Apolonia Ancient Art offers ancient Greek, Roman, Egyptian, and Pre-Columbian works of art Apolonia Ancient Art
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All Items : Antiques : Regional Art : Ancient World : Egyptian : Faience : Pre AD 1000 item #1161417
Apolonia Ancient Art
$4,265.00
This attractive piece is an Egyptian faience amulet of a seated Bastet, which dates circa 1100-800 B.C., Late New Kingdom/3rd Intermediate Period. This piece is approximately 2.25 inches high, and is a large example for the type. This mint quality and complete piece is a seated Bastet lion headed goddess that is seen holding a shrine-shaped sistrum, and is a rarer type than what is normally seen, which is the more common openwork hoop-shaped sistrum. The sistrum was a rattling musical instrument that was connected with ceremony, festivity, and merry-making. This sistrum attribute identifies this amulet as being Bastet, rather than the lion headed goddess Sekhmet, which is often the case, and according to Carol Andrews in "Amulets of Ancient Egypt", University of Texas Press, 1994, p. 32: "Of all the mained lion goddesses who were revered for their fierceness Bastet alone was 'transmogrified' into the less terrible cat, although even she often retained a lion-head when depicted as a woman, thus causing much confusion in identification. The female cat was particularly noted for its fecundity and so Bastet was adored as goddess of fertility and, with rather less logic, of festivity and intoxication. This is why, as a cat-headed woman, she carries a menyet collar with aegis-capped counterpoise and rattles a sistrum." In addition, Andrews states on p. 33: "All such pieces must have been worn by women to place them under the patronage of the goddess and perhaps endow them with her fecundity. They were essentially to be worn for life, but could have potency in the Other World." The piece offered here has a suspension hoop seen behind the head, and there is no apparent wear within this hoop which suggests that this attractive piece was votive, and this may also explain it's mint quality condition as well. The seated goddess is seen on an elaborate openwork throne whose sides are formed into the sinuous body of the Egyptian snake god Nehebkau. The facial features of this appealing piece have fine detail, and also have a rather haunting and mysterious look. This rare faience amulet has nice minute spotty dark brown mineral deposits that are seen over a light green/blue glaze, and this piece is in mint condition, with no cracks and/or chips, which are often seen on faience amulets of this large size. The molding of this piece has exceptional detail, and compares to an analogous example of the same type and size seen in Christie's Antiquities, Paris, March 2008, lot no. 115. (7,000.00-10,000.00 Euro estimates, 5,625 Euros realized. Note: This piece has the more common hoop-shaped sistrum, and is from the Charles Gillot collection, circa 1853-1903. See attached photo.) The piece offered here comes with a clear plexiglas display stand, and simply sits on the top surface, and can be easily lifted off. An exceptional large piece that is in mint condition, and is also a rare type. Ex: Robert Rustafjaell collection, circa 1890-1909. Published: "An Egyptian Collection formed by R. de Rustafjaell Bey", by the Ehrich Galleries, New York. Ex: Heckscher Museum of Art, Long Island, New York, deaccessioned circa 2011. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1378488
Apolonia Ancient Art
$3,675.00
This detailed Egyptian bronze figurine is a nude striding Harpokrates, and dates to the Late Period, 26th-30th Dynasty, circa 664-342 B.C. This appealing piece is approximately 6 inches high, and is mounted on a custom display base that is approximately 2.2 inches high. This figure has it's weight on the straight right leg, and the left leg is seen striding forward. The missing left arm is positioned at his side, while the left arm is positioned for the hand to touch it's mouth with the index finger. This figure is also seen wearing the Egyptian double crown of Upper and Lower Egypt, and a ring that is suspended from both shoulders. There is also a detailed tie from the crown seen draped down to the middle of the back, and a detailed hair-lock seen flowing down from the right side of the crown. The face of this god has fine details, and has very realistic features that convey a serene expression. The god Harpokrates was the son of Osiris and Isis, and he is depicted here as the youthful heir to the throne, as he is seen nude wearing the double crown of Egypt. This nice piece has a great deal of eye appeal with a beautiful dark green patina with light green highlights. This intact piece is near complete, save for the missing feet, right hand, and the lower left arm. This piece is also mounted on a custom display base. Ex: Private German collection, circa 1940's. (Note: Additional documentation is available for the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1378231
Apolonia Ancient Art
$1,875.00
This piece is an Egyptian wooden mummy mask that dates to the Late Period, circa 700-30 B.C. This wooden piece is approximately 8.3 inches high, by 5.3 inches wide, and is a solid example. This pleasing "two-part" piece has a nose attached to the main body of the piece with two wooden dowels, and there are six additional dowels that attached the mask to the coffin lid. Five of these dowels are still in place, and in addition, there is a single dowel seen below the chin that was used to attach the mask to an extended wooden beard. The eyes and eye brows were created with angular cuts, in addition to the upper wig. The face also was applied with a thick white gesso, and thick amounts of it can be seen in various sections of the face. This esoteric face also has a slight smile, and has a great deal of eye appeal. The backside of the mask is flat, as it was attached to the coffin lid. This piece is a superb example with it's sectional dowel construction, and likely was made for a young man. This attractive piece also comes with a custom display stand. Ex: Collection of Swanhild Castle, Brooklyn, New York, circa 1960's. Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Roman : Pre AD 1000 item #1381237
Apolonia Ancient Art
$875.00
This piece is an intact Romano-Egyptian terracotta fish that dates to the Roman Period, circa 30 B.C.-324 A.D. This piece is approximately 7 inches long, by 3.25 inches high, and is a complete and intact example. This piece was made with a dark red-tan clay, and was mold made from two halves. This attractive piece also some thick gray-white deposits, which was also made from it's original white gesso that coated the entire piece. This piece has a curved body that creates movement for the viewer, and there is an open mouth, a small vent hole under the body, and detailed fins. This piece was also likely a votive object that provided sustenance for the departed in the after-life, and this type of piece is also relatively scarce on the market. This piece also likely depicts a Nile perch, which was a popular fish in antiquity. This piece also sits on a custom display stand. Ex: Private German collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1375947
Apolonia Ancient Art
$465.00
These pieces are nineteen (19) Egyptian faience glazed amulets that are from the Amarna-Period, Late New Kingdom, 18th Dynasty, circa 1350 B.C., and also date to the reign of Akhenaten and Tutankhamun. These interesting and attractive pieces range in size from approximately .9 to .25 inches high, and are all intact, save one plaque amulet that has a chip on one side. Nine (9) of the amulets have a minute suspension hoop at the top, and were likely strung together on a necklace or interwoven into a garment. The remaining amulets were likely interwoven and/or wrapped into a garment, and may have also been interwoven into the wrappings of a mummy, as this was likely the case for all of the amulets offered here. The amulets vary in type, glaze color, and size which makes them a very interesting study group. A lotus flower, a palmette, a Wedjat-eye, a seated Sekhmet, and a Hes-Vase represent some of the examples offered here. Many of these amulet types are seen in "Amulets of Ancient Egypt" by Carol Andrews, University of Texas Press, 1994. The mold made amulets offered here also range in color from a bright blue glaze to a dark purple-blue color. Ex: Private Austrian collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1103081
Apolonia Ancient Art
$2,375.00
This appealing piece is an Egyptian polychrome wooden face mask that dates Third Intermediate Period, circa 1075-715 B.C. This piece is approximately 7.75 inches high, and is a near complete facial section of a wooden sarcophagus mask/lid. This piece has red outlined lips, and red and blue details which are painted over a golden yellow ground that covers the carved wooden surface. There are two dowel holes which were used to attach this esoteric facial section to the main body of the sarcophagus mask/lid. This piece also has some minute spotty black mineral deposits, and the condition of the carved wooden fabric is exceptional. This piece was carved in a very esoteric manner, as seen with the detailed lips and raised eyes. This piece has a great deal of eye appeal, and fits on a custom black plexiglas and marble stand. Ex: Sotheby's Antiquities, London, Feb. 1979, no. 273. Ex: Private New York collection. Ex: Sotheby's Antiquities, "The Charles Pankow Collection of Egyptian Art", Dec. 2004, no. 148. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1338257
Apolonia Ancient Art
$1,275.00
This piece is an Egyptian necklace that is made of 84 individual beads and amulets that date circa 1070-712 B.C., Third Intermediate Period. This piece is approximately 19 inches long, and has an added modern 18k gold clasp that makes this piece very wearable. The majority of the beads and amulets are mold made with a light blue glaze, and are faience type beads that have nice minute detail. The smaller beads likely represent small floral seeds, and there are two (2) closed floral amulets, three (3) grape cluster amulets, three (3) closed fist amulets, two (2) small carved white bone Horus Falcon bead amulets, and one (1) central light purple molded lapis lazuli phallic amulet that is a scarce example. These amulets are not only "protector type", but they are also "fertility type" amulets that promote fertility and the cycle of life. The ancient Egyptians always wore and offered amulets to a deity, because he or she believed that it would magically bestow a particular form of protective power. The necklace offered here is made from elements of beads and amulets that were also worn in antiquity, and/or were votive. For an explanation of all the elements and amulets seen in this attractive necklace see; "Amulets of Ancient Egypt" by Carol Andrews, University of Texas Press, 1994. All of the elements and amulets are intact in superb condition, and have no repair and/or restoration. This necklace also has nice eye appeal, has detailed features, and can easily be seen from a distance. This piece also has a custom display stand. Ex: Private New York collection. Ex: Fortuna Fine Arts, New York. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1360510
Apolonia Ancient Art
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This nice Egyptian swivel ring dates to the Second Intermediate Period, circa 1650-1549 B.C., and is approximately 1.1 inches in diameter and was made for an adult male. This piece is in superb condition, and has no repair and/or restoration. The stone has no cracks or chips, and the overall condition of this piece is superb to mint quality. This piece has an attractive green-black steatite stone that swivels around a wire that runs through the piece. This piece has a clever design, in that the wire that runs through the extremely dense steatite stone, is wrapped around a bronze hoop at each end of the stone. The overall design of the ring is very esoteric, and the ring with the raised steatite stone is very noticeable on one's finger. The bronze hoop also has a pleasing dark brown-green patina with some minute red highlights. The attractive green-black steatite stone was highly polished in antiquity, and it still retains a great deal of it's brilliant luster. The stone also has a thin multi-colored iridescence that is seen on both the upper rounded side, and the flat bottom side. This ring is durable enough that it can easily be worn today, and the stone also swivels freely around the inner wire. A nice Egyptian ring that is a high quality example. A black ring display stand is also included. Ex: Fortuna Fine Arts, New York, circa 1980's. Ex: Private new York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Faience : Pre AD 1000 item #1315066
Apolonia Ancient Art
$12,800.00
This attractive piece is an Egyptian faience aryballos that dates to the Late Period, Dynasty XXVI, circa 664-525 B.C. This extremely large and rare piece is approximately 4.25 inches high, by 3.6 inches in diameter. This turquoise blue piece was mold made from faience, and was then hand sculpted which produced the sharp details and design features that are seen on this esoteric piece. This piece also has a spherical body with five registers, and there is a small circular depression seen on the bottom which is surrounded by thirty-two pedals with a detailed double row of lotus leaves seen above. There is also a cross-hatching design that is seen through the middle of the body, with two rows of pedals above. This piece was also designed with a short cylindrical neck, along with an inward-sloping disk rim and a wide attached strap handle. There are some spotty light brown deposits seen in various sections of the outer surfaces, and considerable white calcite deposits that are seen on the inside of the vessel. This piece also has some skillful old repair, as this piece was repaired from three large fragments, and is 100% original. This extremely rare piece may have been produced in Naukratis, a port in the Egyptian delta that was founded by Greeks in the 7th century B.C. Naukratis was an exclusive Greek community organized by Amasis, and many of it's exports found their way into many foreign markets, including the Etruscans who coveted Greek and Egyptian objects. This type of large faience aryballos is also listed as being produced in Rhodes by V. Webb in "Archaic Greek Faience", Warminster, 1978. (See nos. 705 and 743. No. 705 is approximately the same size as the piece offered here. See attached photo.) Another extremely rare example was sold in Cahn Auktionen AG, Basil, Switzerland, Sept. 2010, no. 72. (SF 9,000.00 estimate, SF 12,000.00 realized. The Cahn example is approximately the same size as the piece offered here, has very analogous main body cross-hatching design, upper shoulder pedal design, and was repaired from large fragments as the example offered here. See attached photo.) The piece offered here also stands by itself, and a clear Plexiglas display stand is also included. Ex: Private European collection, circa 1970's. Ex: Christie's Antiquities, New York, June 2003, no. 41. ($8,000.00-$12,000.00 estimates. See attached photo.) Ex: Private New York collection. (Note: Additional documentation is available to the purchaser.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1338941
Apolonia Ancient Art
$4,265.00
This attractive Egyptian wooden mummy mask dates to the Third Intermediate Period, 21st-24th Dynasty, 1070-715 B.C. This esoteric piece is approximately 5.6 inches high, by 4.5 inches wide, by 3 inches deep. This piece was likely from the inner coffin lid of a large sarcophagus. This piece is also solid, and has original light red and black paint over stucco that is adhered to the wooden surface on the front side of the piece. The paint and stucco are both very stable, and there is no flaking or recent cracking of the paint and stucco. This piece has no over paint, is all original, and there has not been any repair/restoration to the piece. This piece has a very esoteric artistic style, and is a much more beautiful piece that what is normally seen for a piece of this type for the period. The eyes are almond shaped, and the mouth has a very sensual look and design. The overall face has a serene expression that this piece easily conveys to the viewer. This piece has a flat back side that is slightly oval, and there is an attachment dowel seen at the top back side, and in addition, this dowel attached this facial section to the main part of the mask. This piece also has very high relief, and the nose is completely intact, along with most of the facial features. Egyptian wooden face masks from this period with the exceptional esoteric artistic style that this piece conveys, have sold for very strong prices in todays market. Another analogous example of this type was offered in Sotheby's Antiquities: "The Charles Pankow Collection of Egyptian Art", New York, Dec. 2004, no. 71. ($50,000.00-$70,000.00 estimates. The Pankow example is slightly larger than the piece offered here, and the facial details are very close in design as well. The piece offered here has a very analogous mouth as the Pankow example, along with the delicate designed nose. See attached photo.) The piece offered here is a wonderful example for the type, and is difficult to find with this esoteric artistic style. This piece also sits on a custom metal display stand. Ex: Farag Khodary M. El-Gabry, Cairo, circa 1950's. Ex: Dora and George Mathues collection, Philadelphia, circa 1960's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1380004
Apolonia Ancient Art
$875.00
This attractive piece is an Egyptian bronze torso of Osiris that dates to the Late Period, circa 713-332 B.C. This piece is approximately 2.9 inches high, by 1.3 wide from shoulder to shoulder, and is the upper torso of a standing or seated Osiris. This Osiris is seen wearing an Atef-crown with a detailed and protective raised cobra seen above the forehead, along with an extended false beard. This figurine is also depicted with a mummified form, with the arms folded tightly over his chest, and is seen grasping the regal crook and flail insignia. The face is also very esoteric, and has very fine artistic style with realistic features. The hollow eyes may also have held an inlay as well. This piece has a beautiful dark green patina with red highlights, and is a near complete upper torso, save for a small section of both of the upper part of the feathered crown attachments. This piece has exceptional detail with esoteric features, and is a better example than what is normally seen in the market. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1356496
Apolonia Ancient Art
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These scarce nearly identical standing nude concubine gold earrings date circa 1st century B.C.-1st century A.D. These erotic pieces are approximately 2.25 inches high, from the top of the hoop to the bottom of the figures, and are .3 inches wide at the shoulders. The figures themselves are approximately 1.5 inches high. These solid gold pieces together weigh 4.4 grams, and are not gold gilt over another metal which is sometimes the case relative to ancient jewelry. These attractive pieces are complete, and have no restoration/repair. These pieces are also very durably made, and are solid examples that can easily be worn today. Each of the figures are completely nude, and have some minute punched details such as dotted breast nipples, belly button circles, circular eyes, and minute linear hair. Each figurine also appears to be wearing an Egyptian type wig, and the standing body pose is classic Egyptian, with the arms straight down at the sides and the legs tightly together. The frontal design is slightly raised on both pieces, and the back of both earrings are mostly flat. Each figure is also made from two gold sheets that were folded over, and this doubling of the thin gold sheet gave these earrings some added strength. These earrings are highly erotic, and were likely worn to identify a woman who was a concubine for a wealthy and/or important person in antiquity. They also resemble the goddess Isis, and these pieces may have been worn in a religious capacity as well. The nude figurines also resemble a small carved ivory Egyptian concubine that is now seen in the Walters Art Museum. (This piece is approximately 2.5 inches high, and the back is flat as the gold earrings offered here. This piece was also purchased by Henry Walters in 1930. Inventory no.: 71.522. See attached photo.) The scarce to rare erotic gold earrings offered here can easily be worn today, as they also have thick gold hoops that are very solid. It's likely that these pieces were worn in antiquity, and may also have been a votive type object worn in the afterlife. A custom metal earring stand is included. Ex: D. Weller collection, Essen, Germany, circa 1930's-1990's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that these pieces are authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Near Eastern : Pre AD 1000 item #1359731
Apolonia Ancient Art
$5,675.00
This extremely rare weapon is a bronze slashing sword that dates circa 1800-1200 B.C. This remarkable piece is approximately 21.4 inches long, by 2.25 inches wide at the point where the blade meets the shank of the weapon. This piece was hand forged into one piece from bronze, and is a thick and heavy bronze weapon. This powerful weapon also has a blade that slightly graduates in width from the shank to the blunt end, and this blade section of the weapon is slightly curved. The straight rectangle shaped "extended shaft" is also very durable, and is approximately .5 inches wide at the shank, by .25 inches thick. This weapon's "extended shaft" also slightly graduates in size, mostly with the width, from the shank to the end of the handle. The cutting edge of the blade is also only on one side, as the blunt end is flat, along with the top side of the blade. Overall, this weapon is very finely made for the period, and has subtle dimensions of construction which makes it a very special and specialized work of ancient arms. This weapon was designed to slash through an enemy with one sweeping motion, and an extended "wooden shaft handle" would have allowed this weapon to be held with one or two hands. This design also allowed this weapon to likely be able to penetrate heavy armor such as a helmet or a breastplate, as the "extended shaft" attached to an extended "wooden shaft handle" would allow one to generate a tremendous amount of force. This weapon may also have been designed for use from a chariot or horseback, as the owner would be able to slash in a downwards motion, which would have generated even more force than a horizontal slash. This weapon may also be of a type that was used in the battle of Kadesh, circa 1274 B.C., which was the largest chariot battle ever fought in antiquity, and involved perhaps 5,000-6,000 war chariots. This battle pitted the Hittite Empire under Muwatalli II against the Egyptian Empire under Ramesses II, and many types of weapons were created by both sides for this conflict. This piece has an attractive dark green patina with some red highlights, and some spotty light to dark green mineralization. This piece is also intact, has no repair/restoration, and has an ever so slight bend at the shank which may indicate that this piece was in battle. This weapon is extremely rare, is a highly specialized work of ancient arms, and is one of the most devastating weapons from antiquity. A custom display stand is also included. Ex: Private Austrian collection, circa 1980's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #941556
Apolonia Ancient Art
$365.00
This scarce piece is an Egyptian brown terracotta mold that was likely used to form a faience amulet. This intact piece is approximately 1.6 inches high, is intact with no repair/restoration, and dates to the Late Period, circa 716-30 B.C. This piece shows the standing figure of the pregnant hippopotamus-headed goddess Taweret, otherwise known as Tauert, who served as the protector of women during childbirth. The image of this goddess is often seen as faience amulets, and an image of this goddess was also attached to beds, head-rests, and cosmetic articles. This piece is mounted with clay on a custom display stand, along with a clay impression of the mold, and both of these can easily be removed. Molds of this type of the goddess Taweret are scarce on the market, and are seldom seen. Ex: Private English collection. Ex: Private New York collection. I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Wood : Pre AD 1000 item #969122
Apolonia Ancient Art
$6,875.00
This piece is an exceptional Egyptian wooden female figurine that was likely part of an offering model, and this piece dates circa 12th Dynasty, 1991-1786 B.C. This large piece is approximately 12.1 inches high, and on its custom stand, it is approximately 15.75 inches high. This piece is also larger than most examples of this type, as complete examples average about 9 to 10 inches high. This esoteric piece is missing the arms, which were attached to the main body with wooden pins, and the feet, which attached this piece to the model platform. This is often the case with model figurines of this type, as one complete figurine was made of several pieces. This piece was originally coated with a white gesso, and was then painted with several pigments; and in this case, there are sections of white gesso with red, black, and blue pigments. The exposed wood is a nice tan honey color, and the overall piece is very light in weight. One of the arms probably balanced the basket that is seen on her head, and the other arm likely hung down at her side. These arms were attached to the main body with round wooden dowels, and the deteriorated remains of these rounded wooden dowles can be seen within the rounded holes where they were inserted into the shoulders of the torso. The carving of this piece is exquisite, and is very erotic, as there are graceful contours of the female form, and the torso has an elongated sensual design. The sensual design of this piece conveys an easy body movement, as the left leg is seen slightly striding in front of the other which indicates an easy stride, and this is another design feature that this piece has that one can easily perceive. One of the shoulders is also slightly larger than the other, as one arm was raised to support the basket, and the other arm hung down at the side. This piece was likely part of an offering model that was placed in the tomb of its owner, and these models provided sustenance for the deceased. There is also a notch at the bottom of the back right leg, and this fitted to a peg that attached this piece to the base of the model. An analogous female figurine from the same period, with a basket on the head that is part of a procession scene, can be seen in the Museum of Fine Arts, Boston, in the exhibit "The Secrets of Tomb 10A: Egypt 2000 B.C.", which runs until May 16, 2010. A photo of this analogous female figurine can also be seen in the Jan./Feb. issue of Archaeology Magazine, p.14. Additional female model figurines can be seen in "Models of Daily Life in Ancient Egypt, From the Tomb of Meket-Re at Thebes" by H.E. Winlock, London, 1955. An analogous example of nearly the same size, with no arms, and with the left leg striding forward can be seen in Christies Antiquities, Dec. 2003, no. 33. ($16,730.00 realized, and see attached photo.) A complete figurine can be seen in Sotheby's Antiquities, New York, June 1995, no. 14. (This exceptional piece is approximately 12.8 inches high, and dates to the early 12th Dynasty. The female form and artistic style of the torso is very analogous to the piece offered here. $40,000-$60,000.00 estimates, $57,500.00 realized.) This piece is also a type with the left leg advanced as seen in "Egyptian Servant Statues" by J.H. Breasted, Washington D.C., 1948, Pl. 56b. The exceptional piece offered here has also been examined by Selim Dere of Fortuna Fine Arts in New York, Alan Safani of Safani Galleries in New York, and Dr. Robert Bianchi. Ex: Private French collection. Ex: Private New York collection. Ex: Alan Safani Galleries, New York, circa 1980's. Ex: Pierre Berge & Asso. Paris, Archeologie, June 2011, no. 101. Euro 5,000.00-7,000.00 estimates. (Additional documentation is available to the purchaser, including a French Export Passport.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1378394
Apolonia Ancient Art
$865.00
This scarce piece is an Egyptian faience two-faced amulet bust that dates to the Late Period, circa 713-332 B.C. This piece is approximately 1.25 inches high, and is an intact example. This piece was originally made as a figurine of the Egyptian god Pataikos, and has an attractive light green glaze. This interesting piece has nearly two identical "mold-made" faces seen on each side of the bust in a "Janus" type design. This appealing Egyptian bust also shows the two faces sharing the same bald head, and these faces have deeply molded features that convey a slight smile and serene expression. This piece was likely made as a "protector" type work of art, and may also have doubled as the god Bes and Pataikos, thus having additional protective powers. The Egyptian god Pataikos was derived from a Phoenician "dwarf-form", and was a "protector" type god which is also sometimes referred to as a "Ptah-Seker" god. Pataikos was also a popular god in ancient Egypt, and was always present among the workers in precious-metal workshops in Old Kingdom scenes of daily life. The piece seen here was also likely to have been intentionally and ceremoniously broken in antiquity, which subsequently killed the magic of the piece. This scarce piece is in superb condition, has a nice colored glaze, and is a large example for the type. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1378327
Apolonia Ancient Art
$785.00
This intact piece is an Egyptian faience Ptah head that dates to the Late Period, circa 713-332 B.C. This piece is approximately 1.2 inches high, and is an intact example. This piece was originally made as an amulet in the form of the Egyptian god Ptah, and has an attractive light green glaze. There is also an attached suspension hoop seen on the lower backside of the piece, and this piece was likely worn by an individual as a "protector" type amulet. The appealing bust of Ptah offered here also appears to be bald and/or is seen wearing a skull cap, and has deeply molded facial features that convey a slight smile with a serene expression. Ptah was also a popular god in ancient Egypt, and was the ancient Egyptian creator god of Memphis and patron of craftsmen. The piece seen here was not only likely worn as an amulet, but it was also likely to have been intentionally and ceremoniously broken, which subsequently killed the magic of the piece. This piece is in superb condition, has a nice even glaze, and is slightly bigger than most examples. This piece is also mounted on a custom display stand. Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition:
All Items : Antiques : Regional Art : Ancient World : Egyptian : Pre AD 1000 item #1379967
Apolonia Ancient Art
$785.00
This powerful looking piece is an Egyptian faience amulet torso of Pataikos that dates to the Late Period, circa 713-332 B.C. This piece is approximately 1.9 inches high, by 1.75 inches wide from shoulder to shoulder. This piece was originally made as an amulet in the form of the Egyptian god "Pataikos", and was ceremoniously broken with the removal of the head and legs. This piece was worn as a "protector" type amulet, as the missing head had a suspension hoop attached at the back. "Pataikos" was a popular naked dwarf god who strangled snakes, and protected craftsman, children, and everyday working people. The muscular torso seen here has a fine dark green glaze, and very detailed features. The powerful and muscular torso seen here appears to be ready to act as a strong "protector" god, hence the muscular design. This piece is also in superb condition, and is a large example for the type. This piece is also mounted on a custom display stand. (An example of the same size, but not having a large muscular torso, was offered by Royal Athena Galleries, New York, Vol. XXIX, 2018, no. 175 for $7500.00. See attached photo.) Ex: Kathe Hartmann collection, Germany, circa 1950's. (Note: Additional documentation is available to the purchaser, including EU Export and US Customs Import documentation.) I certify that this piece is authentic as to date, culture, and condition: