Catalog (334)

An albumen photograph of the Kas Mahal in the center and portion of the Anguri Bagh in the foreground. This view is of part of the Agra Fort. I’m not sure but I think the Taj Mahal is just visible on the far right above the roof of the building. The image is 8 3/4 (22 cm) by 11 ½ (29 cm) inches. The card is 14 (35.5 cm) by 17 (43 cm) inches. The image is signed in the negative “Sache/215.” John Edward Sache was active from 1865 to 1882.

Condition: Good clear print, but the image must ...

A nicely decorated lobed dinner plate with an off center bouquet of bright flowers in the well of the plate, two sprays of flowers on the lip and a reddish-purple rim. A little green bud near the rim covers a firing flaw. Diameter 9 7/8 inches (25 cm). Underglaze blue mark of crowned interlaced Cs.

Condition; very good and little wear. A short hairline crack from the rim goes about an inch into the plate.

Bright colors and interesting that no gilding was used.

A lobed dinner plate with a gilt rim, a gilt circle entwined with floral ropes on the lip and a worn monogram enclosed by a blue circle wrapped with a gilt wreath in the well. Diameter 9 1/8 inches (23 cm). Marked in underglaze blue on the back with the Seguin factory mark. The factory was active in Vincennes from roughly 1779 to 1788.

Condition: Enough wear to the enamel painting in the well to be distracting. There are internal and rim hairlines.

SOLD

A porcelain dinner plate decorated with a gilt rim, a gilt rope with flowers on the lip and floral sprays in the well. Marked in overglaze red enamel on the back “B/Potter/1” The mark is probably from around 1794 for the short lived partnership of Potter and Blancheron.

Condition: Two hairlines and some stacking wear

A powder blue ground cup with elaborate gilding and two reserved oval panels on opposite sides with a spray of European flowers. Unusual for Chinese Export porcelain the two panels are recess molded. Other examples of this period exist with molding in the body, this ground and elaborate gilding. The inspiration is European, probably German, perhaps Meissen. The cup is 2 inches (5 cm) tall and 3 ½ inches (9 cm) diameter.

Condition: No chips, cracks, hairlines or repairs. As is often the case...

A porcelain teapot with blue and reddish cornflowers amidst extensive gilding as well as gilding on parts of the lid and the body. 7 inches tall x 9/1/2 inches long x 4 ¾ inches wide.

Condition: no chips, cracks, hairlines or repairs. Very little wear to the gilding.

A Dutch Delft hand painted wall tile depicting a rabbit pushing off on its hind legs in motion to the left with its ears and tail high. The animal is surrounded by a circle of a wavy line with dots in the wave troughs. Flowers fill the corners. It is 5 1/8 inches (13 cm) square about ½ inch (1.2 cm) tall. The red clay sides are beveled so that the back is slightly smaller than the front. This style of decoration was used in the 2nd quarter of the 17th century.

Condition: Minor losses around...

A blue transfer printed “Stone China” or ironstone dinner plate by John and William Ridgway, marked on the back with the pattern and ‘J. W. R.” 10 ¼ inches (26 cm) diameter. Gadroon edge and good clear printing in dark blue. Circa 1820.

Condition: No cracks or hairlines. Two chips to the foot ring and a minute flake to the glaze on the rim and one at the edge of the well. Very minor knife scratches.

Albumen photograph mounted on grey stock of a shallow pool in the foreground the ruins of some walls and columns in the middle and Vesuvius in the distance. A very well printed image with deep contrasts in tones. The image is from around 1875. 7 9/16 tall by 10 3/16 inches (19.5 x 26 cm). Card 13 by 16 inches (33 x 40.5 cm).

Condition; Generally excellent with a few surface scratches. The plate had a few losses that were colored in before printing.

A very good quality image, found with...

A Dutch Delft blue and white wall tile hand painted with a rabbit seated and eating. The animal is surrounded by a circle of a wavy line with dots in the wave troughs. Flowers fill the corners. It is 5 1/8 inches (13 cm) square about ½ inch (1.2 cm) tall. The red clay sides are beveled so that the back is slightly smaller than the front. This style of decoration was used in the 2nd quarter of the 17th century.

Condition: fairly severe chipping and losses along the right edge some on the bot...

An oversize albumen photograph of the exterior front of the Beylerbeyi Palace on the Bosporus Strait in Istanbul. The palace was built from 1861 to 1865 as an Imperial summer residence. The photograph is by Pascal Sebah. In the lower left in the negative, “38. Palais du Sultan a Beyler Bey,” on the lower right also in the negative, “P. Sebah.” 10 ¼ x13 ¼ inches (26 x33.5 cm) in a 16 x20 inch (40.5 x50 cm) mat.

Condition: good, with some wrinkles, a spot of discoloration in the s...

An oversize albumen photograph of the exterior of the Hagia Sophia, Istanbul by the photographer Pascal Sebah. The view is taken from outside a stone wall pierced with grilled windows. The monumental structure rises behind the wall. Pascal Sebah (1823-1886) was born in Constantinople. His photographic studio there opened in 1857. In the lower left in the negative, “68. Mosquee St. Sophia” and lower right “P. Sebah.” The image is 10 ¼ x 13 1/8 inches (26 x 33 cm). The mat is 16 x20 inche...

An albumen photograph of the Sultan Ahmed Mosque also known as the “Blue Mosque” in Istanbul (Constantinople), Turkey by Pascal Sebah taken circa 1880. The photograph is 10 ¼ by 13 ¼ inches (26 by 33.5 cm). It is mounted with clear photo corners in a 16 by 20 inch mat (40.5 by 50 cm). Printed on the photograph from the negative in the lower left, “58. Mosquee Sultan Akmed” and in the lower right “P Sebah.”

Condition; generally excellent. Slight foxing in the sky and along the u...

An albumen photograph of the Kas Mahal, the Royal residence inside the Red Fort at Agra built by Shah Jahan from 1632 to 1640. The photo shows the building and in the distance on the right the Taj Mahal. Signed in the negative, “Rust,” and possibly with the number 8. Also, on the reverse is the photographer’s stamp. Thomas A. Rust (English, 1841-1904). The image is 8 x 9 7/8 inches (20.5 x 25 cm). the mat is 16 x 20 inches (40.5 x 51 cm).

Condition: generally good with some internal c...

An albumen photograph by Felis Bonfils (French 1829-1885) showing a group of dahabiya moored on Gezira Island with the original Kasr el Nil bridge over the Nile at Cairo showing in the background. The bridge opened in 1872. Dahabiya were boats for tourists cruising up the Nile to either Luxor or Aswan on trips lasting respectively about forty or fifty days. These were luxury tourist accommodation and the central experience of a tour of Egypt in the late 19th century. At the time of this photogr...

An albumen photograph of an entrance and most of one wing of the Louvre from the roof of another wing. Titled in the negative 0n the lower close to center, “LE LOUVRE,” and with the photographer’s red stamped signature, “Achille Quintet” on the backboard just below the photograph on the lower right, Faintly in the lower right corner in the negative is the number 62. The photo is 7 3/8 x 9 5/8 inches (19 cm x 24. 5 cm) mounted on white thin cardboard 11 ¼ x 15 inches (28.5 x 38 cm).

...

An albumen photograph of campers on the shore of Loch Hourn with their boat anchored off-shore and misty hills on the far side of the Loch. Loch Hourn is a sea loch. The campsite looks a little messy, though the tent looks good and the four men well dressed and fed. 7 ¼ x 11 3/8 inches (18.5 x 29 cm), with a 14 x 17 inch (35.7 x 43.3 cm) mat. Attached to backboard with T mount at the top and clear photo corners at the bottom.

James Valentine (1815 -1879) was a noted later half of the 19t...

Soft paste porcelain luncheon or salad plate, 8 3/8 inches (20.32 cm) diameter, with hand painted underglaze medium blue in the “Ronda” pattern. Though unmarked, the pattern, the color and the deep molded swirled ribs and basketweave border are distinctively Tournai. The underglaze blue “2” on the back is probably the mark of the painter.

Condition: no chips, cracks, hairlines or repairs. Minor surface scratches.