Catalog (158)

Very large 18th century stipple engraving of a fashionable crowd under the trees in the park with Buckingham house (later altered to become Buckingham Palace) in the background. Titled, “The Promenade in St. James Park,” it was engraved by F. D. Soiron, designed by Edward Dayes in 1790 and published by T. Gaugain in London in 1793. This image is the original print with hand coloring. Sight size 18 by 26 inches, frame 27 ¼ by 35 ¼ inches.

Condition: some discoloration and minor foxing. ...

Albumen photograph mounted on grey stock of a shallow pool in the foreground the ruins of some walls and columns in the middle and Vesuvius in the distance. A very well printed image with deep contrasts in tones. The image is from around 1875. 7 9/16 tall by 10 3/16 inches (19.5 x 26 cm). Card 13 by 16 inches (33 x 40.5 cm).

Condition; Generally excellent with a few surface scratches. The plate had a few losses that were colored in before printing.

A very good quality image, found with...

An elaborately molded plate with three hand painted sprigs of flowers. The pattern is one that was made by CJ Mason circa 1825 in the rococo revival taste. 8 ½ inches diameter.

Condition: Minor gilding wear and a few knife scratches, but otherwise no chips, cracks, hairlines or repairs.

Eugene Leslie Smyth, American 1857-1932, landscape of an early spring field framed with bare trees and hills in the distance under a bright sky with fluffy white clouds. Nicely atmospheric without getting carried away. Oil on board in what is probably the original painted and gilt frame. Signed and dated lower left 1927. Painting size 19 ¼ by 15 ½ inches. With the frame it is 23 ¼ by 19 ½ inches. Condition: Excellent, cleaned fairly recently. Frame in good condition. Very pleasing painting...

A very high quality mahogany drop leaf table with turned legs and stretchers with a shaped apron at either end. The three boards, one for the top and one for each leaf are well matched single boards. Excellent proportion and a nice small size. 27 ½ tall X 28 ¾ long X 11 ½ wide in inches. With the leaves up 31 ½ inches wide.

Condition; minor repairs including the replacement of one of the feet. There is an old breakout at one of the joints. Good old finish.

This delicate table has a ...

A large aquatint with hand coloring titled, “LORD NELSON’S FUNERAL PROCESSION BY WATER, FROM GREENWICH HOSPITAL TO WHITE HALL, JAN.8TH, 1806.” The print was published March 1 1806 by Edward Orme. The following are printed on the print, “Turner pinxt.” Lower left, “Published and sold March 1 1806, by Edwd. Orme Engraver_Printseller to the King and Royal Family, 59 Bond Street London.” center and “J. Clark & H. Merke sculp.” lower right. Underneath the title, centered, “Taken f...

Pair of late 18th century Doccia porcelain plates.

A pair of porcelain dinner plates with a narrow border of blue dots in gilt ovals encircled by gilt lines, a narrow gilt floral border at the inside of the rim centering a large delicate letter, “N” composed of garlands of hand painted flowers. Both borders are well known on Doccia porcelain and while numerous factories did initials and single letters so did Doccia. The porcelain is typically slightly grey and creamy. 9 ½ inches (24 c...

A quatrefoil sugar bowl, cover and stand all with floral decoration. The cover with a plum like fruit and leaf finial. Both the stand and the cover have painted dark purple rims. Both the stand and the bowl are marked with incised, “DV”. The stand has no punctuation and the bowl has a period after each letter. The stand is approx. 8 ½ by 7 inches (22 x 18 cm) and the sugar bowl with cover is 4 inches tall, 6 ½ inches long and 5 inched wide (10.5 x 17 x 13 cm).

Condition; the stand has...

A pencil sketch of Glendalough county Wicklow Ireland with a strong attribution to the British artist Edward Lear (1812-1888). Drawn with pencil on bluish heavy laid paper with ink, ink washes, touches of white gouche and faded washes of green. In 1835 Lear visited Ireland, one of his early trips as he turned from bird illustration to landscape. The party he traveled with visited Glendalough. During his life Lear saved his sketches and it was not until the 1920’s that they were available. This...

John Hawkins, American 20th century, a New York based artist, oil on board signed and dated, “John Hawkins 1926” in the lower left. A good view of sailboats at sea with some clouds, a stiff breeze and accompanying gulls. The painting is 17 5/8 inches by 19 ½ inches. With the frame it is 22 ½ inches by 24 3/8 inches.

Excellent condition, recently cleaned and probably the original frame.

Nice ocean view.

An arresting colored and beautifully quilted cotton and some sort crape or crepe Amish quilt typical of Lancaster County Pennsylvania with the initials “DE” and the date 1916 embroidered in one corner of the red cotton back. In the central diamond the seven point star quilted star is surrounded by a feather wreath and a star in each of the four corners. The other parts of the center are quilted with small squares, flowers and chains enclosing flowers. The outside border is quilted with a run...

A floral decorated milk jug and floral decorated cover with a rose and leaves finial. The potting of the jug is fairly heavy at the bottom, the decoration of a fairly elaborate boquet and a simpler one on the other side is complimented by the yellow painted rims and decoration on the handle. Vincennes and Sevres had a monopoly on using gilt decoration so that other French factories had to use paint where they might have used gilding. Height approx. 5 ¾ inches. Marked on the bottom with, “D,V�...

A well painted oil on board landscape of green fields in the foreground and a tan one in the distance with a group of trees on the left under a cloudy blue sky. The frame is a molded gilt frame. It is a good size; 19 inches tall by 21 ½ inches wide. With frame it is 26 ½ inches by 24 inches.

Condition is excellent with a recent cleaning and new frame.

A very well decorated two handled urn or vase with everted rim with a black background showing figures in classical garb around the main portion of the body and with elaborate continuous ornamentation, mostly in orange on the outer edges and handles. No makers mark or mark for the country of origin, but likely to be English (possibly by Samuel Alcock & Company). It might be French. In either case based on the style it was made around 1850. 8 5/8 inches (22 cm) tall and the same diameter.

Con...

A tightly hooked rug, American, perhaps Amish, from the 1930’s. Wool on burlap with hand attached black cotton backing. 29 inches long by 22 inches wide. The unusual free hand pattern shows black stars with pale blue crosses in an integrated geometric pattern.

Condition: Overall excellent condition with one professional darned repair on the border between one star and cross (see close up image). One tiny loss of a hooked tuft, a little wear at one edge otherwise very clean with good ...

A low covered pot with jug ear handles of tin glazed earthenware with underglaze blue decoration on either side and on the top depicting a house near water. These pots were used for soft cheese, sort of like cottage cheese if I understand correctly. The top is loose fitting but the raised lip of the pot fits into a channel in the top. 4 ¼ inches tall by 8 inches across handles. (10 x 20 cm).

Condition: Minor wear to the bottom. Top broken and restuck with the missing bits filled and over pa...

A pair of candlesticks with a dark blue ground decorated with gilt insects and raised beaded rings. Though unmarked this is a color and decoration that was made by Masons from about 1815 to 1825. 8 inches tall and 5 inches diameter at the base. (20 cm tall and 13 cm diameter at base).

Condition: No chips, cracks, hairlines or repairs. Gilding wear around edges and some scratches around the base, probably from scraping off wax.

These are very elegant and no doubt the insects were painted ...

A large etching titled, “Veduta della Gran Curia Innocenziana,” (View of the Palazzo di Monetcitorio) part of Giovanni Battista Piranesi’s folio of Views of Rome, first published in 1752. The etchings were often reproduced, but this one has both the correct heavy laid paper with appropriate watermark and the center crease where it was folded into the original folio. It has good margins beyond the plate mark. Sheet size 21 ¼ x 29 ¾ inches (54 x 75.4 cm). Image (to plate marks) 15 7/8 x ...