Catalog: Fine Art: Prints (29)

Leon Dolice American (1892-1960) etching printed in green of Washington Square Park in the Village in New York city. Signed in pencil lower right, “Dolice” and located in pencil lower left, “Washington Square N.Y.” Good crisp print, overall size 13 1/8 by 9 5/8 inches. The image 11 by 8 inches. Including mat 15 7/8 bb 12 3/8...

A hand colored lithograph by Currier and Ives titled, “The Narrows, New York Bay/ from Staten Island.” The scene depicts a nearly rural Staten Island in the foreground with part of the harbor in the middle and the narrows, now home to the Verrazano Bridge in the distance. Currier and Ives in the lower left below the image and their Nassau Street address in the lower right. Kennedy Galleries label taken from the earlier back board, now on the new backing...

A hand colored lithograph of the interior of a Damascus house showing a cistern below a very high ceiled room surrounded by arches and a relatively small doorway to the outside on the opposite side of the point of view. Men in both robes and trousers fez and keffiyeh in various attitudes occupy the foreground and a servant (?) enters near the outside door.

The lithograph surrounded by a thin line with the printed information: “R CLIVE DELT.” (lower left)...

Japanese woodblock print by Kunitero Utagawa (1808-1876) in three sheets, depicting the war council of the forty seven ronin. These ronin, the loyal retainers, had been Samurai in the service of Lord Asano when he was obligated to commit seppuku for drawing his sword at the Palace of the Shogun. He was provoked to drawing by many insults from Kira Yoshinaka...

One of 12 lithographs published by Ackermann London, in 1840/41 as part of a portfolio, “12 Views in the Interior of Guiana.” The original sketches were made by John Morrison who accompanied Sir Robert Hermann Schomburgk on the exploration into what would become British Guiana. The sketches were developed by Charles Bentley into the drawings that were the basis for the lithographs...

The Boydell Gallery of paintings from Shakespeare must have been an amazing site in fashionable London in the early 19th century. The publisher, John Boydell, commissioned some of the leading artists of the day to paint scenes from Shakespeare and to display the paintings at the publishers Shakespeare Gallery in Pall Mall. The Gallery published large prints after the paintings in a portfolio that reached 72 prints...

One of 12 lithographs published by Ackermann London, in 1840/41 as part of a portfolio, “12 Views in the Interior of Guiana.” The original sketches were made by John Morrison who accompanied Sir Robert Hermann Schomburgk on the exploration into what would become British Guiana. The sketches were developed by Charles Bentley into the drawings that were the basis for the lithographs. Printed in black with hand coloring.

This lithograph depicts mountains in the Pakaraima chain...

Hand colored lithograph of the excavation of two Lamassu, an Assyrian deity, at Nimrud near Mosul. They guarded an Assyrian palace. From Sketches between the Persian Gulf and Black Sea, Robert Clive. London: Dickinson, 1852. Robert Clive shows the dramatic unearthing of the statues.

The lithograph surrounded by a thin line and the printed information: “R. CLIVE, DEL” (lower left), “EXCAVATIONS ON THE MOUND AT NIMROUD.” (center) and “DICKINSON & CO LITH.” (lower right)...

A Japanese woodblock three-part print showing a festival by a river or lake with boats, people in the water, a review stand (?) and numerous people, some with banners. The signature is for Hiroshige III and the censor’s seals for 1855. The paper is laid. Each sheet is approx. 14 5/8 x 9 7/8 inches (35.5 x 25 cm).

Condition: good with one crease to the lower left corner of the middle sheet and bends from being corner mounted with photo corners. Otherwise clean and crisp...

A hand colored lithograph showing in the distance the fortress of Kalat-i-Ghilzaiin Afghanistan. In the foreground to the left are a group of women seated on the ground and to the right a group with two camels, one with a rider, a goat and a man with a rifle. The lithograph is after a drawing by Lt. James Rattray who helped relieve the besieged garrison of Kalat-i-Ghilzaiin in 1842...

A hand colored lithograph of the town with the fortress in the background of Van in western Turkey. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “FORTRESS AND TOWN OF VAN.” Lower left inscribed, “R.CLIVE, DEL.” And lower right, DICKINSON AND CO LITH.” Image with border 9 5/8 inches (24.5 cm) tall by 14 ½ (37 cm) wide. With title 10 1/8 inches (26 cm) tall. Sheet 16 3/8 inches (41.5 cm) by 22 5/8 inches ...

From a set of lithographs, Paris Dans sa Splenour, published in 1861, titled, “LE NOUVEAU LOUVRE/Vue prise du Palais Tuileries.” The printer and lithographer are shown in details of the lower left and right corners. The image without printing is 9 7/8 by 14 ½ inches (25 x 27 cm), the page 13 ¼ by 19 ¼ inches (34 x 49 cm).

Condition; some rubbing to the surface and some of what look to be ink spots. New frame and acid free mat and backing.

Interesting and dynamic image of a bygone...

An unmounted Japanese three-part woodblock print titled, Townspeople Watching the Noh play Okina in Edo Castle, 1889. The artist is Toyoharu or Yoshu Chikanobu (1838-1912). The work depicts the staging of the Noh play with a fairly boisterous looking crowd of townspeople and a group of Samurai and notables seated quietly. The height of the prints is 13 7/8 inches (35.3 cm) and they vary between 9 ¼ to 9 93/4 inches 23.5 to 24.7 cm) wide.

Condition: some soiling and all the corners are worn...

From the set of lithographs, Paris dans sa Splenour, published in 1861, this one is titled, “TOUR St. JAQUES – LA BOUCHERIE ET RUE DE RIVOLIE.” The printer and lithographer are shown in details of the lower left and right corners. The image without printing is 9 1/4 by 14 1/8 inches (23.5 x 36 cm), the page 12 ¾ by 18 ½ inches (32.5 x 47 cm).

Condition: some staining, roughness around the margins and some rubbing of the surface. Matted and backed with acid free matboard.

Great ...

A hand colored lithograph of the interior of a dark house with a fire and a man lighting a candle with the title, “INTERIOR OF THE CHIEF’HOUSE AT THE KURDISH VILLAGE OF ESPINDAR.” In the lower left under the border is printed, “R.CLIVE, DEL.” and lower right DICKINSON AND CO LITH.” Image with border 7 ¼ inches (18 cm) tall and 10 inches (25.5 cm) wide. With title 8 ½ inches (21.5 cm) tall. Sheet 16 3/8 inches (41.5 cm) by 22 5/8 inches (56 cm).

Condition: Edges worn and broken ...

Lithograph Roman Ruin in desert published London 1852 A hand colored lithograph of a group of travelers with camels stopped for a meal break with a ruined omphalos in the distance. This lithograph is from 'Sketches between the Persian Gulf & Black Sea', 24 plates, Dickinson Bros., London 1852. Titled, “ROMAN RUIN IN THE DESERT ON THE WAY TO PALMYRA.” Also l.l. “R.CLIVE, DEL.” and l.r.” DICKINSON AND CO LITH.” Image with border 9 inches (23cm) tall by 13 ¾ inches (35 cm) wide. With ...

Hand colored lithograph titled, “THE BATTERY, NEW YORK/BY MOONLIGHT.” N. Currier lower left, address lower right. Promenade under the leafy trees with the full moon lighting the harbor with sailing vessels. Kennedy Galleries label taken from the earlier back board, now on the new backing. Sight size 9 x 12 ½ inches, over all with frame, 16 1/8 x 19 1/8 inches.

Condition: Minor tears in the margins and some slight discoloration, but otherwise good condition.

A large aquatint with hand coloring titled, “LORD NELSON’S FUNERAL PROCESSION BY WATER, FROM GREENWICH HOSPITAL TO WHITE HALL, JAN.8TH, 1806.” The print was published March 1 1806 by Edward Orme. The following are printed on the print, “Turner pinxt.” Lower left, “Published and sold March 1 1806, by Edwd. Orme Engraver_Printseller to the King and Royal Family, 59 Bond Street London.” center and “J. Clark & H. Merke sculp.” lower right. Underneath the title, centered, “Taken f...