Catalog: Antiques (488)

I bought this antique Tibetan ethnic minority needle case years ago in China. Needles were an important sewing tool for women of every indigenous culture and for the Tibetans the needle case was frequently worn as a jewelry accessory for costume adornment festivals. The small jade bi functions as a weight for stability at the bottom of the needle case. It is beautiful.

This Japanese tooled leather tobacco pouch (tabakoire) is embossed with a large dragon swirling about the back and front. The metal clasp is decorated with a coiled dragon. Attached to the pouch by 2 rows of 5 chains is a wooden netsuke (manjui) wooden netsuke with metal dragon. The inside of the pouch has 2 sections and the interior leather is tools with a flower motif.

This charming round Japanese antique serving tray is 11 inches in diameter. A delicate gold leaf design is painted around the outside tray rim and extends down onto the 3 shapely legs. The top edge of the rim is gold and separates the outside black lacquer from the traditional red/orange lacquer interior of the the tray. The red, black and gold lacquer paints are somewhat dulled with age and exposure. An old type written label on the bottom of the tray dates the tray to 1830...

Very nice old Maru Japanese Obi in excellent condition. Neutral colors throughout the delicate weave of repeat scenes of cart

This lacquer serving tray from Burma (now called Myanmar) depicts has a central medallion with a mythical Burmese creature, a chinthei, surrounded with 12 individual vignettes depicting children and other creatures. The tray is 19 x 11 inches with a rim 3/4 inches high. The top surface is somewhat dulled from age and exposure.

Very rare, this oceanic artifact was brought back by from New Guinea by a pilot sometime in the 1950's. The dog teeth and boar tusks are held together by hand twisted stings woven and interlaced tightly around the widest ends.

This ornately hand carved hard wooden frame comes with antique Chines lithograph of the summer palace. The frame is approx 8.5 x 13 inches...

This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...

This embroidery panel was originally the front flip of a money belt. The background fabric is a low cut velvet the embroidery stitches are mostly chain stitches. Charming scene of flowers and fish with traditional chinese key border Almost 12 inches across at the widest and 7.5 inches high.

Dr Fu Qing Zhu "published" his book on Women's Health Issues in 1816. Originally hand copied until the 1860's, publications after that were made using hand carved woodblocks. This particular copy appears to be from 1885. It has all 4 volumes and the original cloth binding cover. There are hand written prescriptions on the front of 2 volumes...

By the early 1900's, foot binding fell somewhat out of fashion with the upper social classes of Han Chinese women, especially in the north. With various degrees of success and a lot of pain, a few brave women chose to have their feet re-broken and reset into a more natural size and shape. This pair of boots belonged to one such woman...

This rare ceremonial Chinese "lock" necklace is Hmong ethnic minority. Made from pure bouillon silver, it over weighs 4.5 lbs. The Hmong Ethnic Minority group range from southern China into Northern Thailand. This piece was sourced out of China to a dealer sometime between 1920-1930. In both Chinese and ethnic minority cultures, the lock necklace acts as a talisman and symbolically "protects" the wearer from ill fortune, much as a lock on a piece of furniture will protect the contents inside...

This Japanese tray is 12.5 inches wide and 7.25 inches tall...It is lovely ...Meiji period wireless cloisonne tray depicting birds and flowers in the central field with wide scalloped border picturing Phoenix bird at the top center, a lizard on the right and another bird on the left...really and exceptional piece...the front in in excellant condition. The underside appears to have been over-painted

This small antique Chinese wooden storage container was used for calligraphy implements. Inksticks would have been held in the rear center compartment. Calligraphy brushes would have been held upright on the right and left side compartments. Seals or chops would have been stored in the lidded section. Originally painted with black lacquer, this piece has great age and wear patina.

This old silk embroidery panel may have originally been part of a larger scene. the is light stain to the background above the riders head. the piece measures panel is approx 19 x 15 inches ...

Woven from wide bamboo strips, this lidded container was used for storing tobacco. Basket weaving was a traditional folk art throughout southeast Asia and most rural families relied on their own basketry skills to provide themselves with life's necessities.

This slightly miss-shaped container stands 8 inches tall and has the charm and patina which comes only with repeated use and age.

This Burmese antique offering plate was the result of work by dedicated and skillful craftsman. Beautifully woven of bamboo strips, the finished shape would be first painted with repeated layers of black lacquer followed by layers of red lacquer... obvious wear to red paint from repeated handeling through the decades of worshipers allows the under black lacquer to show through in varous areas... measures roughly 5 inches high (12.5 cm) by 10 inches wide (24.9 cm)

Several of the Southeast Asian hilltribes from the "Golden Triangle" region would practice tattooing as body art and religious ritual. This Burmese tattoo tool with the figure head was used to scratch the skin surface and apply the dye.