Catalog (540)

This antique iron candle holder was sourced from Shanxi province China. From a peasants home, it could be set on a table or hung on a wall. It is an interesting ethnographic folk art relic.

Instead of shoes, sandals such as these were worn in villages throughout India. Hand carved from indigenous woods, frequently teak and fitted to the individual wearer. The knob on the toe prevented the sandals from falling off and no other attachment was used.

This Chinese Door of Hope doll, along with several others, was brought back to the US during the 1920's by the American Baptist Missionary, Rebecca Cloud-Stewart. On one of her many trips back to the US to visit family and friends, she brought the collection of dolls as samples to sell and raise money for the Door of Hope orphanage. After many years in China, Miss Stewart returned permenently to her home in Georgia. During the 1940's and 50's, she would often go to the local schools, lecturing a...

This shell necklace is an ornament from one of the indigenous tribal groups from West Papua New Guinea. Shells were often used as both adornment and currency with these groups. The string/rope is handmade from a plant fiber. As with many items from the tribal groups of New Guinea, it is difficult to put an age on this piece. It is an interesting ethnographic artifact and can be used for display and can also be worn as a necklace. The diameter of the opening is just over 8 inches. The neckl...

Simply beautiful...describes this Japanese lacquer tray table which would have been used for serving sake. From the Meiji period, the deep rich black roiro-nuri lacquer background sets the scene for the emaki-e gold paint depicting a landscape of trees, flowing water and hills.

pristine condition....8 inches high 9.5 inches wide and 9.5 inches deep

This is a charming stoneware Japanese bowl censor from 1750. It fits perfectly into the hand carved wooden stand which was probably made for the incense burner around 1900. There are no makers marks on either the bowl on the stand for identification. Covered with a thick matte gray white glaze with iron flecks and decorated solely with 3 button tabs below the rim, the censor is a wonderful early example of Japanese mingei stoneware ceramics.

Made and used by the tribal indigenous Aborigine people of Australia, this old Mulga wood boomerang was smoothed using a stone adz...no sandpaper in the outback when this was made... the traditional decorative surface markings were made by pressing a hot poker and wire onto the wood surface forming the running kangaroo and border lines...

Tibetan woman wore their hair in long braids which were slipped into elaborately embroidered textile sleeves for festivals.

This traditional saki (sake)container was probably brought over by a veteran from WWll. The sisal wrap covering protects the stoneware "keg". There is a filling port with cork plug on the top and a 2nd port for pouring low on one side. The sisal covering has painted kenji and graphics on one side...which is somewhat discolored from years of sitting on a shelf...approximately 8x8x8 inches...

This Yao necklace and matching pair of earrings have added beads and long silk tassels. Both are light weight and easy to wear. The earrings are hollow with the same repeated design pattern on the backside. The wire loop may be a bit thick as they were made to accommodate the large ear holes which are traditional for the Chinese minority groups. These loops could easily be changed out for posts or a thinner wire hoop.

A must have for any lotus shoe collector. This iron was used for pressing lotus shoes. The thin curved end was useful for getting into the toe area. Made of iron, it is somewhat rusty-i.e. pleasantly aged. Length tip to tip is 13"

This old pair of Chinese shoes were made for a small child. Appliqued onto the red cotton background fabric are bits of trim and cotton fabric which give the appearance of a cats face. Gold thread is used in a couching embroidery stitch for the design on the both sides of each shoe.

This traditional style of India woman's necklace has a bead at the ends which slides to adjust the length of the necklace to suit the wearer. The silver pendant would hold a lingam stone and has a cluster of small silver balls attached using a technique called "goli". The balls are not welded to the base, but are attached with a wire, giving them some slight movement.

The bone of this hair pin has carved series of circles and a very delicate cross hatch pattern. The top is decorated with strands animal hair. The hair pin is 7.5 inches long. This hair ornament is Naga, which is an indigenous tribal culture in the hills of the north east region of India.

This old panel is thickly Dazi embroidered in a banded pattern to reflect the terraced mountains sides of the Miao homeland. The panel uses lovely soft pinks and grays which are not adequately represented in the pictures. A beautiful piece in beautiful condition. 80 years old from Ge Yi. approx 21" x 23"

Several of the Southeast Asian hilltribes from the "Golden Triangle" region would practice tattooing as body art and religious ritual. This Burmese tattoo tool with the figure head was used to scratch the skin surface and apply the dye.

This is a Tibetan Ritual Celestial Crown also know as a Diadem or Ringga. It is worn by a necromancer or oracle during rituals. The "crown" consists of 5 separate paintings on paper and each painting is backed with thin cardboard for stiffness. The sections are connected with string. When worn, the crown is tied around the head with string. The sections are painted with the five Dhayani, celestial Buddhas, each painted with his traditional color and gesture. Each section is 4 wide by 6.5 h...

Old hand made tribal turkomen moon shaped silver necklace with carnelians with original chain...easy to wear...

A Chinese doctor would use this stoneware clay pillow to support the wrist while taking the pulse of a patient.

The pillow was made using slab construction and all the surfaces are decorated with a star pattern and covered with a traditional glaze. There is a tiny vent hole on the bottom to facilitate firing. It measures 4.5x3 x 1.5 inches and is covered with traditional green glaze. The age estimate on this is very conservative...this is a rare artifact and possibly much older than liste...

This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.

This knife sheath would be hung from the woven shoulder strap by the hill tribe hunter. This one was brought back from the border region by a friend. Now heavily patinated with use and age, it was beautifully hand made many years ago and was both light weight and serviceable. It is a wonderful artifact of an age and culture that is rapidly disappearing.

This pair of bookends was carved by the Igorots on the northern part of the Island of Luzon in the Philippines sometime in the 1950's. Each bookend depicts a tribesman cautiously peering over his shield at the tribesman on the other side. From the position and shape of the right arm and hands, it is likely that each native was originally holding a spear. A very dense black wood was used to create these sculptures

Hanging from the belt on a leather strap, the stylized milking hook was the essential item of ornamentation for any Tibetan woman properly dressed for a festival. Surrounding the hook surface is a heavy etched silver band. The bronze/brass hook has is etched with markings and is inset with 5 large beads, set in silver bezels. The original leather strap shows lots of wear.

These ceremonial hooks have become hard to obtain. The hook alone measures 5.5 inches long and the strap adds anothe...

He is charming...well detailed leaning on a pillows ...a few nicks and bruises to the finish as to be expected at this age...roughly 4 inches tall and 6 inches wide...

This man's beaded hat aka skullcap is typical of the Pashtun people in the region of Southern Afganistan. Because of the extensive beading pattern, it is rather stiff and heavy.

Presumably, the interior layer of fabric was from pieced of fabric from other garments.

This face-sized antique mask of a shaman or Buddhist priest is from Tibet. The hand carving is both delicate and simple, with chisel marks showing on the back of the mask.

This small Chinese inro style container would have been worn suspended from the wearer's belt. It was hand carved from wood and detailed on each side with delicate decorative carvings of birds, flowers and a phoenix.

The piece is 2.5 inches high and 2 inches at the widest point. Because of its small size and shape, it was most likely used as an opium container. The inside has been carefully cleaned to avoid dog encounters at the airports.

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of Mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple. The condition of this p...

This small Japanese case was most likely used for eyeglasses by a wealthy woman. The fine cloisonne work on both sides has slightly differed medallion patterns. Bird one one side butterfly on the other...There is s small sing (with lose on the bird side towards the edge...and the ding goes through to the inside of the case...piece is priced considering the damage...

This is a wonderfully detailed silver needle case which was worn hanging from the belt. It has it's original long leather thong and silk tassel. Each side of the silver case has a central stone bead...one coral, one turquoise. The sides of the case (not pictured) have incised cloud/wave pattern. When opened, the case has copper with fabric arm to hold the needles. For indigenous and nomadic people, needles were an essential and valuable tool for survival of daily life. Because they were no...

This pair of Chinese lotus shoes were made by a woman of limited finances. She bought what materials were needed for the vamp and supplemented with the use of rough home spun fabric scraps to cover the shaped heals and soles. The limited amount of expensive gold couching threads outlining the floral embroidery pattern on each side of the shoes indicates that this pair of lotus shoes would have used only for special occasions. Cleverly hidden inside each shoe is a heel cushion which would have...

This antique Chinese glass bead was used as a toggle during the 1800's. I measures 1.25 inches in diameter.

This antique Chinese wooden carved pedestal stand with attached mirror dates is from the late Qing dynasty. This piece of furniture would have sat on a dresser or chest. The carving is high quality and begins at the base. The mid section carving displays a dragon and pagoda. The frame of the circular mirror has bats carved all around.

This piece has been held in storage by a Texas collector and is in excellent condition. The mirror is detachable and is held in place by tendons which slip...

This hat is extensively decorated with the wrapped thread embroidery technique which is distinctive to the Dong Ethnic Minority group. Additionally detailed with tassels and plastic beads, the hat was clearly made by a loving grandmother approximately 30-35 years ago. The hat is in excellent condition.

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

There are 3 pairs of serving trays in this boxed set of Japanese sushi trays. Each pair is a different size and color combination. Each tray displays the family mon or emblem on the front. There are 2 red trays, 2 red and black trays, and 2 all black trays. Being Japanese, the pairs of trays nest together a specific order to be stored in the carrying box.

The kiri wood box has a strip of wood on each side to act as a carrying handle. The box is 14.25 inches (36 cm) square by 28.25 (72 cm)...

Each saki cup of this set of 6 has hand painted flower or foliage in the inside. The set is Japanese lacquerware from Meiji period.

Such figures (twins beaded) were reserved for high status "royal" tribal leaders for protection. Heavily decorated with beads, bone and cowrie shells, this pair is 80 years old and have some kind of marking on the bottom. sourced out of Fumbane (foumban), approximately 12 inches high

Common to South Arabia and Yemen, the mesh "labbeh" or "Kirdam" were worn wrapped around the neck or attached to the sides of the headgear hanging down as a frame to women’s chin. This particular libbeh is from the late 1800’s–early 1900. This very finely made tribal labbeh has elaborate lengths of filigree and numerous dangling beads. This type of jewelry would have been part of a woman’s dowry given to the bride by her father

By the latter part of the 19th century the ruling Qings were obsessed with every last detail of dress. This antique top grain leather fan case could only have been owned by very wealthy Chinese woman.

This old Tibetan pouch would have been worn for festival both for decoration and coins...it is not a flint strike...clearly it has been used (probably passed from generation to generation)...decorated with coral and turquoise...a few metal enhavcements are missiog...

The only differences between this matching pair of Japanese woman's hair combs are the very slight details in the hand-painted design and the size and spacing of the tines. The finely detailed lacquer design was painted in 3 shades of gold. Unfortunately the minute details, flower petals and tree knots are hard to see in the photos.

This lovely antique bell is a traditional Ghanta, which is a Tibetan Buddhist ritual bell, sometimes called Dril, bu,and/or singing bell. Just over 6 inches tall, this Ghana is paired with the Dorje at the top of the handle, and the surface is decorated with an abundance of Tibetan symbols. This bell has the original clapper, has a lovely tone and beautiful patina. Bell is 6.5 inches (16.5 CM) tall

The Ghanta represents feminine power, wisdom, receptiveness, and the voice of the Buddha.

Small embroidery with central floral motif using seed stitch, on traditional dark blue silk fabric. May have been used on garment as inside pocket. Approx 6.5 inches on each side.

The body of this antique Miao Chinese powder horn is carved with large spider web, small foo dogs, and clouds. The stopper is carved into a lotus blossom. The Miao believe that passed relatives take the form of spiders to visit and watch family members, so spider webs are left undisturbed in the home. This horn is from Kali area and is in excellent condition. It is 80-90 years old and approx 9" long.

This set of 3 dolls court dolls are each mounted on their original matching stands. Wonderful carved wooden faces with gofun finish. The hands and feet are also carved from wood. A charming set...each doll with the stand is about 6 inches tall.

This antique hat from Afghanistan is heavily decorated with variety of old Middle Eastern coins.

According to traditional Chinese culture, shoes were considered to be a symbol of good luck, and shoes and a gift of token shoes would have been given as a sign of well wishing.

This tiny pair of wooden shoes are meticulously carved, with pierced work on both sides and the soles of each shoe...scarcely 2 inches long...excellant condition

Traditional Chinese rural style pillow of bamboo. This pillow would be stored with legs folded under during the day. Good condition 16"x4" by 5" high with legs extended.

Lovely old pair of matching Tibetan tea bowls. Carved from burl wood with silver/metal decoration around the foot and silver liner inside the bowls. bowls are roughly 2 inches high and 3.75 inches diameter across the rimmed bowl

Using these Chinese lotus-shaped lacquer tea saucers simplified passing and serving hot tea. Traditional Chinese symbols are delicately painted with copper color over a black lacquer background. There is a double happiness symbol at each end along with clouds, water waves and lucky bat symbol in the center. The back side is traditional Chinese red.

This Rondel was most likely cut from a Qing dynasty antique Chinese robe, this rondel was bordered. The silk is slightly faded but in good condition. The satin stitch embroidery is clear and clean with no stains. Rondel is 16 inches diameter

Ornate small pair of Japanese Girls Day display Emperor and Empress Dolls 4 inches tall... complete with hat, headress, fan etc...

For women of indigenous cultures, sewing needles were often hard to come by and considered valuable tools. Commonly, among such groups, cases were specifically designed to protect and safeguard the sewing. This particular antique silver needle case is from the Chinese Miao ethnic minority group and would have been worn by the women as a decorative costume ornament during festival.

This intricate floral embroidery panel may have been part of a larger piece which probably predates the carved frame that now houses the panel. The background silk is a rich dark brown and the ornate floral display can be positioned either horizontally or vertically. During the framing process, sometime between 1900-1920, The fragment was glued to a cardboard backing...where it remains today... 10.5 inches x 23 inches includes frame

Diameter approximately 2.75 inches, this antique chinese mirror may have originally had silvered surface on reflective side...brought to the US 1920-1930 by missionary Rebecca Cloud-Stewart..deterioration of metal surfaces as expected.

Long lengths of treads or first braided into a "tape" and then the tape is tightly sewn to a background in elaborate pattern to depict various elements of Miao legends and myths.

This Chinese ethnic child's hat has wrapped thread embroidery technique which was used by the Miao the Miao minority. The set of silver ornaments across the from are Buddha images. the The ornament in the back is a stylized butterfly of Miao Legend...the dangle of bells at the back is to scare off evil spirits who would attack the child from the rear..This hat is old and in surprisingly good condition

This is a charming traditional Chinese child's "wind hat" so called because of the protection the hat gives to the back of the neck. The silk threads of the satin stitched embroidery depict lots of flowers and butterflies. Hat is in good condition

This shoulder bag was made and used by the Hmoung women of northern Thailand. It would carry all the traditional items which would have been commonly found in a woman's purse. The bag fabric was hand loomed from the indigenous plants and then embroidered using traditional cross-stitched with geometric patterns. Beads, silver ornaments and tiny pompoms are added for decorative enhancement of the bagface. This piece is in good condition.

This Many Westerners have been told that the Miao et...