Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #613883
Apolonia Ancient Art
$365.00
This Greek terracotta is in the form of a molded weight. This tan terracotta piece dates circa 4th century B.C. and is a rare type of terracotta, as there are very few known weights that are fashioned from terracotta. The advantage of forming a weight from terracotta is that one can mold an exact size, thus producing a piece with an exact weight. This piece has ten round stamped seals that bear the form of a hippocamp, with two on side A, two on side B, three on side C, two on side D, and one on the bottom. These ten seals seen on this piece may indicate a unit of weight and this weight was used to keep the warp threads perpendicular on verticle looms. These weights were suspended from the threads with the help of rings, that were probably made of metal, and these were attached to the holes in the weight. The round hole seen near the top allowed this piece to suspend and swivel on the metal rings. This piece is approximately 3.5 inches high by 2 inches wide at the center. The shape of the body tapers at the top, which allowed this piece to freely pivot and move on its attached ring swivel. There are sections of calcite deposits seen on the outer surface, and much of the original outer surface remains. If you collect ancient textiles, this would be an interesting addition to your collection. For another weight of this type see Lila Marangou, "Ancient Greek Art, N.P. Goulandris Collection", Athens, Greece, 1996, no. 216. Ex: Private German collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1170376
Apolonia Ancient Art
$1,675.00
This superb little piece is an Attic stemless kylix ceramic that dates circa 480-470 B.C. This piece is approximately 7.25 inches wide from handle to handle, and is approximately 2.1 inches high. This piece is also intact, is superb to mint quality, and has a multi-colored patina over an even deep black glaze. This multi-colored patina also compares with the finest examples that are normally seen for an Attic black glazed vessel of this type. This nice Greek Attic ceramic also has a nice brilliant deep black glaze on the inside of the bowl. There is an inconspicuous area, centered just below where one of the handles is attached to the main body of the vessel, and this is where an incised double "lambda" Greek letter symbol is seen. The ancient Greek "lambda" letter subsequently developed into letters in other alphabets including the Latin "L". These small letters and/or symbols are approximately .18 and.2 inches high, and may have been added to this piece to denote the owner, and/or perhaps how this piece was used in trade. In addition, these marks could have been used as a price notation and/or as a mark to denote a master vase of a group production. According to John Boardman in "The History of Greek Vases", Thames and Hudson Pub., London 2001, p. 154: "It seems to have been in the potter's yard that marks were made on the pots to identify their eventual carrier." In addition, Boardman states: "Most of these merchant marks are seen on vases of around 570 to 450 B.C., the period of busiest Athenian export..". A.W. Johnson in "Trademarks on Greek Vases", Aris & Philips Ltd., Wiltshire, U.K., 1979, pp. 5-6, states that: "A number of the marks are relatively inconspicuous, including those on the handle and some on the shoulder in the vicinity of the handle.....and there can be little doubt that these are trademarks." Types 2F and 6F, seen in the above reference, is also a close match seen on the vessel offered here. According to Johnson on pp. 4-7, Johnson states that the overall number of incised marks seen on these vessels is paltry, compared to those vessels with marks that are seen under foot. He also adds that these incised marks may also represent "batch" production marks, and that one vessel was marked to indicate the entire group of vessels that were possibly produced for export. It is also interesting to note that one of the "lambda" letters/symbols is slightly smaller than the other letter/symbol, and may represent a tally mark for a "batch" of vessels. This interesting piece also has an offset lip, as seen with the line that runs around the bowl, and is classified as being part of the Attic "Inset Lip Class, circa 480-470 B.C.". For the discussion of the type as a whole see: "The Athenian Agora, Vol. 12", by B. Sparkes and L. Talcott, Princeton University, 1970. This superb to mint piece has some minute white calcite deposits, seen mostly on the bottom of the vessel, and a light red band seen above and below the bottom base ring. This interesting piece is scarce to rare, especially in this intact condition, and is a superb example with rare trade symbols that are not often seen on vessels of this type. Ex: Private Swiss collection. Ex: Fortuna Fine Arts, New York. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1148500
Apolonia Ancient Art
$1,865.00
This mint quality piece is a Greek amphora that dates to the Hellenistic Period, circa 220-180 B.C. This piece is approximately 10.75 inches high, and is mint quality, with no repair/restoration, cracks, and chips. This piece is a light red terracotta, and has an attractive white over glaze with some earthern deposits. There are also some minute spotty black mineral deposits and root marking, and this piece is in its natural "as found" condition. This piece has a flat bottom, attractive rounded body, and two raised strap handles which attach just below the lip of the vessel. This piece resembles a pelike, but unlike a pelike, this piece has a narrow opening with raised handles which are attached below the upper lip of the vessel. This design type is a common feature that is seen with most Greek amphoras. This piece also has a "double lip" type design, which allowed this piece to have a seal over the top which could easily be secured with a cord below the top lip. This type of piece has a very pleasing eye appeal, and is very decorative. In addition, this piece is scarce to rare, and is seldom seen on the market in this mint condition. Ex: Private New Jersey collection. Ex: Fortuna Fine Arts, New York. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1248144
Apolonia Ancient Art
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This beautiful Greek Campanian pelike ceramic is attributed to the Laghetto Painter, and dates circa 350-340 B.C. This attractive piece is approximately 6.25 inches high by 5 inches in diameter, and is in mint condition with no restoration/repair. This piece has some spotty white calcite deposits, and is in it's pristine "as found" condition. In addition, this piece has a multi-colored iridescent patina, that is seen over sections that have a deep black glaze. This piece has a draped and seated young woman on a spotted rock that is holding up a mirror in her right hand. She is also seen wearing a detailed brilliant white dotted necklace, and her exposed right breast is not often seen relative to Campanian type ceramics. The brilliant white necklace draws the eye to the exposed right breast, and vice-versa, and this convention of art is a mark of an accomplished painter. The face of the woman also has a very sweet and young beautiful portrait. The other side of this piece shows a nude standing Satyr that is seen holding a white fillet in the right hand, and a thyrsus on the left shoulder. The thyrsus is a long staff, surmounted with a fir-cone, and was carried by Dionysus and satyrs during the celebration of religious rites. The thyrsus also ends in a sharp point of a spear, and the ancient Greeks thought that a puncture from this staff would induce madness. The face of the well-defined muscular and nude Satyr is also a young portrait, and has a great deal of eye appeal. Campanian ceramics attributed to the Laghetto Painter are scarce to rare, and in addition, this type of piece is rare, as two-handled pelikes of this type were seldom produced in Campania. According to A.D. Trendall in "Red Figure Vases of South Italy and Sicily", Thames and Hudson, New York, 1989, p. 157: "However, in the last third of the century there is a strong wave of Apulian influence on both Campanian and Paestan, probably due to the arrival of migrant artists, and the xylophone and naiskos, hitherto confined to Apulian, appear in the west for the first time, though the typically Apulian volute-krater is not found in Campania, nor are the column-krater, loutrophoros, nestoris and rhyton, and the pelike is extremely rare". The Laghetto Painter also was active in Capua, and was a follower of the Cassandra Painter, and both of these painters are considered two of the best Campanian painters that produced very realistic looking scenes with attractive faces. Another parallel Greek Campanian ceramic attributed to the Circle of the Cassandra Painter that shows a running deer, was offered by Royal Athena Galleries, New York, in "One Thousand Years of Ancient Greek Vases II", Sept. 2010, no. 150. (This piece is approximately 5.4 inches high by 8.7 inches wide from handle to handle, as this piece is a "skyphos". $7,500.00 estimate. See attached photo.) The type of piece offered here, "pelike", is seldom seen on the market, along with it's mint condition, and great eye appeal. Ex: Private Austrian collection, circa 1980's. Ex: Private German collection, Augsburg, circa 1990's. Note: This piece has additional documentation that is available to the purchaser. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1199056
Apolonia Ancient Art
$2,365.00
This interesting piece is a Greek Attic oinochoe that dates circa early 5th century B.C. This charming little piece is approximately 5.5 inches high. This piece is an Attic blackware ceramic that has an incised designed theater mask in the form of a light red bearded man with a white diadem. This extremely rare example was also produced in the "Six's Technique", as seen with the red beard of the theatre mask with incised hair detail, and the face and diadem with white painted details. According to Joseph Noble in "The Techniques of Painted Attic Pottery", Watson-Guptill Pub., New York, 1965, p. 66: "SIX'S TECHNIQUE: Six's technique of East Greek origin, was usually employed on small vases such as lekythoi, phialai, skyphoi, and Nicosthenic amphorae. It made use of the added white, pink, and red. In this technique the picture was painted with a brush, applying the color to the surface of the vase which had been coated with the black glaze matter, and sometimes details or other figures were added by incision. The vase was then subjected to the usual Attic three-stage firing. This was an interesting technique; the pottery is attractive and has a spontaneous quality, but it is somewhat crude, lacking the refinement of the conventional black-figure or red-figure work." This Attic piece is extremely rare to rare with this type of "Six's technique" design, and in addition, incised theater masks of this type seen on Attic ceramics is not often seen on the market. This piece is also classified as "Type 5B", according to the "John D. Beazley Shape Chart", and is an extremely rare type which is only seen circa early 5th century B.C. This complete piece is repaired from several fragments, and has only over paint where the pieces have come together, and overall, is an extremely fine example with a nice deep black glaze. Ex: Private German collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1276183
Apolonia Ancient Art
$2,675.00
This nice piece is a Greek oinochoe that dates circa 330-310 B.C. This piece is approximately 10.7 inches high, and is in mint to superb condition with no repair/restoration. This piece has also been attributed to the Stoke-on-Trent Painter, which is a more scarce painter/type than the more common types attributed to the contemporary Kantharos Group. This piece prominently features a female head facing left that is seen wearing a dainty white dotted necklace and a detailed saccos that is seen layered within the hair of the young woman. There is a palmate pattern seen on the backside, and the elegant raised neck has white painted lines with a wave pattern seen on the upper shoulder. There are also extensive floral patterns that frame the bust of the young woman on each side, and this attractive piece is also designed with a raised ring base, and these design features give this piece a great deal of eye appeal. The young woman is known as the "Lady of Fashion", and may represent Persephone and the Greek myth of her return from the underworld, which represented the change of the seasons with the renewal of life. This piece has some minute black dotted mineral deposits on various sections of the vessel, and some spotty white calcite deposits which are thicker in the trefoil designed lip opening of the vessel. Overall, this elegant piece is in it's natural "as found" condition, and is a choice vessel for the type. Ex: Private German collection, circa 1970's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #987545
Apolonia Ancient Art
$3,265.00
This rare piece is a Greek Apulian trefoil oinochoe that shows an expressive theatrical mask, which is seen in profile facing right, and dates circa 380-350 B.C. This piece is classified as a "Type II Oinochoe", otherwise known as a "Chous", and it is approximately 4.5 inches high, and is in superb to mint condition with no repair/restoration or overpaint. This rare piece has also been attributed to the "Truro Painter", and has very vibrant colors, which are a glossy black, light red, and white. There are also some heavy white calcite deposits seen within the vessel, on the edge of the trefoil mouth, and on the bottom base ring. The detailed theatrical mask is seen centered within a light red frame which has a floral design at the bottom, and there are several attractive white dot highlights seen within this light red frame as well. The lively theatrical mask depicted on this piece is a type used by a character in a Greek comedy play known as a "phylax play", and this type of mask was designed with bushy black hair, short black beard, open mouth, and copious facial wrinkles. This type of mask was defined by Trendall as "Type B", and this type of mask was often produced by the "Truro Painter", circa 380-350 B.C., on Greek Apulian chous vessels of this type. Trendall also stated that the heads of the Truro Painter "often wear white head-bands", and the detailed theatrical mask seen on the piece offered here also has a very prominent white head-band. (See A.D. Trendall, "Phlyax Vases", Second Edition, BICS Supplement 20, 1967. Another vessel of this type is seen in the Virginia Museum in Richmond, Virginia, no. 81.53.) The expressive theatrical mask seen on the beautiful vessel offered here, and the Virginia Museum vessel noted above, are both designed as a singular depiction, and as such, is a subject type seldom seen on Greek Apulian vessels. In addition, the mask seen here on this rare vessel is a sharp detailed example which is seldom seen on the market today. An analogous Apulian chous of this type was offered in Christie's Antiquities, New York, June 2008, no.195. (Approximately 7.5 inches high, $5,000.00-$7,000.00 estimates, $12,500.00 realized. See attached photo.) Ex: Donna Jacobs Gallery, Birmingham, Michigan, circa 1980's. Ex: Robert Novak collection, St. Louis, MO. Ex: Private German collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1018188
Apolonia Ancient Art
$2,675.00
This rare piece is made from a red/brown terracotta and has spotty light brown earthern deposits. This piece is a terracotta model of a theatrical mask and dates circa mid 4th century B.C. This superb example is approximately 5.3 inches high by 4.5 inches wide, and this is the normal size for a votive mask of this type. This piece is intact, and is 100% original. There are some spotty dark brown mineral deposits, and some minute stress cracks and pitting which is normally seen on a piece of this type as it is mold made. This superb piece has a very dramatic face which depicts a youth with a slightly open mouth with wide open eyes. This mask was likely votive, and this piece may also have been buried with an individual who was active in the theatrical arts. (For additional examples see "The Greek World, Art and Civilization in Magna Graecia and Sicily", edited by Giovanni Pugliese Carratelli, Rizzoli Pub., New York, 1996, pp.713-717.) The top forehead is not extended back, as real hair and/or a wreath was added to this piece for added effect. This type of design would also serve an individual well in life, as well as the afterlife, and this mask may have been intended to depict a character such as Hecuba and/or Taltibio, from the Greek tragedy "Le Troiane" by Euripides. This mask, as a votive burial object, may have been intended to represent Hecuba's expression of profound pain and/or Taltibio's contrasting sentiment, which in both cases allude to the moment when the small Trojan baby Astyanax was barbarously killed. The horror of this moment was magnified, as the small Astyanax was thrown down from the walls of Troy by Menelaus, while his mother Andromache is taken away as a slave as the flames rise over Troy. These votive masks were intended to represent characters in ancient Greek tragedies, as noted above, as well as comedies. In any case, very few examples come to the market and are rare. This piece is mounted on a museum quality custom stand and has great eye appeal. Ex: Private German collection. Ex: Private New York collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1278991
Apolonia Ancient Art
$2,675.00
This large Greek ceramic is a Boeotian black-gloss kantharos that dates circa 450-425 B.C. This piece is approximately 8 inches high, by 10 inches wide from handle to handle, and is generous in size for the type and gracefully proportioned. This piece has a great deal of eye appeal, as it also has a rich deep loustrous black glaze seen over the entire piece, save the bottom of the vessel that has a reddish-tan reserve. The interior of the vessel also has an even deep black glaze, and this is an indication that this vessel was specifically made to hold a liquid, such as wine. This piece is catagorized as being a "Type D", and is the largest type for the period, and is amoung the largest Boeotian black-glazed kantharos cups. (For the type see: "Black Glaze Pottery from Rhitsona in Boeotia", by P.N. Ure, Oxford University Press, 1913, Pl. XIII.) This type of kantharos is also known as a "Sessile" type kantharos, which is characterized by it's lack of a raised stemmed base and a small torus disk foot. The form of this vessel is wheel made from a very fine reddish-tan colored clay, and the bowl and base was made as one single piece, with the large arching strap handles applied separately before firing. Small "spurs" project from the lower part of the handles, and they are likely "finger-grips". Flat bars connect the upper part of the handles to the main body of the vessel, and this creates a volute-like profile. The body of the cup has a thin flared upper rim, and a large torus ring foot with a flat base. The shape of this piece was made and used throughout ancient Greece, and the main areas of production for these black-glazed vessels was Attica and the region of Boeotia just northeast of the Gulf of Corinth. The reddish color of the fabric of this vessel also suggests that it may be of Attic manufacture, and/or is a product of an Athenian potter working in Boeotia using Attic source material. (This theory was also put forth by P.N. Ure in the work noted above, p.12, and he comments on the Boeotian black glazed vessels from the Fifth Century: "Such vessels as these and those of the Teisias Group suggest Boeotia occupied one of the very foremost positions in connection with the black glaze industry of this period. Wheather it was as producer or mearly as a purchaser is another question".) This type of vessel offered here is also seen on "Attic red-figure" ceramics that portray Dionysaic drinking scenes that often show satyrs dancing with a cup of this type. It may be that this type of cup was produced more for drinking ceremonies, rather than for funeral purposes which seems to be the case for smaller black-glazed vessels of this type. This attractive piece is intact, has no repair/restoration, and is in it's natural mint to superb "as found" condition. This piece has some nice minute root marking, and some heavy and spotty white calcite deposits seen in various sections of the vessel. An attractive large vessel for the type, and as such, is scarce on the market. Ex: Fortuna Fine Arts, New York. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #821520
Apolonia Ancient Art
$1,675.00
This splendid Greek Apulian squat lekythos dates circa mid 4th century B.C., and is approximately 5.8 inches high. This piece has a draped woman standing to the right and she is seen looking back to the left, holding a white dotted decorative plate in her right hand, and holding a white dotted decorative wreath in her left hand. The drapery of the standing woman has very fine detail, and is better than most examples. There is a circle dot behind her body and a large palmette on the back side below the handle. For another piece of this type with a single draped woman, see Sotheby's Antiquities, New York, June 2008, no. 87 ($600.00-$900.00 estimates, $3,438.00 realized.) The piece offered here is intact, save for the spout that has been re-attached. There are spotty white calcite deposits and the overall condition is superb. Ex: Private German collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre 1492 item #1268018
Apolonia Ancient Art
$4,265.00
This beautiful and vibrant piece is a Greek Apulian lidded mug that dates circa 310 B.C. This piece has been attributed to the Kantharos Group, and is approximately 8.25 inches high with the lid. This beautiful piece is also known as a kothon, and this type of vessel normally has a knobbed lid and extended neck, as seen with the piece offered here. This piece is mint quality, with no repair/restoration, and has very vibrant white, yellow, red, and black colors. This piece has a rounded knobbed handle seen at the top center of the lid, and there are two female heads seen on the top of the lid, along with a detailed acanthus pattern between. There is also a large female head seen on the main body of the vessel facing left, along with the top section of a white and red wing that is seen curling up at the front of her face. The female head is also seen wearing a detailed sakkos in her hair that is highlighted with dotted and cross patterns, and is also wearing an elaborate earring and dotted necklace. This figure likely represents a winged "Eros", and this portrait type is also known as a "lady of fashion", and is thought by many academics to also represent Demeter and/or Persephone. To the ancient Greeks the fertility of the ground was closely associated with the autumnal sowing. The return of life and burial is symbolized in the myth of Persephone's abduction and return, and gave rise to the ritual of the Eleusinian Mysteries, in which the worshippers believed that the restoration of the goddess to the upper world promised the faithful their own resurrection from death. This lidded vessel probably held a burial offering such as grain, or a product that could have been used by the deceased in the afterlife. This attractive vessel also has highly decorative floral patterns that are seen on each side of the lady's portrait, and a single "Herakles-knot" type designed handle. This piece is better than most examples of it's type, and another analogous example of this type of vessel of nearly the same size and condition was offered in Christie's Antiquities, New York, Dec. 2011, no. 138. ($3,000.00-$5000.00 estimates, $5,250.00 realized. See attached photo.) The piece offered here is among one of the best examples offered on the market, and is scarce in this mint condition. Ex: G. van Driesum collection, circa 1970's. Ex: Michael Waltz collection, Germany, circa 1970's-1980's. Ex: Private German collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1242952
Apolonia Ancient Art
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This vibrant piece is a Greek Apulian red-figure plate that dates circa 340-330 B.C., and is approximately 6.4 inches in diameter by 1.7 inches high. This mint quality vessel is attributed to the Darius-Underworld workshop, specifically the TPS Painter, and this workshop produced several of the best Apulian painters for the period. This mint quality piece has no repair/restoration, but more importantly, this vessel has very vibrant black, white, yellow, and dark orange colors. The top side of this appealing piece has a head of a woman facing left, who is seen wearing a sakkos, large earrings painted white, and a white dotted necklace. There is a plate seen at the front of the bust, and a palmate pattern seen behind. The plate may also be a symbol that denoted the TPS Painter. In addition, there are two triple dotted patterns, along with two ivy leaf symbols seen within the field. There is a wave pattern, an ivy leaf pattern, and a orange and black line pattern that is seen framing the young woman. The young woman is known as the "Lady of Fashion", but may represent Demeter or Persephone, who was tied to the Greek myth of the change of seasons and the appearance of renewed life every spring. This renewal of life was also connected to the departed, as this piece was a votive vessel. This piece also has a dark black reserve seen at the bottom, along with a footed base. This piece also has some minute spotty white calcite deposits seen mostly on the bottom of the vessel. This piece is analogous to the example seen in Christie's Antiquities, New York, June 2008, no. 201. (This analogous Christie's piece, also attributed to the TPS Painter, was offered with another Apulian plate attributed to the Darius-Underworld workshop, specifically the Painter of Zurich 2660. Both of these plates are also of nearly the same size and quality as the example offered here. Both of these pieces were offered together as one lot, and had a $4,000.00-$6,000.00 estimate, and both pieces together realized $8,750.00. See attached photo.) For the type attributed to the TPS Painter, Darius-Underworld workshop, see A.D. Trendall, "Red Figure Vases of South Italy and Sicily", London, 1989, Fig. 227, no. 1. A custom plate stand is also included with this piece. Ex: Private German collection, circa 1970's. Note: Additional documentation is available to the purchaser. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #680621
Apolonia Ancient Art
$1,675.00
This complete piece is a Greek standing terracotta figure of a votaress. This piece is approximately 8.75 inches high and dates circa 5th century BC. This piece is intact and has no repair/restoration. There are some light brown earthen deposits that are adhered to the surface, and this is an indication that this piece has not been over cleaned, and as such, the surface of this piece is superb quality with little wear. This piece was mold made and was designed with a trapezoidal base. This votaress may represent the Greek goddess Demeter, who is seen wearing a pleated chiton and a himation that is seen draped over her shoulders. She has a slight smile and is seen holding a piglet against her breasts with both hands, and this piglet is probably a votive offering. (See Sotheby's Antiquities New York, June 2004, no. 33 and Sotheby's Antiquities New York, Dec. 2000, no. 84, for other analogous examples. The two pieces cited here are approximately 10.5 inches and 8.25 inches high.) These terracotta figurines are thought to be votive in nature, and represented the offering that is seen within the piece itself, and consequently, this piece was intended as a substitute for the actual offering. This piece is scarce in this intact condition, has nice eye appeal, and is an excellent example for the type. This piece is also mounted on a custom wooden base. Ex: German private collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #988348
Apolonia Ancient Art
$825.00
This piece is a Greek black glazed ceramic that is Greek Attic, and it dates circa 5th century B.C. This piece is approximately 2.3 inches high by 4.5 inches in diameter, and is intact in superb condition. The superb condition of this piece is also readily evident, as there is some black glaze seen on the bottom of the stem base, and this glaze has not worn off from a lot of use. (See attached photo.) There is also the strong possibility that this piece was made solely as a votive offering, as there is no wear on the bottom of the stem base. This piece has some multi-colored iridescense patina over the black glaze, and there are attractive minute root marks seen in various sections of the vessel as well. This piece has no handles that were attached to the main body of the vessel, and as such, is a scarce Attic black glazed type. This piece was used for drinking wine and/or water, and is a type that was used for everyday use, and may have been made as a votive offering. This piece is a nice large example for the type, and also has an esoteric shape. Ex: Private Swiss collection. (Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1040039
Apolonia Ancient Art
$2,365.00
This superb piece is a large Greek pitcher that dates to the Greek Geometric Period, circa 8th-7th century B.C. This piece is approximately 10.75 inches high by 8.5 inches in diameter. This superb piece is a light gray terracotta and is near mint quality. This intact vessel also has no noticeable chips and/or abrasions which are usually associated with ceramics of this type. This attractive piece also has nice light to dark brown earthen deposits and minute root marking. There is a single strap handle and trefoil mouth which allowed water and/or wine to be poured in a controlled manner. This piece also sits on a ring base that stabilizes this vessel a great deal, and together with the trefoil spout, are design innovations that represent a huge leap in ancient Greek ceramic design/production. This piece is scarce in this size and near mint condition, and is a very attractive early Greek light gray ceramic. Another analogous example nearly the same size is seen in Sotheby's Antiquities, London, July 1991, no.245. Ex: Private CA. collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1191314
Apolonia Ancient Art
$4,675.00
This exceptional piece is an X-large Greek Attic lekythos that dates circa 5th century B.C. This beautiful large piece is approximately 16.75 inches high by 4.7 inches in diameter. This exceptionally large example is intact, and has no repair/restoration. This is rare for a large scale lekythos to be intact, as they are normally broken at the neck. The neck seen on this beautiful piece extends gracefully upward, and has an attached handle with an open lipped opening. There is also a small round hole in the body seen centered below where the handle attaches to the main body of the vessel, and this was added so that liquid could more easily pour from the vessel. This piece also has original white ground material that is seen on the main body of the vessel, and in addition, there are minute black spotty mineral deposits seen on various sections of the vessel. The main body also gradually tapers down from the upper shoulder to the round base, and this gives this vessel a very elegant shape. This piece also has a flat bottom and this vessel stands very solid as well. Greek Attic white-ground lekythos of this type were used primarily for funeral rites, and often had fine-line figural design over the white-ground surface. These vessels were often placed in the tomb, and were often brought to the tomb as offerings by the family of the dead. The fact that the small round hole was added to the vessel is also a good indication that this piece was actually used in a funeral rite, and was then left as an offering. The vessel seen here is much larger than what is normally seen, is an Attic Greek ceramic with a high degree of eye appeal, and is extremely graceful on display. Ex: Private Swiss collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1263688
Apolonia Ancient Art
$2,675.00
This attractive piece is a Greek Attic skyphos that dates circa 500-480 B.C. This x-large piece is approximately 4 inches high, by 6.7 inches in diameter at the rim, and is 9.5 inches wide from handle to handle. This piece is intact with no cracks and/or chips, and has no repair/restoration. This piece is in a mint "as found" condition, although there is some glaze loss seen mostly on the outer surfaces of the vessel. This piece is known as a "black glazed" Attic skyphos, as this piece has a deep black glaze seen on the inner and outer surfaces. This piece has a painted light red band seen on the wide foot base, and an unglazed reserve seen under each handle. This piece has some white calcite deposits seen in the low relief sections and the bottom side of the vessel. This piece also has a beautiful patina with some attractive light red and dark brown burnishing. This piece is a much larger example than what is normally seen, and has very thick handles that curve up and away from the main body of the piece. There is also a black target dot seen at the center of the bottom surface, and this is also a hallmark of an Attic potter. In addition, this piece has a thick rounded lip and a defined shoulder line that runs around the main body of the vessel. The walls of this x-large vessel average about .2 inches in thickness as well, and this piece was created to be a durable vessel. This type of vessel was also produced in Athens for export to many regions of the ancient Greek world. Two scarce identical examples of this piece are seen in the "Classical Art Research Centre and The Beazley Archive", and are of the same size and shape. (See no. 1011658, Museum Czartoryski, Krakow, Poland; and no. 1003165, Thessaloniki Archaeological Museum, Greece.) This piece is a solid complete example, and is not often seen in this intact condition. Ex: Steve Rubinger collection, Los Angeles, CA., circa 1980's. Ex: Private CA. collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Greek : Pottery : Pre AD 1000 item #1246377
Apolonia Ancient Art
$6,875.00
This mint quality piece is a large Greek "Messapian" column krater that dates circa 4th century B.C. This appealing and large scale piece is approximately 14.7 inches high, by 13 inches wide from handle to handle. This piece is intact, and is mint quality with no repair and/or restoration. This piece has a dark brown glaze with cream colored highlights, and has an attractive wave pattern seen on the upper shoulder. In addition, this piece has two lines seen on the body above the raised footed base, and has a dark brown line pattern seen on the upper flat rim. This piece is a much better example than what is normally seen, as the dark brown glaze seen on the majority of these large scale pieces is mostly worn away. The reason for this, is that the dark brown glaze is very thin, and was applied simply as a "wash type" glaze over the light tan clay before it was fired in the kiln. However, the attractive dark brown glaze, seen on the exceptional piece offered here, is mostly intact. This type of "Messapian" piece is also much rarer than the more common Greek "Apulian" and "Lucanian" column-krater types, and according to A.D. Trendall in "The Art of South Italy: Vases from Magna Graecia", Virginia Museum of Fine Arts, 1982, p. 18: "The shapes used for South Italian vases in the fifth century were largely derived from Attic models (see Glossary of Shapes); later, some local forms were introduced, amoung which the most characteristic are the nestoris or trozzella (in Lucanian, e.g., cat. nos. 4, 10, and 11, and Apulian, e.g., cat. no. 134), which seems to have been of native, probably Messapian origin, and the bail-amphora (in Campanian e.g., cat. no. 90, where it goes back to the black-figure prototypes of the sixth century). Many shapes are common to all fabrics (e.g., bell-and calyx-kraters, lekanides, hydriai, lebetes gamikoi, oinochoai, skyphoi); for others there were decided local preferences. Thus the loutrophoros and phiale (dish) are confined to Apulia; the volute-krater, column-krater, Panathenaic amphora, pelike, kantharos, and rhyton are rarely found outside of Apulia and Lucania; the neck amphora, bottle, and skyphoid pyxis are common only in the western fabrics." The piece offered here is also likely votive, and this also explains it's mint quality condition. The bottom is also closed, and this vessel may have held a votive offering such as grain for use in the afterlife. This piece has some heavy white calcite deposits and some minute root marking, as this attractive column-krater is in mint "as found" condition. This piece is also classified as being "Messapian", which refers to the geographical region of southern Italy near and around ancient Taranto on the Adriatic coast. Pottery classified as "Messapian" also refers to native and/or non-Greek pottery in southern Italy, along with the "Peucetian" and "Daunian" types, but this classification is a bit of a misnomer, as it is probable that "Messapian" ceramics were produced by Greek artists for the local non-Greek populace. This may also explain why this type of large-scale "Messapian" piece is rare, and is seldom seen on the market. This piece has a great deal of eye appeal, and is an exceptional decorative object. Ex: Private German collection, circa 1970's. Note: Additional documentation is available to the purchaser. I certify that this piece is authentic as to date, culture, and condition: