example than most pieces of this type, and has a great deal of eye appeal. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1386086
Apolonia Ancient Art
$1,875.00
This intact Chavin piece is a canteen designed vessel with a seated deity that dates to the Middle Chavin Period, circa 1000-700 B.C. This interesting piece is approximately 8.75 inches high, by 4.5 inches in diameter at the center of the vessel. This piece is a seated deity with a rounded body, extended nose, and appears to be wearing a skull cap and a loose mantle. There are also two suspension holes seen on each side of the raised spout, and this piece may have been carried as a canteen that likely held a sacred liquid. The arms and hands are also tucked in at the front, and has an analogous design as the sculptural deities that were excavated by Julio Tello at Moxeke, Peru. (See attached photo that is seen in "Chavin and the Origins of Andean Civilization" by Richard Burger, Thames and Hudson Pub., 1992, p. 83, fig. 66.) There is also a strong probability that this piece is a "ceremonial type" vessel and was used for offerings and ceremony. This piece has a thick dark gray glaze over the entire vessel, some attractive dark brown burnishing, and is intact with no repair and/or restoration. This piece is not only a scarce to rare Chavin vessel that is seldom seen on the market, but more importantly, it is also an important ceremonial type that depicts a sacred deity. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser, including EU Export, and US Customs Import documentation. In addition, there is a TL authentication lab test from Gutachten Lab, Germany, dated 06/11/1979, no. 3679116. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1398232
Apolonia Ancient Art
Sold
This complete and interesting piece is an Egyptian-Phoenician carved hard stone beetle scarab that dates to the 25th-27th Dynasties, circa 6th-5th century B.C. This piece is approximately 1.2 inches long, by .8 inches wide, by .5 inches high, and is a complete and solid example. This piece was carved from a hard stone, and has a light brown/yellow patina with some spotty dark brown mineral deposits. This piece is an extremely fine example for the type, and has clear carved lines relative to the body of the beetle seen on the top side, and the images seen on the flat back side. The flat back side has a carved winged dotted disk seen above, a horned animal at each side, a rabbit below, and a horned ram's head at the center. These animals may also represent reproduction and the continuance of life, and for the ancient Egyptians, the scarab beetle represented rebirth and regeneration. This type of piece was also copied by the Phoenicians who used this type of piece in jewelry. This piece has a bow-drilled hole that runs through the center, and this piece may have been part of a necklace, and may also have served as a votive burial object. Objects of this type for this period were usually made from faience, and were not carved from a hard stone as this fine example. This piece also has a custom display stand, and one can turn this piece to show both sides as well. For the type see: John Boardman, "Classical Phoenician Scarabs: A Catalog and Study", Archaeopress, 2003. Ex: Private New York collection, circa 1980's. Ex: Fortuna Fine Arts, New York, circa 2000's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pre AD 1000 item #1333281
Apolonia Ancient Art
$18,500.00
These seven extremely rare Graeco-Thracian silver phalerae date to the Hellenistic Period, circa 2nd-1st century B.C., and are approximately 4.3 inches in diameter for the larger phalera, and 2.25 inches in diameter for the other six phalerae. All seven phalerae are hand beaten from silver, and all have various degrees of gold gilt over the front surfaces. The largest phalera resembles a small bowl, and was hand beaten over a mold which formed the design seen in the center of the piece. This central design element resembles a "swastika", and perhaps this is the symbol this piece was meant to portray, but more likely, this symbol may also be a depiction of a "pinwheel" that spun in the wind. This "pinwheel" has a central dot or pin that supports the "four flaring bands" that are seen attached at the center. This "pinwheel" symbol was known to the ancient Greeks as a "strovilos" symbol, meaning "whirlwind", and is also a prominent symbol seen primarily on ancient bronze coins, and extremely rare silver coins that date circa 185-168 B.C. These coins are attributed to the Macedonian rulers Philip V and Perseus, and depict a Macedonian shield on the obverse with the "pinwheel" symbol seen at the center. (For the coin types see "SNG Ashmolean Museum Oxford, Vol. V, Part III, Macedonia", 1976, Nos. 3282-3288. Nos. 3282-3283 depict the "four flaring band" symbol, and nos. 3284-3288 depict the "six flaring band" symbol. See attached photo.) The silver phalerae offered here may have attached to a shield as portrayed in the coins noted above, or may have been attached to a leather type cuirass. The six nearly identical smaller phalerae would suggest this, as they all have two attachment pins that are flattened on the front and back sides. The clearance for these attachment pins on the backside suggests that these pieces were attached to a leather liner for a cuirass, rather than inserted into a shield that perhaps had a wooden core, but it is also quite possible that that these six phalerae were attached to a thin bronze cover of a shield that had a wooden core. The larger phalera with the "pinwheel" symbol has four attachment holes, two seen at the top and bottom, and this would allow for easy attachment to a shield with a wooden core. This piece may have also served as the central roundel of a chest cuirass as well. Whatever the case, these extremely rare pieces definitely had a military application, and are seldom seen on the market, as these pieces were made for a wealthy warrior of high status. The smaller phalerae support this theory, as they are very detailed and were hand beaten into shape. They are also individually detailed with multiple minute punch marks that defined the outer sculpted design. Within this outer sculpted design is a symbol at the center that is comprised with what looks to be a "cluster" of animal heads facing outwards. Each one of the heads have a snout, eyes, and two ears which are shared with each of the other individual heads. The overall rounded "cluster" design also resembles a flower as seen from above, and this design may have had multiple meanings and representations. The designs seen on all of the phalerae are also extremely rare relative to ancient Greek art, and may have been a unique symbol that perhaps distinguished the warrior who wore these phalerae. All of these pieces have dark brown/black deposits in various degrees seen over the silver and gold gilt, and the silver with little gold gilt and deposits also has a beautiful blue black patina. All of these pieces are intact, with two of the smaller phalerae having some stress cracks, and overall, these pieces are in exceptional condition. For the type see, "Thracian Art Treasures", by Ivan Venedikov and Todor Gerassimov, Caxton Pub., London, 1975, nos. 351-353. These pieces are also attached to a custom Plexiglas display stand, and can easily be removed. Ex: Private Krefield, Germany collection, circa 1980's. Ex: Private German collection, circa 2000's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1358352
Apolonia Ancient Art
$8,675.00
This exceptional Mayan plate has a great deal of eye appeal, and dates circa 600-700 A.D. This large example is approximately 12.75 inches in diameter, by 3.25 inches high, and is intact with no repair/restoration. This attractive piece has a polychrome glaze on the upper inner surfaces that is seen with very vibrant orange, black, white, and light red colors. This piece also has some attractive minute root marking and some spotty black mineral deposits. The bottom side of the plate is a light tan terracotta with three rounded legs with rattles within, and the "shoulder line" seen on the underside is very sharp and well defined. The top inner surface displays a stylized bust facing left of "God K", otherwise known as "K'awil", who is seen with an elongated nose, ear-flares, an elaborate smoking-mirror headdress, and a line-designed mouth. "God K" was one of the Mayan gods of greatest importance, and was associated with the natural elements linked to agricultural activities such as rain and thunder. The stylized bust is surrounded by four smoking scrolls that also refer to the four "cardinal directional points" that were sacred to the Maya. The entire bust design is also rendered with a stylized "circle-and-dot pattern" which also has filled colors within the circles, and this design type is of an artistic style that is associated with the Peten region. (For the design type, see a bowl published in: "Maya, Treasures of an Ancient Civilization", Abrams Pub., 1985, no. 122. See attached photo.) This piece also has a large black glyph band that frames the inner bust of "God K", and this contains glyphs that are associated with the "PSS" (Primary Standard Sequence) that was identified by Michael Coe. This glyph band was also painted by a very accomplished painter. Overall, this piece is an exceptional example of Mayan art that is also in superb to mint condition. Ex: Ferdinand Anton collection, Germany, circa 1959. Ex: Private German collection. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Bronze : Pre AD 1000 item #944693
Apolonia Ancient Art
$785.00
This rare piece is a Greek bronze stand that was likely made for an aryballos type glass vessel that has a rounded bottom (See attached photo showing a glass aryballos with a rounded bottom that is dated from the same period as the bronze stand offered here). The piece offered here dates circa 7th-6th century B.C., and is approximately 2.8 inches high, by 2 inches in diameter for the upper bowl. This attractive piece is intact, and has a nice dark green patina with some dark green deposits. This piece has some bottom roughness and a minute dent on the upper bowl, otherwise it is in superb condition. This piece is also a two-part construction, with the bowl and the stem cast as separate pieces. The outer bottom of the bowl has nice decorative inset concentric circles that are a hallmark design feature of the Greek Geometric Period, circa 8th-7th century B.C. The base stem has decorative bands that are designed in relief, and this allows one to easily grasp this piece, and in addition, all of these decorative elements give this piece a great deal of eye appeal. A nice rare piece that is seldom seen on the market. Ex: M. Ward Gallery, New York. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Bronze : Pre AD 1000 item #1119822
Apolonia Ancient Art
$1,265.00
This cute piece is a Greco-Roman bronze that is in the form of a bull's head, and dates to the Late Hellenistic Period, circa 2nd century B.C.- 1st century A.D. This piece is approximately 1.5 inches high by 2 inches wide, and weighs approximately 122.5 gms. This piece is a weight that was designed for a steelyard weight scale, which was a bar that was suspended by a chain that acted as a swivel, and this bar had a chain suspended tray at each end. The scarce weight offered here was simply placed on one of the trays, as this weight was designed with a flat bottom and this piece stands upright. This piece also has a hole that runs through the middle of the neck, and a bar/chain could have also suspended this weight on the steelyard scale bar as well. This attractive piece has floppy ears, almond shaped eyes, and cropped horns. The horns could have also been cropped in antiquity in order to conform this weight to a specific weight of 122.5 gms. This weight also conforms to seven (7) Greek Macedonian tetradrachms (Alexander the Great) with a weight norm of 17.36 gms. This piece also has a beautiful dark blue-green patina, with some dark blue and light brown surface deposits, which lends this attractive piece a high degree of eye appeal. This piece sits on a custom plexiglas display stand that is also included. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Byzantine : Pre AD 1000 item #1363649
Apolonia Ancient Art
$375.00
This rare Byzantine bronze coin is a "double-follis" attributed to Basil II, circa 976-1025 A.D., and is likely Constantinople mint. This rare coin is approximately 35mm wide, weighs approximately 22.1 gms, and is in extremely fine/extremely fine (EF/EF) condition. This coin was minted at the height of the Byzantine Empire under Basil II, and is approximately twice the weight of a "single follis", as the average weight of a "single follis" is approximately 9.54-10.25 grams. This rare coin is a denomination seldom seen on the market, as it was produced with dies that were used for a "single follis", along with a flan that is simply twice the weight of a "single follis". This coin type is also classified as a "medallion", and Byzantine "medallions" were only minted on special occasions. The obverse (Obv.) features the bust of Christ Pantokrator with long hair, along with the image of a halo and cross behind, and within each limb of the cross, there are five dots. There are also two dots seen to the right of the bust, all within a dotted border. The reverse (Rev.) features three lines of lettering that also name Basil II. This superb Byzantine bronze also has a great deal of eye appeal, as it has a beautiful dark green patina with spotty red highlights. This piece is not only a nice example of a Byzantine bronze coin, but it is also a Christian artifact in this large size. References: Sear 1813 (follis); Berk 948 (follis). Ex: Harlan Berk collection, Chicago, Ill., circa 1980's. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1148500
Apolonia Ancient Art
$1,865.00
This mint quality piece is a Greek amphora that dates to the Hellenistic Period, circa 220-180 B.C. This large piece is approximately 10.75 inches high, and is mint quality, with no repair/restoration, cracks, and chips. This piece is a light red terracotta, and has an attractive white over glaze with some earthern deposits. There are also some minute spotty black mineral deposits and root marking, and this piece is in its natural "as found" condition. This piece has a flat bottom, attractive rounded body, and two raised strap handles which attach just below the lip of the vessel. This piece resembles a pelike, but unlike a pelike, this piece has a narrow opening with raised handles which are attached below the upper lip of the vessel. This design type is a common feature that is seen with most Greek amphoras. This piece also has a "double lip" type design, which allowed this piece to have a seal over the top which could easily be secured with a cord below the top lip. This type of piece has a very pleasing eye appeal, and is very decorative. In addition, this piece is scarce to rare, and is seldom seen on the market in this mint condition. Ex: Private New Jersey collection. Ex: Fortuna Fine Arts, New York. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Americas : Pre Columbian : Pre AD 1000 item #1340583
Apolonia Ancient Art
$4,675.00
These two rare Mayan pieces are two carved longbones that date to the Late Classic Period, circa 600-900 A.D. These pieces are approximately 4.3 and 4.6 inches high, and are approximately 1 inch in diameter at the widest point of each piece. These two pieces are intricately carved, and each feature the profile of a Mayan lord, who is seen wearing large jade earflares and an elaborate headdress. These pieces are also published in "The Face of Ancient America: The Wally and Brenda Zollman Collection of Precolumbian Art", Indianapolis Museum of Art, 1988, no. 84 (See attached photo.), and the following is the description of these rare pieces by John Carlson: "The headdresses contain images of long-lipped monsters. At the top of the bone pictured to the right is the profile face of some mammalian creature, possibly a peccary, which does have sky associations. The exact function of such carved bones in not known. They may have been handles for fans, bloodletter perforators, or even musical instruments. Some may also have been used as smoking tubes such as are usually depicted protruding from the forehead of God K. Schele and Miller have also discussed two fine examples of Mayan incised longbones; one is from a jaguar, and the other is a deer tibia. Both images and texts portray dynastic rites. Three additional bones published by Von Winning also present royal profile portraits, and two clearly show the drilled holes for suspension. These carved bones may have been worn as pectorals or attached to the costume for use in some specific, but as yet incompletely known dynastic function. In any case, all such carved bones are clearly high-status objects". The pieces offered here do not have any drilled holes for suspension, but could have, as there appears to be some of the leading edge missing on both ends of both pieces. These pieces are nearly complete, and are in superb condition for a perishable material such as bone, and are some of the best known published examples for the type. In addition, the carved bones offered here may be animal or human, and that fact was also unknown to the academics of the reference noted above, as the description reads: "Carved bone (human?)". The two sacred pieces offered here certainly had royal associations, and were likely used in some sacred regal ceremony and/or religious ritual. These two pieces also sit on a custom display stand, and can easily be removed. Ex: Wally and Brenda Zollman collection, circa 1970's. Published: "The Face of Ancient America", circa 1988. Exhibited: Indianapolis Museum of Art, circa 1988. Exhibited: Indiana University Art Museum, circa 1989. (Note: Additional documentation is available to the purchaser.) I certify that these pieces are authentic as to date, culture, and condition: