Catalog: Antiques: Decorative Art (196)

Twelve eight pointed stars made of cotton printed in orange with small yellow clover-like shapes arranged in rows of twos and threes with alternating white squares all enclosed in three bands of the same printed fabric. The outside band is turned over the edge to join the white cotton backing. Cotton seeds visible in the stuffing. All hand stitched. Very good quilting with running feathers and cross stitching over much of the surface. There is an embroidered, “E” on the back in one corner...

A well made 18th century Italian dry drug jar. The body is a red clay covered with white slip then painted in blue with a dentil style pattern at the top and bottom with the name of the drug in the central section. The inside is similarly covered in white slip and shows the ridges from being turned on a potter’s wheel. This jar would have been part of a set of jars used for dry drugs in a pharmacy. 7 ¼ inches tall and 4 ¾ inched diameter...

Two pairs of plates with underglaze blue transfer decoration of a woman holding a tray of cakes with a child pulling at her dress and an oriental jardinière to one side surrounded with an elaborate floral swagged border. The smaller are more like shallow bowls than like plates. These two are porcelain and both marked with Hilditch and Sons mark for the period 1822-1830. The larger plates have overglaze lustre highlights and are not porcelain...

2 piece printed and hand colored Mason’s ironstone strainer dish c. 1840 A twelve sided shallow strainer that sits on a twelve sided bowl. The strainer form in delft is sometimes referred to as a cress bowl or a strawberry bowl. It’s possible that this one was meant to hold ice in the bottom as well as catch the water running off the fruit in the strainer. Decorated with a transfer of an exotic bird sitting on a branch with large blossoms and leaves...

Three plates with a blind molded basket weave border and swirled ribs the way Coalport molded plates in the early part of the 19th century. The hand painted flowers in a central bouquet and four single flowers on the lip are very much in the early Coalport style. The plates are 9 ¼ inches (23.5 cm) in diameter.

Conditon: no chips cracks, hairlines or repairs for two and the third with a spider in the center...

Three plates with orange ground lip, transfer border on the edge of the well and the center hand painted with different complex bouquets of wild flowers. All have the Royal Worcester mark on the bottom with the date of 1877 below. Also, the number 9522/A (?) is written in overglaze enamel. The plates are 9 inches (23 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. Some gilding wear on the edges and minor scratches.

4 Clingnancourt hard paste porcelain dinner plates with shaped edge, an elaborate gilt rim, a continuous band of hand painted roses and leaves and in the well of the plate rose sprigs. All with the Clignancourt stencil mark in red on the underside. 9 ¾ inches (25 cm) diameter.

Condition: no chips, cracks, hairlines or repairs. Minor wear

A set of four blind molded dinner plates 8 7/8 inches (22.5 cm) diameter with charming overglaze hand painted floral decoration and gilt rims. Though unmarked, this molded lip is unique to Coalport and dates to around 1820. The arrangement of the floral bouquets on the plate was a popular one, starting in the 18th century.

Condition: All with some wear to the gilding and with black spots and small lines from the ash in the kiln...

Four hand painted blue and white Dutch delft tiles joined with grout on a soft board in the manner in which they would have appeared on a wall. Roughly 10 ¼ x 10 ½ inches (26 x 27 cm). Minor damage at the edges.

A set of six hand painted porcelain plates with floral bouquets in the well and a gold band around the edge. The mark of KPM with the initials and the scepter in underglaze blue was used from 1837 to 1844. The size would indicate that they are dessert plates, though they are deeper than most. They are 7 inches diameter (18 cm) and 1 inch (2.5 cm) deep.

Condition: excellent, no chips, cracks, hairlines or repairs. Showing only some evidence of light use...

A set of eight hand painted porcelain plates with scenic views as listed below. The lips with a peach ground and some gilding. Located in the center of each plate is the hand painted scene. The pattern number “833” and the location, painted in script in red enamel, is on the back of most of them. They were made and decorated in Britain, possibly Aynsley, circa 1880. 8 7/8 inches (20.3 cm) diameter.

Condition: No chips, cracks, hairlines, or repairs...

A hand painted blue and white tile of a wolf, at least that is what it looks like though the head is a little odd, in profile running to the left. The animal is surrounded by a circle of a wavy line with dots in the wave troughs...

A underglaze blue hand painted blue and white export plate depicting three sprigs of flowers enclosed in a lobed border with fleur- de-lis and on the outer border a loosely painted fence. The outer edge is painted brown. Given the vague Western references in the decoration the plate is probably after 1750. 8 7/8th inches (22.5 cm) diameter.

Condition: No chips, cracks, hairlines or repairs. Very minor stacking wear. Minor firing flaws.

The influence of Meissen and perhaps other European...

A thick tapered sided tile decorated in blue of a man in a hat swinging a colf club at a ball with the post that is the target of the game in the distance. There is no decoration in the four corners. Colf was a Dutch game that may have been the predecessor to golf. The tile is approx. 4 7/8 inches 912.5 cm) square and 3/8 inches (1.2 cm) thick.

Condition: major chip to the upper left corner, smaller chips around the edges and a number of small pock-marks in the glaze on the face of the tile...

A blue and white hand painted wall tile of a dog rising up on its hind legs. The animal is surrounded by a circle of a wavy line with dots in the wave troughs and flowers in the corners. It is 5 1/8 inches (13 cm) square about ½ inch (1.2 cm) tall. The red clay sides are beveled so that the back is slightly smaller than the front. This style of decoration was used in the 2nd quarter of the 17th century.

Condition: damage along the edges, especially the right one with a big chip in the upper...

A group of five small pottery figures, four of people and one of a very smush faced lion. All painted in what look like both overglaze and underglaze colors. This type of figure was two part molded and produced in quantity. The tallest is 5 inches tall. These figures date to the first quarter of the 19th century.

Condition: All have some chips and the man with his head leaning on one hand has had the base repaired.

A pewter tankard marked with the partial touch of John Townsend on the bottom of the inside of the bowl. There are no other marks except the engraved initials “I or J Y” on the front of the tankard. It is 7 inches (17.7 cm) tall and about 6 ½ inches (15 cm) from the front to the back edge of the handle.

Condition: Excellent. The engraving is very crisp. There are a few small dings on the edge of the lid and along the bottom edge. The body of the tankard is slightly indented where the b...

A pieced cotton quilt in a pattern called, “Goose on the pond” probably from the mid-West and made in the late 19th century. The pattern is made up of pattern printed blue, orange and white fabrics. The same orange fabric is used throughout, but the blue and white are made up of different prints. The quilting is diagonal lines. Cotton seeds in the stuffing visible through the back. Front edge turned to the back. All hand stitched. 72 inches square.

Condition: nice and clean.

Strong g...