This Korean brush would have been used for painting and/or large calligraphy. The handle is an old horn of rich brown tones and a soft matte patina from use. The bristles are long and soft and show some ink residue close to the ferrule. It is a wonderful brush to hold
This is a charming traditional Chinese child's "wind hat" so called because of the protection the hat gives to the back of the neck. The silk threads of the satin stitched embroidery depict lots of flowers and butterflies. Hat is in good condition
According to traditional Chinese culture, shoes were considered to be a symbol of good luck, and shoes and a gift of token shoes would have been given as a sign of well wishing.
This tiny pair of wooden shoes are meticulously carved, with pierced work on both sides and the soles of each shoe...scarcely 2 inches long...excellant condition
Carved from animal horn this eyeglass case dates to the Qing Dynasty. What appears to be the original cord allows the case to be hung on a belt...The original toggle was replaced sometime (probably in the 50's) with current blue toggle...
This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...
Finely carved and once elaborately painted, this antique figure was probably from a small shrine. Clearly used and handled over the years, piece still has some areas of original paint. Some residual of an inked signature on bottom. carving may be of a monk or other religious figure. Stands about 2 inches high.
This pair of sleeve bands is made of black cotton satin weave fabric with very delicately stitched floral motif embroidery. Each panel measures 6" x 26" with embroidered area measuring 3" x 9"
This Japanese tray is 12.5 inches wide and 7.25 inches tall...It is lovely ...Meiji period wireless cloisonne tray depicting birds and flowers in the central field with wide scalloped border picturing Phoenix bird at the top center, a lizard on the right and another bird on the left...really and exceptional piece...the front in in excellant condition. The underside appears to have been over-painted
This Chinese ethnic minority hair comb was hand carved with scalloped edge detail on both sides. Many ethnic minority women would save the hair from ancestors and add it to their own hair for additional bulk...some groups would add bits of wool also to make the hair appear thicker. Combs were used both for combing and for hair ornaments.
This heavy wooden pillow was hand carved from a block of hard wood. A relic of the Qing dynasty during the 1800's, it would have been used more as a head rest, i.e. supporting the back of the neck so that the hair style remained undisturbed. It is carved into a series of graceful curved forms and the finish has a wonderful pattern of wear and patina.
This antique small iron mortar fits easily into the closed hand was used for grinding medicinal herbs. The pestle is attached with a hand made chain. Sourced from Maharasha, India...great aged patina.
This lacquer serving tray from Burma (now called Myanmar) depicts has a central medallion with a mythical Burmese creature, a chinthei, surrounded with 12 individual vignettes depicting children and other creatures. The tray is 19 x 11 inches with a rim 3/4 inches high. The top surface is somewhat dulled from age and exposure.
Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.
Made of iron, this antique Japanese mobile candle stand, known as a teshoku, dates from the Edo period. So typical of the old Japanese ethnographic objects, the design of this single candle holder is totally simple and wonderfully functional. With a lighted candle, this candlestand could be easily carried about the house by use of long very gently curved handle. When set in down, the placement of the 3 legs makes it very stable to minimize chances of it being accidentally knocked over...
This box would have been used to display sacred Buddhist Sutra or text book. The importance of the contents is indicated by the viewing windows on front, back, top and sides of the box. The exterior of the box is covered with black lacquer and over-painted with gold. It is painted red on the inside.
There is some minimal paint loss, which is to be expected in a piece of this age.
24 inches(60 cm) long 5 inches (12 cm) high
This antique type of metal work was common in Nepal during the 1800's and into the early 1900's. The birds beak is carved from bone which is dyed to color. The "jewels" are colored glass i.e. enamel drops of orange, turquoise and dark brown. Beak to tail tip the bird measures 3.5 inches and stands 2 inches high.
Very good condition with one "jewel" missing on the side.
This charming adult female Door of Hope doll is 11 inches tall. Her face is somewhat darkened with age and the lower fronts of her trouser legs are faded from sunlight. She has all of her original clothing layers. Her top tunic is a bit dirty in the front and has a small tear at the rear of the right sleeve. Yet, even with these "condition problems" she retains the quiet beauty which has made the door of hope dolls such a collectors treasure.
This very nice traditional Chinese pillow has leg supports which fold up when it is not in use. The top is made of shaped and stained bamboo slats which flex for soft comfort. The body of the piece is made of a dark wood with carved scrollwork along the bottom edge. Each end has an elaborate carving of a bat in flight. good condition 15"x 5" x 4" with legs extended