Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
Apolonia Ancient Art
$6,875.00
These two rare and superb carved wooden panels are French, and date to the late Gothic period, circa 1590-1680 A.D. These pieces are a matching pair, although they have slight differences. Both of these carved panels are approximately 7.8 inches wide by 17.75 inches high, and are mounted in frames that are approximately 11.75 inches wide by 28 inches high. These outer frames date circa 1800-1850, and were the mounting for the inner carved panels. The two panels offered here, along with several additional panels, are also thought to have been originally set into a private manor house in Normandy. The bulk of these panels were sold at auction in San Francisco, CA., by Butterfield & Butterfield Co. in June 1996. Many of these panels, which were religious in nature, were identified as being produced by artisans who were employed in the area of Coutances, France, where the massive 13th century Gothic cathedral of Notre Dame was built. The panels seen here were finely carved and have great detail, and the condition of both panels offered here is exceptional. These two panels each display two caryatids that are seen back to back, and are carved in high relief. The caryatids were known in antiquity as the priestesses of Artemis at Caryae, and were often seen as a draped female figure that supported an entablature. The figures seen on these two panels are part lion, with the lion's paw feet, part bird, with the detailed feathered wings, and part woman, with the female breasts and faces. The raised hair comb and luxuriant wavy hair is very detailed as well, and is an excellent mark that the artist that carved these pieces was very skilled. Ex: Private French collection, circa 1930's. Ex: Private CA. collection. (Note: Additional documentation is available to the purchaser.) I certify that these pieces are authentic as to date, culture, and condition:
Apolonia Ancient Art
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This complete piece is an attractive silver hairpin that dates circa late 16th Century ( circa 1560-1590 A.D.). This piece is Ottoman Empire and was likely made in Constantinople, otherwise known as Byzantium. The Byzantine Empire derived it's name from this city, and the floral pattern seen at the terminal end of this piece, is a design pattern that is a Byzantine type as well. The Ottomans adopted this pattern, and is often seen on Ottoman polychrome Iznik tiles from the 16th Century. This piece was worn in the hair and has a loop at the top so that it tied to the body. This piece can easily be worn today in the hair or garmet. This piece is approximately 5.7 inches long, 17.5 grams, and is about 97% pure silver. Interestingly, the weight of this piece is also analogous to the ancient Greek "Attic-Greco Weight Standard" of 17.5 grams for a silver tetradrachm. This piece has some minor wear seen at the top that indicates long use, and this piece can be worn today. A custom stand is included and the piece can easily be removed. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : European Medieval : Pre AD 1000 item #1339808
Apolonia Ancient Art
$875.00
This pleasing piece is a Viking bronze buckle that dates circa 9th-10th century A.D. This intact piece is approximately 3.4 inches in diameter, and is complete save for a small edge chip. This large example has a hand stamped dotted double border, and a raised central boss that has a hole in the center that is approximately .5 inches in diameter. There is a smaller hole, at the side of the central hole, that has a folded pin within that rotates back and forth. This bronze pin is an intact and functional example, and overall, this piece is a solid piece that can easily be worn today. Running around the central hole is a raised floral design that has interlocking features. This floral design is a Viking design that may represent the forces of nature, and was a "protector type" symbol. This piece has a lovely dark to light green patina, and there are traces of gold gilt seen in various sections of the piece. This piece may also have doubled as a decorative brooch, and was held in place with a leather strap. This piece is a superb example, and is large for the type. This piece hangs on a custom Plexiglas display stand, and can easily be removed. Ex: Private Denmark collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : European Medieval : Pre AD 1000 item #1339132
Apolonia Ancient Art
$875.00
This nice piece is a Viking bronze pendant that dates circa 9th-10th century A.D. This piece is approximately 1.7 inches high, and the round plaque section is approximately 1.2 inches in diameter. This piece was made from two sections, one being the flat round plaque, and the other, is the strap loop that has a single rivet securing it to the main body of the piece. The round plaque has a hammered dotted border, and a hammered Christian Byzantine type cross design that has a round center. This round center may also double as a solar symbol, and the cross design also has an additional smaller cross patterns seen at the end of all four points. The design of this Christian cross, seen on this pendant, may also be one of the earliest Christian cross examples seen on a Viking culture type piece. The cross design also has remains of a light green to cream colored enamel, and this shows well against the dark green patina that this piece has. This piece is an exceptional example for the type, and is not often seen on the market in this superb condition. This piece is solid, and can easily be worn today. This piece also hangs on a custom display stand, and can easily be removed. Ex: Private Denmark collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
Apolonia Ancient Art
$1,675.00
This unique piece is a stamped plaque that is made from lead. This piece is Italic, and dates circa mid 16th to the late 17th century A.D. This interesting piece is approximately 2.7 inches wide, by 2.1 inches high, and by .15 inches thick. The shape of this piece is oval, and as such, was likely an inlay for a furniture piece or a box, rather than part of a large pendant for a necklace and/or pectoral. The backside of this piece is flat, and this piece was made in the same fashion as a Roman bronze sestertius or Renaissance medallion coin would have been made, with a carved die that was hand struck into the prepared heated lead flan. This method of manufacture allowed one to make several examples of this piece, however, the piece offered here may be the only recorded example, as our research has not found any other pieces. In fact, all of these lead plaques are very rare, as lead is very soft and is easy to damage, melts very easily, and can simply be easily used later on to make other objects. The piece offered here has a light brown patina with a thin oxidized crust over the outer surface, moreover, the condition of this piece is superb with no major tears, dents, or scraps as lead is a very soft material. There are also micro black dendrites which indicate that this piece has been buried for quite some time. There is a small hole seen at the top which may have held an attachment pin. This piece shows a seated, virile figure that is seen half draped, and is seen holding a round object in his extended right hand which may be an apple. This seated figure appears to be examining and looking at the round object that he is seen holding up in front of himself, and there is a strong possibility that the figure is the Trojan prince Paris, who is contemplating as to whom he should award the prize. According to Greek myth, it was Paris who was chosen by the gods to decide which of the three goddesses - Juno, Minerva, or Venus - was the fairest, and the prize was an apple. Venus won the prize who in turn awarded Paris the mortal Helen, and this triggered the Trojan War. The Trojan prince Aeneas, subsequently fled the ruins of Troy to found the city of Rome, as praised by the Roman poet Virgil, who prophesied a "new golden age" as founded by Augustus, the first or Roman emperors. Virgil, Horace, and Propertius, who are considered the greatest writers in Roman literature, all embraced Augustus' propaganda campaign in creating the "myth of Augustus", which fostered the idea that Augustus was the one chosen by the gods to preside over the new empire. This literary propaganda campaign legitimized Augustus' hold on power after the bloody civil wars, and in the same context, there are several Roman works of art that served the same purpose. The piece offered here points back to the founding of Rome, and another rare Roman work of art that is considered by many academics to fit into this category is the Portland Vase, and the seated figure seen on the Portland Vase known as "Figure E" is thought to be Paris as well. The artistic style of "Figure E" is also very analogous to the seated figure seen on the piece offered here, as both are seated, both are nude except for drapery that falls over the thighs, both have a virile muscular build, and both have the same type of hair style. (See "Glass of the Caesars" by Donald Harden, The British Museum Pub., London, 1987, p. 59.) The piece offered here was also examined by Dr. Wolfgang Fischer-Bossert of the German Archaeological Institute in Berlin, who dated this piece, and in addition, he thought there was a strong possibility that the maker of this piece saw the Portland Vase. The seated figure seen on the piece offered here is seen centered in front of a fountain with a lion's head spout. There are also architectural elements seen at the back of the seated figure, including a building with a round dome that may be a representation of the Pantheon. The overall scene may be one set in the Campus Martius (Field of Mars), and is the location where Augustus was cremated and where his Mausoleum was built. The piece offered here is an important work of Italic Renaissance art, according to Dr. Fischer-Bossert, but this piece is obviously in need of further academic study. A custom stand is included. Ex: Private English collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition: