Catalog (334)

A nicely decorated and shaped platter with 12 sides (the form known in France as a douze pans). This type of platter with a bust and scrolling decoration is typical of Moustiers, though the attribution to the Clerissy factory as stated on the stuck-on label on the back is less certain. The dimensions are 13 5/8 inches (35 cm) long, 10 inches (25 cm) wide and 1 ¼ inches 2.5 cm) tall.

Condition: No chips, cracks, hairlines or repairs. There is some wear and chipping of the glaze along the ed...

The porcelain plate is marked in underglaze blue with the crossed torches of Locre which was known to have exported undecorated porcelain to England. Once in England, very often London, it was decorated with overglaze enamels and gilding. The Locre factory closed in 1820. The decoration is reminiscent of 18th century Worcester. Though it may have been part of a set of plates it may also have been painted to replace a broken plate in an 18th century set. 8 1/8 inches (20.5 cm) diameter.

Condi...

A creamware dinner plate with shaped edge, elaborate painted lattice border on the rim and good “Chinese scene” decoration to the body of the plate. Though it is unmarked it is almost certainly English from the late18th century. The color is deep cobalt blue and the execution very good. 10 inch (25.5 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. Looks almost new with very little wear.

A creamware plate with a pierced border of alternating piercing patterns and gilt sections. A gilt bird stands in the well of the plate. The decoration is out of character for English style of the period so I would guess that the plate is Continental and from around 1800. It is 7 ½ inches (19 cm) diameter. No marks on the back.

Condition: no chips, cracks, hairlines or repairs. Some scratches and wear to the gilding.

An unmounted Japanese three-part woodblock print titled, Townspeople Watching the Noh play Okina in Edo Castle, 1889. The artist is Toyoharu or Yoshu Chikanobu (1838-1912). The work depicts the staging of the Noh play with a fairly boisterous looking crowd of townspeople and a group of Samurai and notables seated quietly. The height of the prints is 13 7/8 inches (35.3 cm) and they vary between 9 ¼ to 9 93/4 inches 23.5 to 24.7 cm) wide.

Condition: some soiling and all the corners are worn...

An etching with extensive watercolor depicting two arches of an old bridge with a house built on the pier between the arches, two men in red coats and a dog on the bank below the bridge and lane with trees and houses on the right. Titled along the lower margin to the left, “Part of the Old Bridge east Shrewsbury.” It is unsigned, but part of the old mount that is saved in a folder on the back of the present mount states that it is by Paul Sandby (British 1725-1809). The evidence that it is b...

A drawing with ink, pencil, watercolor and gouache on laid paper depicting a harbor scene very much in the manner of the French artist Claude Vernet (1714-1789). Perhaps there is a print source for this drawing. The work is signed in the lower right, “Tho. Ryves. 1770.” The most likely artist is either the father Thomas Ryves (1721-1788) or his son Thomas (born 1753) from the distinguished Dorset, England family. The drawing is 10 5/8 x 16 inches (27 x 40.5 cm).

Condition: heavily toned ...

2 albumen photographs pasted back-to-back on one page taken from a larger album. These are posed photographs, presumably of the teams. One is the Polo team and the other is I think the Cricket 11. Underneath both in pen is the notation, “Sandhurst 1877,” this refers to the Royal Military College at Sandhurst. The polo players is 8 ¼ x 10 ½ inches and the Cricket players 8 3/8 x 10 ¾ inches.

Condition: They are clear and generally good, though both were bent before being attached to ...

A porcelain ovoid form teapot with a floral knop and hand painted with floral sprays on either side and floral sprigs on above and below the handle, picked out with magenta, and on the spout as well as above and below. The crossed hayforks with a line through them was the factory mark for the late 198th century. Height 5 1/8 inches (13 cm), length across spout and handle 7 ¼ inches (18.4 cm) and width 4 ½ inches (11.4 cm).

Condition: generally good with some loss to the leaves around the...

A group of three engravings probably by Johannas and Raphael Sadeler of Christian anchorites or hermits. The prints are after Maartin De Vos. These images were widely circulated in the early 17th century and printed and re-engraved by engravers other than the Sadelers. Interestingly of the three in this group two have no title, though they are trimmed right to the image and perhaps the title was removed. All three are laid down on early laid paper card, with the colorful surrounds painted adjace...

A hard paste porcelain cup and saucer with gilding of lyres with arrows supporting swags. Two panels on the saucer and one on the cup displaying in differently toned gilding elaborate outdoor scenes with people, buildings, trees and other details. The partially gilt handle scrolls to the top edge. Two-tone leaves ring the lower part of the cup. There are no marks on either the cup or saucer. Inscribed in the body of the saucer inside the fool is what appears to be “n6” in a bold hand. The s...

A late Ming dynasty heavily potted porcelain dish made for export, probably to Sumatra. The decoration is in underglaze blue starting with a thin line around the outer edge, a double ring about a quarter of the way toward the center with grasses growing inward toward a large expressive carp. The style of painting with brush strokes not enclosed by lines is typical of the late Ming and the size and heaviness are typical of the export porcelain to South East Asia. The underside is decorated with a...

A detailed watercolor over ink and slight highlighting with gum Arabic of a man with a donkey loaded with two conical panniers of fresh vegetables approaching a man working at a board over a large cask of water with a stand of fresh vegetables behind him. The man with the donkey is probably from the country and trying to sell his produce to the stall owner. The page is roughly 12 7/8 x 16 5/8 inches (33 x 42 cm). The opening for the image is 11 ¼ x 14 ¼ inches (28.5 x 36 cm). Immediately benea...

A watercolor on paper of a fruit seller’s stall or shop with a display of many different fruits while the merchant weighs fruit for two children, a woman turns away with figs in her basket and a young man in the shadows of the awning looks out, perhaps at the young woman with the figs. The watercolor shows touches of gouache and a few places the dark heightened with gum arabic. The paper is 13 ½ x 16 ¾ inches (34 x 42 cm) and the mat opening is 11 ¼ x/14 ¼ (28.5 x 36 cm). Immediately ben...

A group of five small pottery figures, four of people and one of a very smush faced lion. All painted in what look like both overglaze and underglaze colors. This type of figure was two part molded and produced in quantity. The tallest is 5 inches tall. These figures date to the first quarter of the 19th century.

Condition: All have some chips and the man with his head leaning on one hand has had the base repaired.

A shaped rectangular dark blue ground dish with extensive gilding. Birds on the four edges and moths in the corners are painted in conjunction with the gilding. Though unmarked it is typical of Mason’s of the period around 1825. 9 ½ inches (24 cm) length, 8 inches (20 cm), 13/4 inches (4.5 cm) tall.

Condition: No chips cracks hairlines or repairs. Some gilding wear in the well on the right hand rose toward the edge and some wear through the gilding to the blue ground below at different p...

A very well hand painted on porcelain dessert plate depicting a group of plums with stems and leaves in the well of the plate. A thin band of black and gilt marks the edge of the lip which is decorated with a shaped band of grey, separated from a band of maroon band by thin lines of black and white separated by a slightly thicker band of textured gilding. The rim is gilt. Three pontil marks are in the center of the bottom of the plate and the indistinct transfer printed mark is for the Lahoche &...

A very well hand painted on porcelain dessert plate depicting blackberries with leaves and canes in the well of the plate. A thin band of black and gilt marks the edge of the lip which is decorated with a shaped band of grey, separated from a band of maroon band by thin lines of black and white separated by a slightly thicker band of textured gilding. The rim is gilt. Three pontil marks are in the center of the bottom of the plate and the reddish-brown transfer printed mark of a belt inscribed, ...