Catalog (334)

SOLD A Worcester mug with flared sides decorated in transfer printed underglaze blue of sprigs of natural flowers. Although it is unmarked the transfer on one side is identical to the one shown on the side of a Worcester marked jug shown in plate 282 of Godden’s Caughley and Worcester Porcelains 1775-1800. The transfers are well printed. 3 ¾ inches (9.5 cm) tall and a little more in diameter across the handle.

Condition: No chips, cracks, hairlines or repairs. Minor firing flaws. Remark...

Jeanie Lea Southwick, American 1853-? was in Japan in 1915 for the coronation where she won a prize for her work. A well-drawn watercolor titled in the lower right, “At the Shoguns Tomb Shiba” (Shiba park is in Tokyo). Signed in the same place Jeanie Lea Southwick. Watercolor over traces of pencil and a little gouache for the blue of the sky in the distance. Sight size 8 7/8 by 6 ¾ inches. Frame 14 by 11 ¾ inches.

Condition: Slight toning. Acid free mat and backing.

A very appeali...

A watercolor with pencil and pen and ink showing the Arch of Janus in the foreground on the right with the tower and a porch of the Church of Saint George’s in Velabro Rome a little further back on the left. Written on the old backboard “S. Giorgio – Roma/ Augustus Hare” and a card on added to it fairly recently, probably when it was reframed, “S. Giorgio in Rome/ Dec. 1863/ William Augustus Hare.” This is either a mistake in transcription, a dubious addition, or the homage to Wil...

A watercolor view from the side including the obelisk and the twin spires of the church Trinita dei Monti (The church of the Santissima Trinità dei Monti) at the top of the Spanish Steps above the Piazza di Spagna in Rome. In the distance is a hill with an umbrella pine. Augustus John Cuthbert Hare (British, 1834-1903) is best known as a writer. He also painted watercolors as illustrations for his travel books.

This view of Rome was probably mounted in an album and later removed along with...

An unsigned watercolor on heavy textured white drawing paper of corn ricks and pumpkins on a gentle slope with blue sky above and hills in the distance. It is well executed with the focus carried to the rick in the front by the use of details there and looser painting in other parts of the watercolor. The bowl done on the backside of the page also shows the artists quality. The bowl seems to clearly indicate that the work was done in the earlier part of the 20th century. The Watercolor is 12 by ...

A detailed watercolor over ink and slight highlighting with gum Arabic of a man with a donkey loaded with two conical panniers of fresh vegetables approaching a man working at a board over a large cask of water with a stand of fresh vegetables behind him. The man with the donkey is probably from the country and trying to sell his produce to the stall owner. The page is roughly 12 7/8 x 16 5/8 inches (33 x 42 cm). The opening for the image is 11 ¼ x 14 ¼ inches (28.5 x 36 cm). Immediately benea...

A watercolor on paper of a fruit seller’s stall or shop with a display of many different fruits while the merchant weighs fruit for two children, a woman turns away with figs in her basket and a young man in the shadows of the awning looks out, perhaps at the young woman with the figs. The watercolor shows touches of gouache and a few places the dark heightened with gum arabic. The paper is 13 ½ x 16 ¾ inches (34 x 42 cm) and the mat opening is 11 ¼ x/14 ¼ (28.5 x 36 cm). Immediately ben...

A large well executed watercolor by Richard Zoellner, American (1908-2003) of a farm and small village with a church steeple on a bleak winter day. Titled on the back of the watercolor, “Day in January.” Sight size 13 1/2 by 20 inches.

Condition; excellent in gold frame. Minor damage to the frame. Sold

A watercolor on paper of a castle on the water with a boat and three women walking on the shingle in the foreground, a row boat on the water and the castle in the distance against the sky. John Varley (1778-1842) was an English watercolorist who painted a large quantity of small watercolors including other versions of Conway castle. There are numerous other watercolors that are attributed to him, but probably not by him. This one has luminosity and precision that leads me to think that it is mos...

An elaborately painted and gilt cabinet cup and saucer depicting St. Stephan cathedral in Vienna. The painting is delicate and the tiny figures are from the 19th century. The gilding is both flat and raised. The saucer is 5 ¼ inch diameter (13.5cm). The cup is 2 3/8 inches tall (6.5 cm).

Condition: no chips, cracks, hairlines or repairs. The only wear is very slightly to the raised ovals on the saucer, probably from the base of the cup rubbing there.

The marks on the bottom of the cup a...

A very tall late nineteenth century bronze lamp base in a mixture of classical styles. It was cast in sections then joined with a steel rod running up through the hollow pieces. The flowers on the flying saucer in the middle are attached. Though it could have been made anywhere I suspect that it may have been made in France. 19 inches (48.3 cm) tall.

Condition: All there and traces of gilding. Some corrosion toward the base which wipes off with vigorous work.

An oversized albumen photograph of the Grand Canal in Venice with gondolas and delicate hand tinting. Image 16 ½ inches (42 cm) tall, 21 inches (53 cm) wide. Frame 22 ¼ inches (56 cm) tall, 26 ½ inches (67 cm) wide. The photograph is slightly smaller than the card on which is mounted.

Condition: there is a considerable fade in the center of the image from the wooden backboard or the gap between the boards. The right side above the buildings on the far right some discoloration. There are s...

An oversize albumen photograph of a carriage on a narrow bridge with the rising spray from Niagara Falls visible in the distance. I am reasonably confident that this a bridge connecting Goat Island to the river bank on the American side or possibly a bridge connecting Goat Island to one of the Three Sisters. It was likely taken and printed by George Barker, though no title or name is on either the front of the image or on the back of the mount. The image is 16 inches (40.5 cm) tall by 19 inches ...

A pair of large Chinese made and decorated porcelain serving plates for the Western market circa 1790. Good flowers painted in a complex design covering most of the surface. The square edge appears to be gilded with something more like bronzing powder than fire gilding. 11 1/8 inches (28.5 cm) diameter.

Condition: one with minor rim chips, minor stacking wear and some black firing spots. The other with a fairly significant rim chip and associated hairline.

Two closely related soft metal (bronze or brass) tsuba from Edo period (1603-1867). These are from the 19th century. Each is approx. 2 5/8 inches long and 2 3/8 inches wide (6.5 X 6 cm). Both depict an eagle hunting two small birds in tufts of grass on one side. On the other side the eagle is poised over an empty landscape. Both with gilt highlights.

Condition: good condition with minor scratches, uneven oxidation, and wear. The gilding is worn in places, but overall good condition.

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A large ormolu mounted turquoise glass covered bowl with an ormolu (gilding gone) and an attached ormolu base (gilding in good condition). The flattened bowl decorated with gilt lines and white enamel jewels. The top with a gilt band around the outside, a ring of gilt leaves and berries, then two black transfer classical female figures on opposing sides separated by gilt and white enamel jeweled quatrefoils . 9 inches (23 cm) diameter. 5 7/8 inches (15 cm) tall.

Condition: the knop broke out...

Hand painted in dark underglaze blue with a serrated rim this large bowl is soft paste porcelain. The decoration of a Chinese arrangement of flowers and twining plants is typical of Tournai. Height 4.5 inches (11 cm) and 11 inches (28 cm) diameter. Late 18th century.

Condition: no chips, cracks or repairs. Some scratches to the interior of the bowl and small flaw in the body of the bowl.

This style of decoration was popular at the time and still looks excellent today.

A group of three Staffordshire plates. The first a small (6 ½ inch diameter) pearlware plate with good handpainted roses and a solid colored border with lines and dots. The second plate (8 3/8 inches diameter) also pearlware handpainted with a border of small roses, leaves and ovals over two lines. The third a ceramic plate with a shaped edge (10 1/8 inches diameter) with a very bold free hand painted single Adam’s rose dominating most of the area. All are unmarked. The first two are probably...