Catalog: Antiques: Regional Art (482)

Manchu women never practiced foot-binding. However, during the Qing dynasty, they did wear pedestal aka platform shoes, hoping to give the appearance of smaller feet. These shoes would give the woman a more careful walk which was perceived as dainty and more sensual. In addition, the tips of the shoes would appear to peak out from under the robes, giving the foot more dainty appearance. These shoes are embroidered on both sides with a floral motif...

Both the wooden front and back covers of this Buddhist Sutra book are hand carved with different symbols. The numerous text pages are beautifully written with rich black ink with specific words written in red ink. The book still has its original leather binding strap.

This Tibetan sutra book approximately 12 inches wide, 4 inches tall, and 2 inches thick. Though the pages are in good condition, the covers show years of wear and use and is a wonderful artifact of an old culture.

This is a traditional style full length silk robe, aka Chapan, from Uzbekistan/Tajikistan area. The pattern was made using an ikat dye technique, and the robe is padded and machine quilted. Excellent condition, shows very little wear...stunning

This Korean brush would have been used for painting and/or large calligraphy. The handle is an old horn of rich brown tones and a soft matte patina from use. The bristles are long and soft and show some ink residue close to the ferrule. It is a wonderful brush to hold

Very old and very fine embroidered sleeve panels..satin and "forbidden stitch" (Peking knots) with antique trim border...some discoloration due to age... measures 11 x 22.5 inches

In China for centuries various civil officials showed their rank by the finial worn on their hat. The color of the central stone at the top of the metal finial indicated the rank of the wearer... Brass/gold was the lowest rank... The hats were further decorated with a long ring of red silk tassels attached between the finial and the hat... This antique court hat finial along with the circle of tassels is from the Qing dynasty the finial and the ring of tassels are displayed on top of ...

This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Deity. These statues were made only by the monks and considered to be a holy relic...

The quilted lower portion of the vamp indicates that this pair of shoes are from northern China, and the shape of the heel dates them to before 1910. Clearly somewhat used, they are a wonderful artifact of a time and cultural practice from the past.

This antique type of metal work was common in Nepal during the 1800's and into the early 1900's. The birds beak is carved from bone which is dyed to color. The "jewels" are colored glass i.e. enamel drops of orange, turquoise and dark brown. Beak to tail tip the bird measures 3.5 inches and stands 2 inches high. Very good condition with one "jewel" missing on the side.

The Tibetan leather flint pouch (aka strike a light) is properly known as a "mechag" (me = fire , chag = iron) or fire iron. This Tibetan flint pouch is decorated with ornate silver and bronze ornamentation with an inset red bead which appears to be a replacement for the original bead. The pouch would have been secured to the wears belt with the attached leather strap...

This ingenious antique Chinese pillow expands and contracts so it can be used as either a double and single pillows. The wooden ends have hand carved floral decoration. The head rest areas are bamboo and the individual rails are wooden. As expected,there are a few nicks to the finish which are consistent with a 100 yrs plus daily use item.

Originally part of a full sized Tibetan adult costume, this piece was cut down to complete a childs festival costume. Decorated with turquoise, coins, tassels and silver ornaments, this type of textile accessory would often be attached to the elaborate headdress or hat and drape down the back to complete the wearers costume. The Tibetan people are not wastefull and items of festival garments in any condition are hard to acquire. I have had it hanging on my wall for a number of years...

This beautiful mottled gray/green color stone There is a carved with dragon which is deeply undercut so that he is suspended across the top of the stone. The ink reservoir has a matching stone cover. The ink stone is carved from a thick slab of stone, 10 inches across the back, 6+ inches back to front, and over one inch thick. It is heavy. It has been held in a private collection for about 20 years....conservatively dates from early 1800's...

This is a charming traditional Chinese child's "wind hat" so called because of the protection the hat gives to the back of the neck. The silk threads of the satin stitched embroidery depict lots of flowers and butterflies. Hat is in good condition

Clearly made by an adoring grandmother, this antique Dong Minority hat is covered with a variety of ornate embroidery stitches including both wrapped thread and couching techniques. The hat is topped with silver half beads representing bubbles and a large top knot.. It is a bid dirty which would be expected in a childs hat of this age and use.

This apron is from the Huan Xi area and was part of the traditional Miao ethnic minority woman's festival costume. Made from home spun fibers,indigo dyed yarn, it is embroidered with tiny intricate cross stitch geometric design...the ties are also hand woven. The apron measures approx 17 x 17 inches and is in good condition...with a few very light stains which do not show on photo with enhancing...

This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.

The outer box is 7 inches in diameter and 4 inches high...

This traditional summer weight Manchu style (side closing)vest is from late Qing Dynasty. The lush deep blue silk fabric has a jacquard weave with an all over fret design. The lining is of deep maroon silk..the vest is entirely hand sewn, and fits a small to medium size woman.