Catalog: Antiques: Regional Art (482)

This antique Chinese rectangular serving tray is elaborately inlayed with Mother of Pearl. The ornate MOP design covers the surface of the tray and also goes about the exterior face of the narrow rim. Wood is most likely ebony and tray dates from mid 18th century.

Condition: All the MOP inlay is intact but there are numerous tiny nicks and chips in the surface finish on the inside and outside edges of the rim surround...

This beautiful antique short strand of beads would have been carried in the pocket and taken out for ritual religious prayer...2 spacer counter beads are honey amber and the 3rd is red coral...

This Tibetan shrine shaped gau (aka prayer box) is actually a religious shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Diety. These statues were made only by the monks and considered to be a holy relic...

I was thrilled to acquire this rare Mongolian textile. Utilizing all couching embroidery technique on red wool fabric, it depicts 2 golden dragons chasing the sun. The condition of this piece is remarkably good condition for its age, showing 2 small areas of repair on the top corners. It measures 40" long by 18" from the top to the bottom tip of the tasseles

The saddle seat is Leather and decorated with small tuffs of wool yarn and strips of flat metal (presumed low grade silver) which are embed into the leather in an ornate geometric design.

I replaced the tie which secured the front of the seat to the metal saddle tree...the original cord was literally falling apart...Limited research indicates this saddle was from Rajastan India.

This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...

Used by the bride for wedding this elaborate kingfisher feather crown is a very old and rare piece. The oldest kingfisher ornaments were made by glueing the feathers onto heavy paper. Metal wire was only used to attach pieces together. Both paper and the feathers are fragile, so not many of these old pieces have survived. This one is in average to good condition, some paper loss and some feather loss...

This apron is from the Huan Xi area and was part of the traditional Miao ethnic minority woman's festival costume. Made from home spun fibers,indigo dyed yarn, it is embroidered with tiny intricate cross stitch geometric design...the ties are also hand woven. The apron measures approx 17 x 17 inches and is in good condition...with a few very light stains which do not show on photo with enhancing...

Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes

This Chinese doll was made with a wire body covered with fabric padding and then silk clothing. His heads, lower arms and feet are made from some kind of composition material and then painted. Because of his wire construction, his arms, legs, and body etc can be carefully repositioned. The feet are wired together to provide a more stable base...it is a theory which frankly does not always work well...

Manchu women never practiced foot-binding. However, during the Qing dynasty, they did wear pedestal aka platform shoes, hoping to give the appearance of smaller feet. These shoes would give the woman a more careful walk which was perceived as dainty and more sensual. In addition, the tips of the shoes would appear to peak out from under the robes, giving the foot more dainty appearance. These shoes are embroidered on both sides with a floral motif...

This is the 3rd of 4 small individual antique Chinese carvings which I am listing separately. This one looks like Shou Lao the Chinese god of longevity, who was often represented along with the immortals. Each has a peg on the bottom which fits into the own homemade stand

This Chinese golden colored Sha-green is large by shagreen standards...it spans almost 7 inches at the longest point front to back, and stands just over 3 inches high. The top clearly has some scuffs and loss to the hide, which for me enhance the beauty of the box. The box is hinged at the back and the inside is lined with leather.

This is the second of 4 small individual antique Chinese carvings which I am listing separately. I had always assumed them to be 4 of the eight immortals but upon close inspection, I am now not sure which gods, ancestors or legends they represent. Each character stands with its own faithful foo type dog and carries an implement of some kind. Each has a peg on the bottom which fits into the own homemade stand. This character stands 5.75 inches x 3 inches wide and 1 inch thick...

The face of this Japanese Boy's Day Doll, musha ningyo, would certainly scare away any demons...strands of his unkept hair tends to drift across the face, and his costume is elaborately detailed. Without the stand he is 11 inches tall...the stand adds another 2 inches to the height.

Condition excellant with the exception of a couple of small surface paint chips on face reveal white undercoat (clears shown in pictures)

Japanese Lady's Dressing Box Meiji Period. The front and lid are decorated with wood marquetry inlays.The doors have inlays of MOP and assorted stones depicting birds etc. Lots of drawers, original hardware..(sorry, no key) box is 17 x 14 x 7 inches. back and sides are painted black

This Indonesian container would have been carried by a man using the handmade string as a shoulder strap. The "purse" was hand carved out of a local hardwood and both the top and bottom have decorative details.

The container sits stably on it base but can also be hung on the wall as an interesting sculpture artifact.

Approximately 9 inches high, 7.5 inches across and 4 inches deep.

This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...roughly 3x 4 inches