Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1363867
Apolonia Ancient Art
$985.00
This superb Greco-Roman bronze piece is an applique that is in the form of a theater mask, and dates to the late Hellenistic Period, circa 1st century B.C.-early 2nd century A.D. This piece is approximately 1.3 inches high, by 1.25 inches wide, by .8 inches in relief. This piece has a flat back with a small raised iron knob, and may have been the terminal end of a vessel handle, or may have been fitted into armor such as a cuirass. The latter scenario is more likely, as the raised knob resembles the remnants of an iron pin which would define this piece as a fitting, or a decorative attachment. This piece has a very well-defined face with sharp eyes, and detailed individual hair with hanging curls. The hanging curls are very detailed, and are very realistic in their design. In addition, this piece has a finely sculpted mouth and rounded chin, which is an artistic style that resembles the earlier Greek facing head coinage from Rhodes. The overall image greatly resembles a Greco-Roman theater mask, or it may also be, and double as a protective Medusa. Whatever the case, this piece is a very fine example, with extremely fine artistic style, very high relief, and a beautiful even dark green patina with minute spotty red highlights. This piece is also attached to a custom Plexiglas display stand. Ex: Private Austrian collection, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1303911
Apolonia Ancient Art
$975.00
This mint quality Roman glass "sprinkler" flask dates circa 3rd century A.D., and is in flawless condition with no cracks and/or chips. This piece is approximately 3.4 inches high, by 2.25 inches wide at the upper rim. This piece is also a large example for the type, and has a wider rim than what is usually seen. This piece has an exceptional patina, and is a light blue-green color, and has thick dark brown/black deposits that are seen over a brilliant multi-colored iridescent surface. The extra large wide rim seen on this vessel allowed for added control while pouring and/or sprinkling the contained liquid, and served as a palette for the liquid. This piece was also mold made from two halves, and the main body of this vessel has an impressed lattice-work "diamond pattern" type design. This attractive design is also very detailed, and the intricate "diamond pattern" design also imitates a surface texture that is very similar to that of pine cones. The pine cone was also a Greco-Roman symbol that was associated with the Greek god Dionysus, and the Roman god Bacchus. (For the type see: "Shining Vessels, Ancient Glass from Greek and Roman Times", Fortuna Fine Arts, New York, 1991, no. 93, $2,500.00 estimate.) This piece is also scarce in this pristine condition. A custom display stand is also included with this piece. Ex: New York private collection. Ex: Fortuna Fine Arts, New York, circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1351664
Apolonia Ancient Art
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This rare piece is a Roman bronze weapon handle that is in the form of a panther head, and dates circa 1st-2nd century A.D. This attractive piece is approximately 3.5 inches long, by 1.5 inches wide at it's widest point, which is the width of the realistically designed panther head. This piece served as a weapon handle for a Roman dagger or a short sword, and may have served in a gladiatorial capacity, as the panther is a common symbol associated with gladiatorial armor. Another analogous gladiatorial handle, seen with gladiatorial daggers and short swords, is the eagle head type. Both of these types, the panther and eagle head handles, are rare to extremely rare on the market, and there are few recorded examples. The iron remains of the blade can still be seen within the hollow section of the piece, and there are also two bronze pins that held the blade into place. These bronze pins that run through this handle, were also hammered on each side of the piece, and this hammering securely riveted these pins into place. The head of the panther is not only very animated, but it is also a very powerful image. This very animated panther head is also very detailed, as there are silver inlaid eyes and fine details seen in the fanged growling mouth. The fanged mouth of the panther head is also seen biting down on a fragmented attachment ring. This piece also has a beautiful dark green patina with some spotty red highlights, and is an exceptional example for the type. This powerful piece is also mounted on a custom steel and Plexiglas display stand. Ex: Private Austrian collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1356647
Apolonia Ancient Art
$965.00
This nice Roman bronze is an eagle applique that dates circa 2nd-3rd century A.D. This piece is approximately 2.2 inches high, by 2 inches high. This piece is a very detailed Roman eagle that has a raised head and spread wings. The wings are very detailed, and have very fine feather "line design". The head is designed with the head facing right, and is seen looking at the viewer. There is also detail on the head not facing the viewer, and there is a very defined "dotted eye". This piece has a flat back, and there is an extended mounting pin seen in the back center. This piece likely served as an applique for a vessel, and may have served as a decorative element in a legionary phalera, or an element in Roman armor. The military application relative to this piece is readily apparent, as the Roman eagle was the Roman symbol of the power, and was presented in many art forms within the Roman army. This attractive piece is intact, and has no repair/restoration. This piece also has a nice dark green patina with some minute red highlights, and is a fine example for the type. Another analogous example was offered by Bonham's Antiquities, London, July 1995, no. 442. (500-600 pounds estimates. See attached photo.) The nice piece offered here is also mounted on a custom display base. Ex: Joel Malter collection, Los Angeles, CA., circa 1980's. Ex: Concordia Art, Las Vegas, NV., circa 1990's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1374471
Apolonia Ancient Art
$1,675.00
This superb Roman bronze is an applique that shows a facing Diana that dates circa 1st-2nd century A.D. This piece is approximately 4.5 inches high, and is complete with no repair/restoration. This piece is a facing Diana, who was the Roman goddess of the hunt, and is seen with a bow quiver over her shoulder, along with a chiton and animal skin cloak that is draped over her left shoulder. She is also seen with a raised hair tie that holds her hair at the top of her head with intricate folds. This attractive bust of Diana displays a very serene face, and has eyes that were likely inlaid with silver. There is also a crescent moon pattern seen at the bottom outer edge of the bust, and this alludes to this goddess, as she was the Roman goddess of the hunt, nature, and the lunar cycle. This piece has an even light green patina with some spotty red highlights, along with some spotty light gray calcite deposits. This piece also was likely a decorative element that may have fit on a furniture piece or box. (For the type se Babelon-Blanchet, "Catalogue des Bronzes Antiques de la Bibliotheque Nationale", Paris, 1895, nos. 140 and 176; and another analogous example is seen in "Art of the Ancient World", Royal Athena Galleries, New York, 1985, no. 312.) This piece sits on a custom marble and Plexiglas stand. Ex: Private French collection, circa 1980's. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1281148
Apolonia Ancient Art
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This pleasing Roman marble is a portrait of a young woman that dates circa 2nd century A.D. This piece is approximately 3.4 inches high by 2.25 inches wide. This piece has a break at the back, at the bottom of the neck, and at the back right side of the head. The flat break at the back is an indication that this piece was once part of a large carved relief, possibly a sarcophagus panel, and was broken away from the main part of the sculpture. This attractive bust is also designed with a three-quarter facing profile, and this is a Greek convention of art that was extensively copied by the Romans circa 1st-2nd century A.D. In addition, the head is leaning to the left, with the neck seen at an angle moving down to the right, and this is an indication that the body of this young girl was portrayed with movement, as seen within the entire scene that this this bust was originally attached to. The face of the young girl appears to be serene, and conveys an eternally young look which may also be an indication that this is also meant to be a portrait of a goddess, possibly Diana (Artemis) or Juno (Hera). The hair seen on this young portrait is also arranged in three layers, which was a Roman hair style that was popular in the 2nd century A.D. The face of this piece is also intact, with no breaks to the nose, chin, and cheeks. The mouth is also rendered in a very sensual way, and has a great deal of eye appeal. This piece is also somewhat analogous to the numerous Roman marble portraits that were produced circa 161-176 A.D. of Faustina II, who was the daughter of Antoninus Pius and Faustina I, and was later married to Marcus Aurelius in 145 A.D. (See attached photo of a young marble portrait bust of Faustina II, circa 161-176 A.D., and seen in "Art of the Ancient World", Vol. XXI, 2010, no. 26 by Royal Athena Galleries, New York.) The attractive piece offered here has a nice light tan patina, with some spotty dark brown and black mineral deposits, which are also readily seen over the entire piece. Overall, this piece is an attractive Roman marble, and is a choice example. This piece is also mounted on an attractive custom display stand. Ex: Private New York collection, circa 1990's. Ex: Fortuna Fine Art, New York. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1362411
Apolonia Ancient Art
$3,265.00
This superb Roman bronze is a portrait bust of the Roman emperor, Marcus Aurelius, and dates circa 170-180 A.D. This mesmerizing piece is approximately 1.35 inches high, by .8 inches wide, and is a complete bust with most of the lower neck. This piece was part of a figurine, and was broken at the lower neckline, and the bust is a complete example, with no cracks and no other noticeable areas of damage. This realistic portrait bust is in superb condition, and has a beautiful light to dark green patina with some minute red spotty highlights. In addition, there are some light green and blue deposits seen mostly on the inner surface of the piece. This piece is classified as a "Type IV" portrait of Marcus Aurelius, as it shows the emperor in an advanced age with a very full beard. The beard is also divided in the center of the chin that also shows parallel locks of hair. This "Type IV" convention of art can easily be seen on this portrait bust, along with the distinctive arc of hair that frames the forehead. The emperor is also seen wearing a diadem crown in the hair which also signifies the wearer as being regal in status. The overall look of the face also conveys the Stoic nature of this emperor-philosopher, and conveys a peaceful ideal. (For the portrait type see: Klaus Fittschen and P. Zanker, "Katalog Der Romischen Portrats in den Capitolinischen Museen und den Anderen Kommunalen Sammlungen der Stadt Rom", 3V., Berlin: P. von Zabern, 1983-2010.) Marcus Aurelius Antoninus Augustus ruled from circa 161-180 A.D., along with Lucius Verus as co-emperor from circa 161 until Verus' death in 169. During his reign, the empire defeated a revitalized Parthian empire, and fought the Marcomanni, Quadi, and Sarmations with success during the Marcomannic Wars, but it was the Germanic tribes that Marcus fought incessantly with during the remaining years of his rule. The realistic portrait bust offered here was likely created during this time, and is likely a provincial portrait, which may also have been in a private shrine where the Roman legions were stationed near Germania along the Danube. Whatever the case, this portrait served a Roman well in the period in which it was created, and is an excellent image of this important emperor. This attractive piece also sits on a custom display stand, and can easily be removed. Ex: Private Swiss collection. Ex: Phoenix Ancient Art, New York and Geneva, Switzerland. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1356971
Apolonia Ancient Art
$785.00
This pair of Roman gold earrings with shield emblems are complete, and date circa 2nd-3rd century A.D. These attractive pieces are approximately .5 inches in diameter for the hoops, and the shield emblems are approximately .3 inches in diameter. Together the pair weighs 2.4 grams, and they are solid gold and are not plated. The shield emblems have a small raised dotted bar in the center, framed by a detailed dotted border, and this design completes the look of the shield emblems. The shield emblems also have a single rivet that attaches them to the thick gold hoops, and this adds additional strength and durability to these beautiful examples. These pieces can easily be worn today with some adjustments, as they do not open with a clasp, and were tied off so the wearer could wear these every day. A nice collectable pair of ancient jewelry, and comes with a custom metal display stand. For the type see: Ruseva-Prokoska L., "Roman Jewelry, A Collection of National Archaeological Museum", Sofia, Bulgaria, 1991, nos. 30-35. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1360586
Apolonia Ancient Art
$785.00
These three Roman "millefiori" glass beads date circa 1st century A.D., and are in mint quality condition. These three brilliant colored glass beads are approximately .75, .5, and .7 inches high, and .7 inches in diameter. These pieces are classified as being Roman "millefiori" glass, and all three beads have vibrant multiple colors such as white, light blue, dark red, green, dark blue, yellow, and black. These three beads are also very different with their color combinations and their surface texture. Roman "millefiori" glass was highly specialized in it's production, and was made with multi-colored glass canes or rods. In antiquity, these beads were also prized as personal jewelry and works of art. These beautiful pieces are also very durable, and can easily be worn today. A necklace with 32 analogous Roman "millefiori" beads was sold at Christie's Ancient Jewelry, Dec. 2007, no. 426. ($15,000.00-$20,000.00 estimates, $27,400.00 realized. See attached photo.) The three Roman beads offered here not only have very vibrant colors, but also have a high degree of eye appeal and are three of the finest examples offered on the market today. These three pieces also sit on a custom display stand, and can easily lift off their support pins. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1311165
Apolonia Ancient Art
$2,365.00
This cute piece is a Roman bronze seated Silenus that dates circa 1st century A.D. This piece is approximately 1.9 inches high, and is a complete intact piece that has no repair/restoration. This piece has a beautiful dark green patina with some spotty red highlights, and was cast as one piece. This piece shows a nude drunken and drinking Silenus seated on a rock, and he is holding a kantharos in his left hand, and his right hand is raised with an open palm and raised thumb. This pose with the open palm is also thought to have been a popular gesture used by actors in the Greek and Roman theater. (For a description of these various theatrical poses and gestures see: "The History of the Greek and Roman Theater", by Margarete Bieber, Princeton University Press, 1939.) The Silenus seen here has the typical bald head, pot belly, short legs, and had human and horse attributes. The eyes and facial features are very well detailed, and this piece is a nice example of this mythical creature who was the companion and tutor of Dionysus. This piece also has a round insert below the piece, and this is an indication that this piece may have been part of a group bronze sculpture made from several figurines. This piece also has a small flat section on top of the head, and this may have been designed to support another object and/or figurine as well. A nice Roman bronze with a great deal of eye appeal. Ex: Private New York collection. Ex: Phoenix Ancient Art, New York and Geneva, circa late 1990's. (Note: Additional documentation is available to the purchaser.) This piece also sits on a custom display stand, and simply lifts off the stand. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1283823
Apolonia Ancient Art
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This visually appealing piece is a Roman marble of the goddess Minerva, and dates circa 2nd-3rd century A.D. This piece is approximately 8.75 inches high, by 5 inches wide. This piece is a helmeted bust of the Roman goddess Minerva, who also doubled as the Greek goddess Athena. This piece shows Minerva with finely carved hair that is seen under the edges of the Corinthian type helmet, and is a portrait of a young woman that conveys the eternal beauty of the goddess. She is also seen with a serene expression, and her rounded chin also conveys a goddess that is perceived as a powerful woman. The helmet also has a raised crest, and has an inset square dowel joint on each side that probably supported a running Pegasus that was mounted on each side of the helmet. In addition, this piece is carved in the round, and the helmet design is seen on the back side of the bust as well. The face is completely intact, with no major breaks, and the carving of the eyes, nose, and the delicate mouth is extremely detailed. The eyes also have center drilled dots with a carved circular iris, which give this piece a very dynamic "alive" look, and the treatment of the eyes in this fashion is typical for Roman portraiture especially during the Antonine Period, circa 2nd century A.D. This piece also has a nice light gray patina, with heavier dark gray mineral deposits seen at the back of the bust. This piece is also analogous in design to the earlier Greek Athenian coinage, circa 5th century B.C., which shows on the obverse a helmeted Athena in profile wearing a Corinthian type helmet, with a helmet crest and dotted necklace. This piece also follows the design of the Greek gold coinage of Alexander the Great, who placed a helmeted bust of Athena on the obverse of his gold staters, circa late 4th century B.C. This piece is scarce to rare on the market, as it likely completed a full size standing and draped statue of the goddess. The portrait type of this piece was derived from an earlier Greek prototype, which is thought to be a large full standing bronze cult statue that is known as the "Athena Sunias", which was displayed in a temple dedicated to Athena at Cape Sounion. (See G. Despinis, "Athena Sunias-Eine Vermutung", Archaologischer Anzeiger, 1999, pp. 173-181.) An analogous example without the helmet crest and dotted necklace, and of nearly the same size was offered by Halan J. Berk of Chicago, Ill. in "Ancient Art", 1987, no. 45. (See attached photo.) The Berk example was also mounted on a custom display stand, as the piece offered here, with a center pin running up into the lower neck where the break occurred. The piece offered here has a great deal of eye appeal, as the facial design of this piece, especially with the treatment of the eyes and delicate mouth, provide this piece with a very dynamic "alive" and "penetrating" look. Ex: Private New York collection. Ex: Phoenix Ancient Art, Geneva and New York, circa 2000-2014, Inv.# P33-059-012614b. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1329528
Apolonia Ancient Art
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This attractive piece is a Roman armor "belt fitting" plaque that dates circa 3rd-4th century A.D. This piece is approximately 2.5 inches wide, by 2.4 inches high, and is a complete example of a Roman bronze "belt fitting" plaque type segment, which was a component of a Roman belt. This Roman bronze "belt fitting" plaque was prominently displayed on a Roman legionnaire with a frontal view, and Roman bronze "belt fitting" plaques of this type usually portrayed heroic scenes that illustrate several Roman gods and goddesses. The back side of this piece has four round studs that attached this piece to a thick leather backing, which also served as the inner layer of the belt. The right side of this piece has two round elongated hooks that likely fit into a pin, and/or into another segment of the entire belt. The belt that held this plaque was a large and wide example, and may also have wrapped around the torso of a legionnaire in order to secure a "scale-armor" mail type shirt. In addition, this belt may also have supported a "gladius" or "spatha" sword and scabbard, and this type of Roman belt was known as a "cingulum", which was generally worn around the waist and best represented the Roman military soldier in the 3rd century A.D. (For the type, see Peter Connolly, "Greece and Rome at War", Macdonald Phoebus Ltd, UK, 1981, pp. 260-261.) This scarce piece shows a standing nude Dionysus, otherwise known to the Romans as Bacchus, who is seen leaning right, and is holding a "thyrsus" in his left hand, and pouring a wine offering into the ground from an oinochoe in his right hand. There is also what appears to be a panther seen below, and ivy tendrils are seen to the right as well. The military symbolism of this piece is apparent, as the "thyrsus" was not only a beneficent wand of Bacchus, but was also a weapon that was used to destroy those who opposed his cult and the freedoms he represents. It is quite possible that an individual, or a Roman soldier, who wore this piece was also a member of this cult. This piece has a nice dark green patina with some spotty dark brown highlights, along with some minute dark black mineral deposits. This piece is an exceptional "belt fitting" plaque, and is scarce on the market. This piece also hangs on a custom Plexiglas stand and can easily be removed. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1150907
Apolonia Ancient Art
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This attractive piece is a Roman marble that is in the form of a human hand that is seen holding a purse and/or moneybag. This piece dates circa 1st-2nd century A.D., and is approximately 2.5 inches long by 2.2 inches high. This piece is nearly a complete example of a human hand, as it is broken in the upper wrist, and is a fragment from a larger statue. This piece has a light tan patina, has some spotty dark brown mineral deposits, and is a superb qaulity marble. The hand is seen holding a purse and/or moneybag, which is also an attribute of the Greek god Hermes/Roman god Mercury, as Hermes and Mercury were both a god of merchants that presided over trade. The hand also appears to be that of a young man, as the fingers are slender and the upper part of the hand appears to be somewhat feminine in nature. The subsequent Roman creations of Hermes were often modeled after the early Greek 4th century B.C. creation of Hermes by Praxiteles, which was found at Olympia in 1877. (For a description of this piece, see "A Handbook of Greek Art", by Gisela Richter, Phaidon Press Limited, Oxford, 1987, p. 144.) This prototype statue of Hermes by Praxiteles is a young man, with slight feminine features, and is portrayed with a convention of classical Greek art that portrayed the gods and goddesses as being eternally young. The marble piece offered here also has these features which not only point this fragment as likely being attributed to Hermes, but also illustrates an earlier Greek convention of art. (Another example approximately 2.75 inches long was offered in Christie's Antiquities, London, April 2012, no. 312. 700-1,000 Pound estimates, 1,500 Pound/$2,427.00 realized.) The piece offered here is a nice scarce piece with a high degree of eye appeal. This piece is also mounted on an attractive custom plexiglas stand. Ex: Private French collection. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1374571
Apolonia Ancient Art
$1,265.00
This brilliant Roman glass flask dates circa 1st-2nd century A.D., and is approximately 4 inches high. This piece is mint quality, and has no cracks and/or chips. This piece is a dark orange-brown amber colored glass, and has an extended flat lip with a folded rim, along with an elongated neck. This piece is also relatively "thick-walled", and has a very durable compact design. This vessel's globular body, with a wide elongated neck that is a third of the vessel's height, is also a hallmark design of early Roman Imperial Period glass. This piece has an exceptional brilliant "reddish-gold" multi-iridescent patina, and there is a thin silvery iridescent film patina layer seen on various sections of the vessel. This attractive silvery layer also fills into some heavy root marking as well. This type of Roman glass vessel is also classified as being "mid 1st century A.D." by John Hayes in "Roman and Pre-Roman Glass in the Royal Ontario Museum", Toronto, 1975, pp. 34-35, no. 101. Ex: Private New York collection, circa 1970's. Ex: Phoenix Ancient Art, Geneva and New York, circa 2000-2014, Inv. #P33-059-012614a. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1357255
Apolonia Ancient Art
$465.00
This Roman gold earring is a complete example, and dates circa 2nd-3rd century A.D. This attractive piece is approximately .45 inches in diameter for the hoop, and the facing shield emblem is approximately .38 inches in diameter. This piece weighs 1.1 grams, and is solid gold and is not plated. The facing hemispherical shield emblem seen on this piece is not completely smooth as most examples, as it has hand beaten sculpted lines that run through the shield. The clasp has been tied off as it was worn everyday by the owner in antiquity, but with some adjustments, this piece can easily be worn today. This piece is solid and is very durable as well. A nice intact example that is complete, with no repair and/or restoration. For the type see: Ruseva-Prokoska L., "Roman Jewelry, A Collection of National Archaeological Museum", Sofia, Bulgaria, 1991, nos. 30-35. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1246498
Apolonia Ancient Art
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This appealing piece is a standing nude Roman bronze Jupiter that dates circa 1st-3rd century A.D. This piece is approximately 3.5 inches high, and stands on its belonging square plinth. This standing nude figurine is seen holding an eagle in his outstretched right hand, and is also seen in the act of throwing a lightning bolt with his raised left arm. Jupiter, also known to the ancient Greeks as Zeus, is also seen wearing a cloak draped over his neck and left shoulder. This piece has exceptional facial, hair, and body molding detail which lends this piece a great deal of eye appeal. In addition, this piece has a young, erotic body design which is a Greek convention of art, and this can be seen with the slender legs and semi-muscular designed body. This piece is complete, save for the missing eagle's head, left hand, and probable lightning bolt which may have been in the left hand. This piece has a beautiful even dark to light green glossy patina, and the exceptional glossy patina seen on this Roman bronze figurine is scarce for figurines of this type. The footed bronze plinth also has additional bronze inside, and the bronze plinth is nearly solid, which added extra weight at the bottom of the piece. This extra weight allows this piece to solidly stand in an upright position. This piece was also cast from the top up, and the figurine and bronze plinth were cast as one piece. The bearded Jupiter is seen looking away to his right, and his weight is seen on his right leg in the act of throwing his lightning bolt. An analogous example can be seen in "Master Bronzes from the Classical World" by Mitten and Doeringer, New York, 1967, no. 266. (See attached photo.) A custom black and clear Plexiglas stand is included, and this piece simply sits on the stand, and can easily be removed. Ex: Private German collection, circa 1970's. Note: Additional documentation is available to the purchaser. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Glass : Pre AD 1000 item #1338146
Apolonia Ancient Art
$2,365.00
This attractive flawless Roman glass vessel is an aubergine colored jar that dates circa 4th-5th century A.D., and is approximately 2.25 inches high. This piece is in mint condition, with no minute cracks and/or chips. The color is very attractive, and has a deep dark brown/purple color with some light spotty silvered patina both on the inside and outside surfaces. The deep dark brown color is also very desirable, as most Roman glass pieces of this color are much lighter in color. There is also some spotty minute root marking and a multi-colored iridescence seen on various sections of the piece. This piece also has a zigzag trailing decoration (six times up and down) that is seen running around the piece, and connects on the upper shoulder and the outer lip of the vessel. The lip of the vessel also has a rounded trailing piece that runs around the upper lip. This pleasing piece also has four evenly-spaced indented sides, in addition to an indented bottom. These indentations made this piece easier to handle, and allowed the vessel to sit upright. Roman glass vessels of this type with a deep dark brown/purple coloration are also scarce on the market. Another analogous vessel of the same type and size was offered in Chrisite's Antiquities, New York, April 2016, no. 108. ($1,500.00-$2,000.00 estimates, $1.375.00 realized. Note: This vessel is also the more common dark green color. See attached photo.) For the type see John Hayes, "Roman and Pre-Roman Glass in the Royal Ontario Museum", Toronto, 1975, no. 417. Ex: Fortuna Fine Arts, New York, circa 1990's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Bronze : Pre AD 1000 item #872310
Apolonia Ancient Art
$325.00
This interesting Roman bronze coin is a bronze Sestertius, and was minted circa 60-68 A.D., and depicts a bust of Nero, who was in power circa 54-68 A.D. This coin is approximately 37mm in diameter, is Very Good quality, and has a nice dark green patina with heavy dark green/brown deposits. There are also four holes seen on this piece, and this likely facilitated leather ties which allowed this piece to be fitted into a composite corslet as scale armour. (See attached drawing.) This type of of Roman armour is known, but is extremely rare, and was not often manufactured by the Romans, although the blending of metal leaves interwoven with fabric, was known by the Greeks as early as the 12th century B.C. in Cyprus. (See "Warfare in Ancient Greece" by Tim Everson, Sutton Pub., United Kingdom, 2004, p. 154-155.) This piece could have served as armour during this period, as Rome had a brief, but quick civil war with four Emperors circa 68-69 A.D. This piece also has a deep mark in the center of the coin that was probably a test cut, rather than a battle mark. The test cut was done in order to test that the metal was 100% bronze, rather than a bronze plated "fourree". This test cut was also probably done when this coin was no longer in circulation, and could have been struck circa 68 A.D., when Nero was replaced by Galba. This coin is an interesting piece that had a dual utility. A custom black plexiglas stand is included, and the piece is easily removable as it is attached with clay. Ex: Private English collection. I certify that this piece is authentic as to date, culture, and condition: