Catalog (129)

This is presumed to be central panel taken from 100 bird coat from the Bai Ling area. It has been bordered and backed by new fabric. The central panel is very tightly split-thread satin-stitched embroidery over a silk felted (non-woven) fabric. This piece is in pristine condition, and measures approximately 30" by 30"

This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Deity. These statues were made only by the monks and considered to be a holy relic. This antique gau has a front piece of silv...

This Antique leather Tuareg belt is from the African region of Timbuktu, Mali. The total length of the belt including the fringe is roughly 46 inches. The 2 leather talisman or amulets are flat and they loosely loop around the belt so their position can be re arranged. They were sewn shut, protecting the contents. Because of their inaccessibility...it is not possible to know if the contents are amulets or talisman. They measure roughly 3 inches x 2.5... and 3.5 inches x 2.5. Amulets are...

For centuries, before there was electricity, throughout Asia, Puppetry Arts were a popular form of traveling entertainment... A platform with a cloth screen, lit from the back by candlelight, provided the stage.... The shadow images were black against the white "background". Hence, the puppets had a minimum of color and only the necessary intricate cut outs for personality as they were sometimes presented to the audience with the "handlers" after a performance. The various body parts of th...

this matching pair of Turkomen Yomud tent bags, aka chuval, are out of my private collection...beautiful condition Sumak weave on bag faces plain woven canvas backs 39 x 17 inches (not including fringe)

Before Contact, the eastern region of Canada was populated with the MicMac (aka Mic Mac, Mi'kmaq) tribal group of the Algonquian Nation. This traditional vintage circular trinket box is made from birch bark and decorated with porcupine quill work. There are a some broken/missing quills around the side of the box. measure 4.5 inches diameter and 2.5 inches high

This traditional Mexican Serape textile from the 1920's measures 64 x 84 inches. Fibers are cotton and fine wool with "eye of god". Excellent quality and condition. really beautiful

This old Chinese Ethnic Minority inro is carved from animal horn and has 2 compartments. Each side is carved with a floral motif that is bordered with a key design. These symbols are especially meaningful to the Miao ethnic culture. The inro was worn suspended from the belt by a braided cord. It is a attractive ethnographic relic for the tribal arts collector. Condition is very good and the piece measures approximately 3.5" X 2

Obvious hand carved, this antique Sarinda is missing the tuning pegs, and the animal skin covering...wonderful patina...This is rare collectors ethnographic piece, and looks great hanging on a wall.

24 x 9 x 7 inches...hand carved from one solid piece of wood.

The "Sarinda" musical instrument was used for centuries in various countries in Central Asia, primarily in Rajasthan (Northern India), Pakistan, Nepal, Afghanistan, and Baluchistan. There are several variations of this folk in...

This old Japanese hook would have been suspended over the hearth and used to hang cooking pots over the fire. Obviously used by a rural farm family, this pothook or jizai kagi would have been hung by a rope above the fireplace, and the hook has been "firepolished" from years of use.

This antique Japanese small drawstring fisherman's bag is woven from hand rolled cording using indigenous natural plant fibers. It would be used for carrying home the catch at the end of day. The bag shows some areas of staining and one small area near the bottom where a few fiber cords have split. these condition areas are to be expected of a folk art item of this age and use. ,,,,,

the bag is roughly 10 x 12 inches and has a generous amount of cording for adjustable straps.

This large antique Japanese would have been used in rural villages by the peasants who would go into the fields and hills to collect various herbs. Hand woven from grape vine bark, the basket has rope handle which also goes through loops at the bottom of the basket to provide added support for the weight.

Really rare ethnographic item in unusually good condition. the basket alone measures roughly 18 inches x 12 inches x 3+ inches...

This Antique woven basket was typical of the baskets used in the kitchens of Hunan Province China. This particular style would have been used for rice storage...The red and black lacquer design is painted on all 4 sides. the interior is painted black lacquer. Condition is good considering age and usage of basket as a utilitarian item ..a few nicks and chips in the paint. 12 inches in diameter across the top. 9 inches high plus another 2 inches for the handles...

Common to South Arabia and Yemen, the mesh "labbeh" or "Kirdam" were worn wrapped around the neck or attached to the sides of the headgear hanging down as a frame to women’s chin. This particular libbeh is from the late 1800’s–early 1900. This very finely made tribal labbeh has elaborate lengths of filigree and numerous dangling beads. This type of jewelry would have been part of a woman’s dowry given to the bride by her father. the labbeh section measures 7.5 inches across and 4 inc...

This old Japanese hand made sack (basket,bag) was made by a rural farmer or fisherman out of cotton cording. Handle holes were worked into the upper band which would have allowed for the changing of worn out handles. There is obvious wear and fading from use and age. The bag measures almost 11 x 15 inches It is Wonderful old ethnographic example of rural Japanese textile folk art

This traditional style of India woman's necklace has a bead at the ends which slides to adjust the length of the necklace to suit the wearer. The silver pendant would hold a lingam stone and has a cluster of small silver balls attached using a technique called "goli". The balls are not welded to the base, but are attached with a wire, giving them some slight movement.

Head-axes were used by the indigenous tribes in the mountainous Cordillera region of the Philippines during the late 1800-early 1900’s. This headhunters axe has the original decorated handle featuring a brass sheet covering with a profusion of cut-work. The blade is very sharp and is uncleaned and unpolished. It is suspected that these axes may have had their origins from Dao axes of Burma and or India.

This antique necklace consists of large bells alternating with (symbolic) lotus pods. The bells are roughly 1.5 inches long. Though it has a hook closure, it is long enough to slip over the head of the wearer...Really fun to wear but not to the opera. It is made of low grade silver which was commonly used by various tribal groups throughout Central Asian, and the Far East. The filigree work on the bells was most common to Northern India, Himalayas, Nepal.

This fan has lovely paintings of water lilies on one side and daisys on the other. The paper shows wear on the edge of the folds and there is some paint loss on the bottom of the struts. Such wear is commensurate with age and use.

this is a large antique hand-made pair of earrings of low grade silver, lots of filigree work...Though obviously not wearable for most Westerners, the make a wonderful ethnographic, tribal arts display.

Carved out of Bamboo this Buddha is 13.5 inches high,5 inches wide and 4 inches deep. He is a wonderfully carved example of folk art tradition with very gentle countenance.

This pair of low grade silver Chinese Bracelets are Miao Ethnic Minority. Low grade silver was used extensively throughout China during the 19th and early 20th century. To a Westerner the backs look like the bracelets are adjustable, this is a decorative element only and they are not adjustable. The fronts are deeply etched with animals. At the widest point in the front the bracelets measure 1.25 inches. They are oval in shape and very comfortable to wear...I prefer to sale them as a pair but ...

Such figures (twins beaded) were reserved for high status "royal" tribal leaders for protection. Heavily decorated with beads, bone and cowrie shells, this pair is 80 years old and have some kind of marking on the bottom. sourced out of Fumbane (foumban), approximately 12 inches high

Old hand made tribal turkomen moon shaped silver necklace with carnelians with original chain...easy to wear...

One of 3 pendants worn by bridegroom for wedding by Afganistan / Multan /Pakistan tribal group. The pendant is slightly domed and in very good condition. It is almost 4 inches across and 5.5 inches long including drops. I have hung the pendant on black cord for easy wearing as a necklace...

Antique matching pair of bracelets, decorated with wonderful granulation work. The intricate post section has tiny "jewels". interior (around wrist) measures app 7.5 inches 7/8 inches high...not including clasp posts .5 inches thick One side of the post twists open to allow for easy on and off...I prefer to sell as pair...but will sell separately... $325 for the pair...or $175 each

This old relic field marker was dug up by a friends father while doing archaeological research (i.e. digging up fields) in China years ago. For centuries, during planting,such markers were commonly buried in the fields as a talisman for a bountiful harvest. It is made of clay, high fired stoneware, and has a few chips missing...as to be expected after being buried in a field... Approx 2.5 inches high, it is an ethnographic item of rural China, and is an interesting expression of Chinese folk art...

this old wooden storage box was clearly made in a folk art tradition by or for a lower ranking individual, possibly a traveling scribe, or low ranking official. Fully opened, it has compartments for brushes, ink sticks, chops and seals, etc. The numerous splotches of old ink stains on the outside of the box indicate extensive use, under not the tidiest of circumstances. Sourced in southern China year back, it is the only box of this style that I have ever seen...

These 3 small oil lamps were brought back to the US by a Baptist missionary who lived and traveled extensively throughout China. Oil lamps like these were used for light source extensively throughout rural China by poor peasants. Simply made, presumed cut from scraps of tin and soldered into shape.. the lids come off for filling with oil and some original home made wicks remain in place. The tallest is 5 inches high...

The bone of this hair pin has carved series of circles and a very delicate cross hatch pattern. The top is decorated with strands animal hair. The hair pin is 7.5 inches long. This hair ornament is Naga, which is an indigenous tribal culture in the hills of the north east region of India.

The groups of Yao minority live in in both China and Thailand. This necklace is of low grade silver which was typical of the Chinese jewelry around the late 1800's and early 1900's. The necklace is light weight and comfortable to wear.

Animal horns carved and shaped this way were used by herders and farmers to give a sick animal liquid medicine. This yak horn was bought in China but was probably made used the Tibetans. Judging from its size, this horn is from a mature (older) Yak...The tip is carved into a delicate animal head ...there are a few surface growth stress cracks on the under side which would be common for a large older animal. horn from tip to end is 11 inches and has good translucence

This dagger was made from the leg bone of a cassowary bird. It was carved and used as a weapon by one of the indigenous tribal groups of Papua New Guinea, aka PNG. Approx 8 inches long with great patina and makes a wonderful example of an ethnographic artifact.

Wonderful patina on this old tray from the Philippines. Woven from bamboo strips, this tray is approx 30 inches in diameter.

This Hagoita depicts the princess in the Kabuke play Musume Dojo-Ji. This paddle is a wonderful example of the folk art of Japanese folded fabric into deeply sculptured relief. Though rarely used now, the paddles today are valued as an ornament that is believed to bring good luck.

Unfortunately, though in otherwise excellant condition this Meiji period princess has lost some of the foil pedals from her headdress.

This is the 3rd of 4 small individual antique Chinese carvings which I am listing separately. This one looks like Shou Lao the Chinese god of longevity, who was often represented along with the immortals. Each has a peg on the bottom which fits into the own homemade stand