Catalog: Antiques: Regional Art (482)

This was the traditional jacket used by girls of the Yi Chinese ethnic Minority. Girls wore this style until they were married. This garment is small and was most likely worn by a child between 7-10 years old. It is sun faded and has an area of small drip stains on the lower back and is otherwise in good condition...No rips, no tears...2 traditional silver buttons

This finely carved small 3 hole flower (plant) antique Ikebana type vase was sourced in China but design quality is very Japanese...Deeply carved dark dense,finely grained hardwood, possibly walnut, or zitan...feels wonderfully smooth...approximately 5.5 inches x 5.5 inches x 1.5 inches....

This wonderful Edo period antique Japanese tobacco box is made of wood and covered with lacquer which is now seriously aged. In the middle of the lid is small sculptured detail. The box has the original cord and horn tip toggle, and still contains tobacco. Circa 1860's this box is 4.5" x 2.5" x 3" high. It is truly a piece of old ethnographic folk art from Japan's Edo period.

This rare Edo period antique Japanese round box has 3 tiers, lid and plate. There is a column of small Gosan kiri family crests down one side and another column of small family crests on the other side. The inside is of each piece is red orange lacquer. The box fits into the rim of a plate which was use for serving. The gold lacquer paintings designs are all very fine.

The box on the plate stands approx 9.5 inches tall. and is approx 5.5 inches in diameter...

This 18th century Samurai stirrup has intricate overall floral pattern with inlaid silver wire which is somewhat obscured by tarnish. The raised footpad is red Lacquer and has wear mark in the toe area. There is a small break (and hole) in near the rim of the foot pad, which are commsurate with age and use of a Japanese warriors stirrup.

Though somewhat damaged, this Japanese antique doll retains his charm and personality. Dating from the Edo period, he stands 8 inches high...

This traditional embroidered vest was made and worn by the woman of the Miao minority culture living in the Ge Jia region of China generations ago. The textile fabric was hand woven with a specific thread count to allow for the geometric embroidery pattern which was added later.

This ethnographic artifact is a seated ancestor female figure carved from goat's horn. It is from one of the Indonesian Islands by one of the indigenous Dayak tribes.

The horn is in good condition with no chips or losses and stands approximately 6 inches tall.

This set of Chinese dolls were made with wire bodies covered with fabric padding and then silk clothing. Their heads, lower arms and feet are made from some kind of composition material and then painted. Because of their wire construction, their arms, legs, and bodies etc can be carefully repositioned. The feet are wired together to provide a more stable base...it is a theory which frankly does not always work well...

This ornately hand carved hard wooden frame comes with antique Chines lithograph of the summer palace. The frame is approx 8.5 x 13 inches...

Instead of shoes, sandals such as these were worn in villages throughout India. Hand carved from indigenous woods, frequently teak and fitted to the individual wearer. The knob on the toe prevented the sandals from falling off and no other attachment was used.

This antique small iron mortar fits easily into the closed hand was used for grinding medicinal herbs. The pestle is attached with a hand made chain. Sourced from Maharasha, India...great aged patina.

This rare ceremonial Chinese "lock" necklace is Hmong ethnic minority. Made from pure bouillon silver, it over weighs 4.5 lbs. The Hmong Ethnic Minority group range from southern China into Northern Thailand. This piece was sourced out of China to a dealer sometime between 1920-1930. In both Chinese and ethnic minority cultures, the lock necklace acts as a talisman and symbolically "protects" the wearer from ill fortune, much as a lock on a piece of furniture will protect the contents inside...

This Indonesian container would have been carried by a man using the handmade string as a shoulder strap. The "purse" was hand carved out of a local hardwood and both the top and bottom have decorative details.

The container sits stably on it base but can also be hung on the wall as an interesting sculpture artifact.

Approximately 9 inches high, 7.5 inches across and 4 inches deep.

This shell necklace is an ornament from one of the indigenous tribal groups from West Papua New Guinea. Shells were often used as both adornment and currency with these groups. The string/rope is handmade from a plant fiber. As with many items from the tribal groups of New Guinea, it is difficult to put an age on this piece. It is an interesting ethnographic artifact and can be used for display and can also be worn as a necklace. The diameter of the opening is just over 8 inches...

The saddle seat is Leather and decorated with small tuffs of wool yarn and strips of flat metal (presumed low grade silver) which are embed into the leather in an ornate geometric design.

I replaced the tie which secured the front of the seat to the metal saddle tree...the original cord was literally falling apart...Limited research indicates this saddle was from Rajastan India.

This old Indo-Persian Bronze bowl has ornate repousse pattern and is heavily patinated with use and age. The upper rim edge has a few small chips from ages past. The bowl is 4.5 inches in diameter and about 2.3 inches high. The bowl is an artifact from the early 1800'S.

This small hinged metal case is covered with leather and opens to display both red ink pot and personal ivory chop. The person's name on the base of the chop is clearly carved. Leather in old China was very expensive...the owner of this chop must been a person of both status and wealth. The leather shows age but is intact and set is in very good condition. The case measures 2.5" X 1+" This is a rare old piece.