Catalog: Antiques: Regional Art (482)

Rare Chinese form, this Chinese chalice is from the late Qing Dynasty period. The dome shaped lid is topped with a gold finial. The surface of the piece is covered with cloisonne pattern. There is a floral design in black and brown which is offset against a background filled with a fretwork pattern. The chalice with its matching lid stands 9 inches tall.

The metal bottom of the chalice is stamped with the word China. This dates the piece between 1890 and 1914. It was the U.S...

This set of 3 dolls court dolls are each mounted on their original matching stands. Wonderful carved wooden faces with gofun finish. The hands and feet are also carved from wood. A charming set...each doll with the stand is about 6 inches tall.

This Japanese Meiji period 6 sided porcelain chocolate pot was made for export to the Western markets. The chocolate pot has a lovely traditional Japanese scene which was hand painted, with bits of moriage detail. Excellent condition, no chips, no cracks, pot is 9.5 inches tall. There are 3 matching cups and saucers will be listed separately.

Dated by McKinley Tariff Act requiring name of country of origin to be permanently engraved (stamped) or imprinted into a piece.

A bride of the Yi Chinese Ethnic Minority in Yunnan Province, would have worn the "cock" hat for her wedding day. The hat is made using layers of cotton fabric with a stiffiner between the layers to maintain the shape. Using colorful cotton thread, hat was extravagantly hand embroidered. A few traditional silver ornaments including the bubble, flower and butterfly were added.

Now, it is the very lucky Yi girl who can use her great grandmother's bridal hat for her own wedding...

Wonderful satin stitch embroidery of flowers and butterflies decorate this charming antique Chinese Miao baby hat. The front has 4 silver Buddha ornaments and the back sports the traditional Miao ornament of a butterfly with dangling bells to protect the child from evil spirits. The hat is softly padded to keep baby's head warm.

Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes

This small Chinese hand made purse would have been made by a woman for her personal use or possibly as a gift to a female friend. It was made using cotton background fabric and hand embroidered with silk thread on each side. The butterfly and floral motifs were made with silk thread using a combination of satin stitches, chain stitches and couching embroidery techniques.

It is a charming example of a Chinese woman's needlework and is in excellent condition...

This box would have been used to display sacred Buddhist Sutra or text book. The importance of the contents is indicated by the viewing windows on front, back, top and sides of the box. The exterior of the box is covered with black lacquer and over-painted with gold. It is painted red on the inside.

There is some minimal paint loss, which is to be expected in a piece of this age. 24 inches(60 cm) long 5 inches (12 cm) high

Made of iron, this antique Japanese mobile candle stand, known as a teshoku, dates from the Edo period. So typical of the old Japanese ethnographic objects, the design of this single candle holder is totally simple and wonderfully functional. With a lighted candle, this candlestand could be easily carried about the house by use of long very gently curved handle. When set in down, the placement of the 3 legs makes it very stable to minimize chances of it being accidentally knocked over...

This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Deity. These statues were made only by the monks and considered to be a holy relic...

This antique pipe has burl wood bowl with silver filling (one ring missing) and a horn mouthpiece which has obviously been well used. There are a few short residual threads from what was probably originally a tassel. It is a wonderful ethnographic relic of folk art.

This small silk jacket was made and worn by the child of a wealthy traditional Han Chinese family. The dark blue silk fabric is embroidered on the front and back with a floral arrangement. There are additional decorative elements of tassels and border trim. The jacket spans 15 inches across the chest.

The jacket is in very good condition with only a slightly visible stain on the front embroidery, which would be expected of a childs jacket of this age.

This Chinese antique wood carving was possibly part of an architectural structure or possibly from a piece of furniture. The wood is approximately 1.3 inches thick and retains much of the original finish though it is obviously worn in some areas. The tradition carvings of 2 dragons chasing the pearl is very well done. The piece is about 5 inches high and 17 inches long.

Tibetan snuff bottle with wood body, with decorative silver base and shoulders. The silver work shows a bird with elaborate wing feathers and thin handles on either side of the bottle. The stopper lid is capped with coral and the spoon is also silver. The condition is very good. Bottle measures 3" x 2"

This fan has lovely paintings of water lilies on one side and daisys on the other. The paper shows wear on the edge of the folds and there is some paint loss on the bottom of the struts. Such wear is commensurate with age and use.

This 18th century Samurai stirrup has intricate overall floral pattern with inlaid silver wire which is somewhat obscured by tarnish. The raised footpad is red Lacquer and has wear mark in the toe area. There is a small break (and hole) in near the rim of the foot pad, which are commsurate with age and use of a Japanese warriors stirrup.

The saddle seat is Leather and decorated with small tuffs of wool yarn and strips of flat metal (presumed low grade silver) which are embed into the leather in an ornate geometric design.

I replaced the tie which secured the front of the seat to the metal saddle tree...the original cord was literally falling apart...Limited research indicates this saddle was from Rajastan India.

These 6 antique Chinese needlework implements were brought to the US by the American Baptist missionary Rebecca Cloud-Stewart. They range in size from 3-6 inches long...