Sacred Signs: Hieroglyphs in Ancient Egypt (Very Short Introductions) (Hardcover)
by Penelope Wilson (Author)
The hieroglyphs of ancient Egypt have fascinated people for over three thousand years. In this engaging new study, Penelope Wilson offers a wide ranging look at this ancient form of writing, touching on everything from basic principles of translation to its broader function in Egyptian culture.
Sacred Signs illuminates the cultural significance of hieroglyphs, showing how it was used in monumental art and as the rarified language of the gods. Wilson points out that the Egyptian word for pictorial writing was "medu-netjer," which means "words of god." Hieroglyphs were an exalted mode of communication, used to speak with the gods or to guide rulers in the afterlife (for instance, hieroglyphs might describe a set of spells, rituals, and the route to the afterlife for use by the king or queen). Indeed, hieroglyphs differed from everyday writing and the average Egyptian was unable to read them--only the elite were taught the pictorial signs. Throughout the book, Wilson illuminates the writing system itself. We learn that hieroglyphs can be read either left-to-right or right-to-left and that animals, birds, people, serpents, and fish were drawn in profile, all facing the same way, so that readers would know which way to read the line. Also, individual signs derived from everyday objects in the Egyptian world, so that learning hieroglyphs is not only a linguistic exercise, but also an insightful introduction to Egyptian culture and daily life.
Written by an authority on hieroglyphics, Sacred Signs is the only book available that presents up-to-date evidence in an accessible way, illuminating the function and importance of hieroglyphs within the framework of ancient Egyptian culture.
About the Author
Penelope Wilson is Lecturer in Egyptology at the University of Durham, and Field Director for the Egyptian Exploration Society Mission to Sais in Egypt. She worked as Assistant Keeper in the Department of Antiquities in the Fitzwilliam Museum, Cambridge, for seven years.