Catalog: Antiques: Regional Art (482)

Both the wooden front and back covers of this Buddhist Sutra book are hand carved with different symbols. The numerous text pages are beautifully written with rich black ink with specific words written in red ink. The book still has its original leather binding strap.

This Tibetan sutra book approximately 12 inches wide, 4 inches tall, and 2 inches thick. Though the pages are in good condition, the covers show years of wear and use and is a wonderful artifact of an old culture.

This face-sized antique mask of a shaman or Buddhist priest is from Tibet. The hand carving is both delicate and simple, with chisel marks showing on the back of the mask.

This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...

This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival. In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also...

This is a Tibetan Ritual Celestial Crown also know as a Diadem or Ringga. It is worn by a necromancer or oracle during rituals. The "crown" consists of 5 separate paintings on paper and each painting is backed with thin cardboard for stiffness. The sections are connected with string. When worn, the crown is tied around the head with string. The sections are painted with the five Dhayani, celestial Buddhas, each painted with his traditional color and gesture...

Hanging from the belt on a leather strap, the stylized milking hook was the essential item of ornamentation for any Tibetan woman properly dressed for a festival. Surrounding the hook surface is a heavy etched silver band. The bronze/brass hook has is etched with markings and is inset with 5 large beads, set in silver bezels. The original leather strap shows lots of wear.

These ceremonial hooks have become hard to obtain...

This antique Tibetan purse would have been used as a costume ornament during festival. It is decorated with silver and bronze fittings and coral and turquoise stones. Passed from generation to generation, and used extensively, this piece shows it age. Such purses would have held precious coins and the occasional flint but would not be considered as a Tibetan "strike a light" because of the lack of the striker plate.

The Tibetan leather flint pouch (aka strike a light) is properly known as a "mechag" (me = fire , chag = iron) or fire iron. This Tibetan flint pouch is decorated with ornate silver and bronze ornamentation with an inset red bead which appears to be a replacement for the original bead. The pouch would have been secured to the wears belt with the attached leather strap...

This old Tibetan pouch would have been worn for festival both for decoration and coins...it is not a flint strike...clearly it has been used (probably passed from generation to generation)...decorated with coral and turquoise...a few metal enhavcements are missiog...

Lovely old pair of matching Tibetan tea bowls. Carved from burl wood with silver/metal decoration around the foot and silver liner inside the bowls. bowls are roughly 2 inches high and 3.75 inches diameter across the rimmed bowl

This old Sutra book is out of Tibet... original cover, strap, and pages, more pages than I want to count. size 6 inches x 2 inches 1.5 inches

This is woodblock is carved on both sides so that it was used to print 2 different pages of a Tibetan Sutra book. ...Age and use are obvious and there are a few nicks and bruises but no serious loss... A true ethnographic relic measures 14 inches x 3 inches x 7/8th inch...

This traditional small leather purse would have been used as an ornament and hung from a belt by a Tibetan woman during festival. It is heavily decorated with silver metal, turquoise and coral beads. This is an old one and is in excellent condition.

Though the traditional practice of Tibetan "sky burial" is well known. But in some areas of Tibet the Buddhist practice of cremation is also used for some individuals, and The ashes are placed in a box made specifically for that purpose. This cremation box dates to the 18th century and has carved line decoration on the sides... It is made so that the top is keyed to the bottom and slides open from one end...

This woven Tibetan container would have been used to hold a pair of wooden tea bowls...there is an interior separator (removable) which allows for the separation of tea bowls. Hand made using plant materials (hemp) and rattan with leather closures Bowls would have been packed into container such as this when traveling... and from the condition of this one...it has traveled many times. The container is 6 inches diameter at the top and 4 inches high...well aged fair condition...

Designed for travel, this old Chinese wooden hat stand comes apart to fit flat. Ethnographic item from the Qing dynasty, it has a good sculptural quality and is also good way to display your antique Chinese hat.

Hand carved heavy old wooden Quran (aka Koran) Muslin book reader out of Middle East, Central Asia. Reader folds flat when not in use and has extra arm separator for storage of additional pages. Good patina, some wear marks as expected in an item of this age

This elaborate woman's dress bodice is from Afghanistan, formerly Baluchistan. The fabric was first elaborately embroidered with an applique of thin strands of braids. Then it was heavily decorated with coins and beads.

This short sword and matching scabbard from Bhutan is elaborately decorated. The knife handle or sword hilt has a leather cover which is detail with silver reposse and a coral bead. The wooden scabbard is covered with leather and is decorated with an elaborate silver reposse dragon. The knife blade is has a series of added symbols. The belt loop is also decorated with a series of silver objects...

This is a traditional Chinese pack saddle which were used throughout China for carrying various sacks of grains and goods. The front is carved foo dogs and there is a key carved decoration around the border. It is unusual to find this type saddle with the painted black lacquered finish. This one was probably owned by a wealthy family and used only for special events...

This traditional Dayak medicine container is made in 2 pieces. The upright piece is carved from wood representing ancestor spirits at the prow of a boat. The horizontal piece is a carved animal horn, presumably goat. The original wooden hinge pin has been replaced with a new piece of wood as the old one was broken and unusable. Dayak is the general name used for the various indigenous tribal groups living in Borneo, which is now called Kalimantan.

This charming Japanese netsuke has the face of Noh theatre character surrounded with intricate basket weave pattern. It is signed under the chin dimensions 2.5 x 2 x 1 inch

This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.

The outer box is 7 inches in diameter and 4 inches high...

This fine antique large betel nut container from Burma is painted with a traditional ornate "yun" incised lacquer design called “yok-thei”. There are tiny dancers swirling through an intricate background of vine vegetation. High sided cylindrical betel boxes called "kun-it" were used to store betel leaves and other ingredients...

This box would have been used to display sacred Buddhist Sutra or text book. The importance of the contents is indicated by the viewing windows on front, back, top and sides of the box. The exterior of the box is covered with black lacquer and over-painted with gold. It is painted red on the inside.

There is some minimal paint loss, which is to be expected in a piece of this age. 24 inches(60 cm) long 5 inches (12 cm) high

This Chinese carved bamboo brush rest has traditional dragons chasing pearl and cloud motif. The background shape is the 5 mountains and the rim of the mountains have carved ridges. The piece measures 3.5 inches high and 6 inches across. The natural curve of the bamboo allows the piece to stay upright, and the piece remains balanced on the 1/2 inch thick bamboo. Condition is very good.

Intricately detailed, this miniature scaled model of a japanese tea house was the result of a village folk art craftsman sometime between the late 1890-1920. Each piece is carved from bamboo and is pegged into place. The rice paper shutter doors slide and addition solid shutters are stored in the exterior swinging compartments. The roof is easily removed to reveal the inside which is furnished with an alter, bamboo scroll,flower vase and serving tansu with sliding doors. Outside is the bath...

Originally part of a full sized Tibetan adult costume, this piece was cut down to complete a childs festival costume. Decorated with turquoise, coins, tassels and silver ornaments, this type of textile accessory would often be attached to the elaborate headdress or hat and drape down the back to complete the wearers costume. The Tibetan people are not wastefull and items of festival garments in any condition are hard to acquire. I have had it hanging on my wall for a number of years. Today, ...

This antique pair of wooden spoons were hand carved and delicately shaped. The handles are deeply arched and the ends are painted with a gilded paint. They were heavily covered with a clear lacquer finish.

Each band of this pair of very fine silk embroideries have 2 sets mirror images: one set of floral motif and the other set of a couple celebrating. Both sets use satin stitch, french knot (aka forbidden stitch) and couching embroidery techniques. The embroideries are on a background fabric of fine patterned silk which measures 6" by 15". The floral embroidery is 1.5 x 2" and the couple embroidery is 1.5 x 5". Because of the sizes of the fabric and the sizes and arrangement of the embroiderie...

Pair of black satin weave cotton fabric with white silk satin stitched thread embroidered floral design. very good condition. Each panel measures 7" x 29" Embroidered section measures 4"X 19"

During the Qing dynasty, carved wood blocks were used to produce the ancestor portraits which decorated the homes of many Chinese families. The Chinese translation of the term "ancestor Portraits" can be misleading to Westerners. These were not portraits of the particular family's ancestors. They were portraits of various Chinese officials, emperor, empress, etc. for whom the family wished to show respect and or allegiance.

This stencil is approximately 9" by 9" and has some calligraphy ...

Used for repeated printing of an image onto paper, this carved wooden ink block has the image of Fu Lu Shou, the Chinese God of Longevity. Almost 6.5 x 10 inches...this inkblock makes a nice wall hanging

Clearly made by an adoring grandmother, this antique Dong Minority hat is covered with a variety of ornate embroidery stitches including both wrapped thread and couching techniques. The hat is topped with silver half beads representing bubbles and a large top knot.. It is a bid dirty which would be expected in a childs hat of this age and use.

This textile wallet would have been used to keep sewing supplies Each page is made from heavy hand paper, hand painted decoration and folded in such a way that numerous pockets and flaps are available for storage of small bits of fabric, snipes of thread, needles, etc. the outside of the wallet is covered with homespun fabric which now attests to the age and use of the piece. This wallet is from the Dong ethnic minority of China, and would have been passed down from one generation to another...

This Chinese Door of Hope doll, along with several others, was brought back to the US during the 1920's by the American Baptist Missionary, Rebecca Cloud-Stewart. On one of her many trips back to the US to visit family and friends, she brought the collection of dolls as samples to sell and raise money for the Door of Hope orphanage. After many years in China, Miss Stewart returned permenently to her home in Georgia. During the 1940's and 50's, she would often go to the local schools, lecturing a...