Catalog: Antiques: Decorative Art (164)

Three plates with a blind molded basket weave border and swirled ribs the way Coalport molded plates in the early part of the 19th century. The hand painted flowers in a central bouquet and four single flowers on the lip are very much in the early Coalport style. The plates are 9 ¼ inches (23.5 cm) in diameter.

Conditon: no chips cracks, hairlines or repairs for two and the third with a spider in the center...

An underglaze blue hand painted ”Ronda” pattern soft paste porcelain plate with a deep molded rib border and barbed edge. Though unmarked the painted pattern and the distinctive molding are typical of Tournai. The diameter is 8 inches (20.32 cm).

Condition: No chips, cracks, hairlines or repairs. Some wear and a little associated discoloration.

Soft paste porcelain luncheon or salad plate, 8 3/8 inches (20.32 cm) diameter, with hand painted underglaze medium blue in the “Ronda” pattern. Though unmarked, the pattern, the color and the deep molded swirled ribs and basketweave border are distinctively Tournai. The underglaze blue “2” on the back is probably the mark of the painter.

Condition: no chips, cracks, hairlines or repairs. Minor surface scratches.

A pair of soft paste porcelain underglaze hand painted blue and white porcelain plates in the “La Mouche” pattern. These have a mark that I can’t identify, though they may well be a workman’s factory mark. The pattern of the fly buzzing a bush is distinctively from the Tournai factory. The pair of shallow soup plates are 9 1/8 inches (22.86 cm) diameter.

Condition: No chips, cracks, hairlines or repairs. Use and stacking wear on both sides of both soups.

A blue transfer printed “Stone China” or ironstone dinner plate by John and William Ridgway, marked on the back with the pattern and ‘J. W. R.” 10 ¼ inches (26 cm) diameter. Gadroon edge and good clear printing in dark blue. Circa 1820.

Condition: No cracks or hairlines. Two chips to the foot ring and a minute flake to the glaze on the rim and one at the edge of the well. Very minor knife scratches.

A pair of porcelain dinner plates with molded basketweave edge and swirl ribbing with the lines extending into the well. Decorated with hand painted overglaze flowers and a gilt edge. The style closely resembles Meissen, but these are unmarked. The four ribs in four groups of four is identical with a plate pictured in Godden's book on Coalport that he dates from c. 1805 to 1810. 10 inches (23.5 cm) diameter. Unmarked.

Condition: No hairlines or repairs...

A set of four blind molded dinner plates 8 7/8 inches (22.5 cm) diameter with charming overglaze hand painted floral decoration and gilt rims. Though unmarked, this molded lip is unique to Coalport and dates to around 1820. The arrangement of the floral bouquets on the plate was a popular one, starting in the 18th century.

Condition: All with some wear to the gilding and with black spots and small lines from the ash in the kiln...

A William Ridgway “Oriental” green transfer printed platter with a vaguely Middle Eastern fantasy scene in the well surrounded by a border of alternating floral bouquets and Middle Eastern buildings against a sprigged green ground. On the back the Ridgway mark of an urn and beehive over the subject name, “ORIENTAL.” and the initials, “WR.” printed in green. The initials for William Ridgway were used from 1830 to 1834...

A pair of tall Sheffield plate candlesticks with conforming bobeche. On round bases with lines alternating with elongated ovals up the base, column and socket. This style was current around 1800. The wear or “bleed” where the copper shows is on the high places. They are 12 inches (30.5 cm) tall and 5 ½ inches (14 cm) diameter at the base. No marks. Probably English.

Condition: no breaks or repairs...

Two pairs of plates with underglaze blue transfer decoration of a woman holding a tray of cakes with a child pulling at her dress and an oriental jardinière to one side surrounded with an elaborate floral swagged border. The smaller are more like shallow bowls than like plates. These two are porcelain and both marked with Hilditch and Sons mark for the period 1822-1830. The larger plates have overglaze lustre highlights and are not porcelain...

A set of tiles with a letter of the alphabet on each tile; one side with the small letter and the other side with it in capitals. Interestingly the small “s” is in the form of a small “f”, known as a “long s.” Its use was archaic by the early 19th century and since these types of tiles are thought to be used to teach spelling it seems likely that they would date from no later than the early 19th century...

A large heavy porcelain ice-water pitcher made in either America or France but decorated in America, probably by E.V. Haughwout, a major New York City retailer of porcelain, glassware and silverware. This form, with a bridge near the spout for holding back ice cubes, is also known as a “sweetheart pitcher,” because of the vaguely heart-shaped wreath on either side...

Large and well decorated porcelain pitcher with a group of flowers on one side and on the opposite side inside a gilt cartouche “L. Cummings.” in Gothic letters. The country of origin may be either France, in which case it was probably brought here blank and then decorated here or possibly it was made by an American manufacturer. The hard paste porcelain is unlikely to have been made in England, though they did on occasion import French blanks. Anyway, nice decoration from about 1870...

American decorated heavy porcelain ice-water pitcher. The porcelain in probably American, though it might be French...

A 11 ½ inch (29 cm) diameter deep blue and white delft charger depicting a hanging flower basket with an elaborate border of plants, flowers and radio wave blossoms. 18th century probably right around the middle.

Condition: Some wear in the center and numerous small losses around the edges.

A 13 3/8 inch (34 cm) diameter Dutch delft blue and white charger depicting a vase with a pedestal base in the center and an elaborate chinoiserie border on the outer lip. 18th century more likely earlier than later.

Condition; major chunk out of left edge replaced but discernable by discoloration of the paint over. Losses along the edge all around the dish.

A 13 5/8 inch (34.5 cm) diameter blue and white delft charger with Chinese style decoration in the center depicting a rock with flowers on a ground with other plants. Crossing lines with dots between, surround the well and also on the outer edge of the lip. Dutch 18th century.

Condition: a fair bit of wear to the glaze, a chip on the rim with glaze losses and other smaller losses around the rim.

A 12 ¼ inch (31 cm) diameter blue and white delft charger made at Lambeth, London toward the end of the 18th century. The “Chinese garden” is well executed as is the border on the lip. A plate with the same decoration is at the Victoria and Albert Museum in London.

Condition: chips around the edge and a few places on the lip where the glaze has flaked off.