Catalog: Antiques: Regional Art (482)

Used by the bride for wedding this elaborate kingfisher feather crown is a very old and rare piece. The oldest kingfisher ornaments were made by glueing the feathers onto heavy paper. Metal wire was only used to attach pieces together. Both paper and the feathers are fragile, so not many of these old pieces have survived. This one is in average to good condition, some paper loss and some feather loss...

The front of this Tibetan Flint Pouch is decorated with silver and bronze ornamentation and an inset coral bead. The back is decorated with bronze buttons to protect the leather from excessive wear. The pouch still has its original leather strap which would have been used to secure the pouch to the wearers belt.

Flint was an essential and valuable item for nomadic and indigenous cultures and as such was frequently carries in pouch specifically designed for its use.

This antique chinese hat would have been worn for festival by a Yi ethnic minority girl (woman) from the Honghe area. Worn for festival, the "cockssome cap" is elaborately decorated with faceted silver beads. Enlargement 5 shows cock hat as it would be worn. Hat comes with its own custom made stand.

This mini snuff bottle is formed from copper and decorated with brass wire and turquoise. The writting is Mongolian (not Tibetan) and there is one stone missing on each side. The bottle is a scarce 1.25 inches high.

Personal care items with long handles to reach the back...the brush is carved from wood and the back scratcher is carved from bamboo...roughly 22 23 inches long...

The black stone tile has mosaic inlay of mother of pearl Taj Mahal detailed with black pen ink lines. This Anglo Indian Victorian piece from the Raj era would have come from the Visagapatam region of India, which was known for its finely detailed black pen ink designs.

Pristine condition and very beautiful. Measured top to bottom and side to side 6 inches each way...measured point to point 6.5 inches

This apron is from the Huan Xi area and was part of the traditional Miao ethnic minority woman's festival costume. Made from home spun fibers,indigo dyed yarn, it is embroidered with tiny intricate cross stitch geometric design...the ties are also hand woven. The apron measures approx 17 x 17 inches and is in good condition...with a few very light stains which do not show on photo with enhancing...

Instead of shoes, sandals such as these were worn in villages throughout India. Hand carved from indigenous woods, frequently teak and fitted to the individual wearer. The knob on the toe prevented the sandals from falling off and no other attachment was used.

This long home spun background heavy cotton fabric is appliqued with embroideries salvaged from a very Dong minority old Jacket... the corner are accented with long beaded tassels... At great for table runner or shoulder scarf... Roughly point to point 73 inches long and 15.5 inches wide

This pair of Chinese lotus shoes were made by a woman of limited finances. She bought what materials were needed for the vamp and supplemented with the use of rough home spun fabric scraps to cover the shaped heals and soles. The limited amount of expensive gold couching threads outlining the floral embroidery pattern on each side of the shoes indicates that this pair of lotus shoes would have used only for special occasions...

This lacquer serving tray from Burma now called Myanmar) depicts an elaborate palace garden scene populated with nobles in court costumes. The tray is 14.5 inches across. The top surface is somewhat dulled from age end exposure. There is one small area of lost which is irregular in shape, approximately 1/4inch and is locate on toward the rim of the platter and a second area of loss approx 1/8 inch at the widest and follows the curve border rim design for about 1 inch(see pics 2 and 3.

The face of this Japanese Boy's Day Doll, musha ningyo, would certainly scare away any demons...strands of his unkept hair tends to drift across the face, and his costume is elaborately detailed. Without the stand he is 11 inches tall...the stand adds another 2 inches to the height.

Condition excellant with the exception of a couple of small surface paint chips on face reveal white undercoat (clears shown in pictures)

This set of 4 matching Chinese toggles were hand carved from animal bone, probably the vertebra. Each side is carved with an identical design which continues around the side. They are well aged and show both wear and usage. As artifacts from the folk art culture, they were probably carved by the person who intended to use them to secure his personal items. Each piece is approx 1 inch in diameter and .5 inches thick.

Intricately detailed, this miniature scaled model of a japanese tea house was the result of a village folk art craftsman sometime between the late 1890-1920. Each piece is carved from bamboo and is pegged into place. The rice paper shutter doors slide and addition solid shutters are stored in the exterior swinging compartments. The roof is easily removed to reveal the inside which is furnished with an alter, bamboo scroll,flower vase and serving tansu with sliding doors...

nice old one...brass corners for stability... probably owned and used by storekeeper

These 3 small oil lamps were brought back to the US by a Baptist missionary who lived and traveled extensively throughout China. Oil lamps like these were used for light source extensively throughout rural China by poor peasants. Simply made, presumed cut from scraps of tin and soldered into shape.. the lids come off for filling with oil and some original home made wicks remain in place. The tallest is 5 inches high...

This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival. In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also...

This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.

The outer box is 7 inches in diameter and 4 inches high...

This Tibetan shrine shaped gau (aka prayer box) is actually a religious shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Diety. These statues were made only by the monks and considered to be a holy relic...

Manchu women never practiced foot-binding. However, during the Qing dynasty, they did wear pedestal aka platform shoes, hoping to give the appearance of smaller feet. These shoes would give the woman a more careful walk which was perceived as dainty and more sensual. In addition, the tips of the shoes would appear to peak out from under the robes, giving the foot more dainty appearance. These shoes are embroidered on both sides with a floral motif...

Women of the Miao Chinese minority did not cut their hat...when the hair was worn "bun Style" on the top of the head, the comb would be positioned horizontally, with the tynes pushed under the "bun"...and the silver dangles would hang down...the actual "comb" is hand carved and covered with silver for decoration...

These antique Chinese hat stands are carved from an unknown wood. Their interlocking parts can be separated easily, so they may have been designed for traveling. They can be sold separately or in groups and used to "show off" your hat collection or as interesting artifacts of Qing dynasty culture.

The hat stand on the left side comes apart into 2 pieces and stands 11" high.

The stand on the right also comes apart into 3 sections with 2 pieces in each section. This stand is 12" tall.

This small Chinese hand made purse would have been made by a woman for her personal use or possibly as a gift to a female friend. It was made using cotton background fabric and hand embroidered with silk thread on each side. The butterfly and floral motifs were made with silk thread using a combination of satin stitches, chain stitches and couching embroidery techniques.

It is a charming example of a Chinese woman's needlework and is in excellent condition...

This antique pipe has burl wood bowl with silver filling (one ring missing) and a horn mouthpiece which has obviously been well used. There are a few short residual threads from what was probably originally a tassel. It is a wonderful ethnographic relic of folk art.

Japanese Lady's Dressing Box Meiji Period. The front and lid are decorated with wood marquetry inlays.The doors have inlays of MOP and assorted stones depicting birds etc. Lots of drawers, original hardware..(sorry, no key) box is 17 x 14 x 7 inches. back and sides are painted black

This Chinese antique wood carving was possibly part of an architectural structure or possibly from a piece of furniture. The wood is approximately 1.3 inches thick and retains much of the original finish though it is obviously worn in some areas. The tradition carvings of 2 dragons chasing the pearl is very well done. The piece is about 5 inches high and 17 inches long.

Set of 5 matching Qing Dynasty ivory rings carved with dragons circling oval shaped pearl. one ring has stain...

This antique Chinese box would have been used during the Qing dynasty, possibly by a scholar or shop keeper. The bottom of this box has covered compartments for seals, chops,calligraphy brush, ink sticks and a built in inkstone. There is an abacus built into the lid.

The original hinge pin was lost and has been replaced. The box was made with large dovetail joints and from a hard wood of unknown origins. The outside is dirty and I have not cleaned it...

this antique pair of lotus embroidered lotus shoes are most likely from northern china. the vamp is a quilted cotton fabric. Each shoe is embroidered with the same floral design on both sides. The shoes were used and show some soiling on the vamp and the soles are slightly worn and dirty.

This Meiji period Japanese netsuke is hand carved and represents a mask of Okame aka Ko-omote the young girl of the Noh theater. Material appears to be ivory.

This 18th century Samurai stirrup has intricate overall floral pattern with inlaid silver wire which is somewhat obscured by tarnish. The raised footpad is red Lacquer and has wear mark in the toe area. There is a small break (and hole) in near the rim of the foot pad, which are commsurate with age and use of a Japanese warriors stirrup.

This is the 3rd of 4 small individual antique Chinese carvings which I am listing separately. This one looks like Shou Lao the Chinese god of longevity, who was often represented along with the immortals. Each has a peg on the bottom which fits into the own homemade stand

Tibetan Buddhist monks Hand made folded paper with text and amulets. one side mostly with text and amulets on lower section. other side drawn amulet drawings with text This piece was from a collection gathered in Tibet in the late 60's..aged conservatively from the 1800's

Old Chinese hand carved wooden mask depicting legendary king of old China. Face was gessoed and polychrome painted. 15 inches x 14 inches wide and 6 inches deep. some areas of chipped and worn paint consistent with age

Bamboo Vests were used as undershirts under silk garments. They served the duel purpose of allowing some air circulation and protected the silk garments from body oils. These vest were fragile and they have become very rare and hard to find. They were made with small pieces of bamboo which are literally strung together to form a garment. This bamboo vest is a particularly nice one. It was constructed of very small bamboo pieces, the edges of the garment are bound with a thin band of linen fab...

This is one of 2 hexagonal shaped tea cannisters which I have listed separately. This one has an incised scene of a mature bird on one side. The other side has 2 sentences from the famous Tang dynasty poem by Lu Tong. The bamboo has darkened considerably with age.

This cannister style caddy is from an estate in the US...Both the Chinese and Japanese used this shape tea cannister and Lu Tongs poems were also highly regarded in Japan, so it is possible the these tea caddies are Japanese in o...

Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.

This old drum from Nepal was used for festival and carried in parades. The man would use the left hand to hold the drum by the handmade ropes across the back of the drum. He would use the right hand to strike the drum skin. The chains and metal bits hanging from the bottom would add an extra "jangle" sound while drum moving. Clearly made as folk art instrument, the drum is somewhat out of round and about 18" at the widest diameter.

This Chinese doll was made with a wire body covered with fabric padding and then silk clothing. His heads, lower arms and feet are made from some kind of composition material and then painted. Because of his wire construction, his arms, legs, and body etc can be carefully repositioned. The feet are wired together to provide a more stable base...it is a theory which frankly does not always work well.

This doll is approx 10 inches tall in standing position and is wearing a "raincoat" ...

Needles were a valued woman's sewing tool and were carefully secured in a special case hanging from the belt. This Chinese silver needle case has 6 sides, each with a delicate repousse floral design. The bottom is weighted with a small turquoise and larger amber bead.

Carved from a single block of hardwood, this Chinese drum has great patina aged surfaces. An old folk art instrument, it shows the wear of use during many musical performances at chinese operas and street festivals. When "beaten" with its accompanying drum stick, it has a deep attractive sound.

the woman of many Chinese Ethnic Minority groups did not cut their hair. It was often worn on the top of the head in a bun,and sometimes intertwined with lengths of an ancestors hair for added protection from evil spirits.

The hair was often (especially for festivals) decorated with added silver ornaments and/or hairpins.

This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet.

The Tibetan Buddhists used the gau as a prayer shrine usually placed on a special shelf in the home along with any other religious relics o...

The saddle seat is Leather and decorated with small tuffs of wool yarn and strips of flat metal (presumed low grade silver) which are embed into the leather in an ornate geometric design.

I replaced the tie which secured the front of the seat to the metal saddle tree...the original cord was literally falling apart...Limited research indicates this saddle was from Rajastan India.

This old Chinese container would have been used by a poor farmer or fisherman to carry his lunch, and tea while he was off working for the day. The main container has 2 sections and there is an additional rimmed tray which fits just inside below the tightly fitted lid. All 3 pieces are made from very tightly woven from 2 different types of plant materials.

Roughly 9 inches x 9 inches x 4 inches, with a richly patinated surface, this container is a wonderful ethnographic artifact from anot...

This is the second of 4 small individual antique Chinese carvings which I am listing separately. I had always assumed them to be 4 of the eight immortals but upon close inspection, I am now not sure which gods, ancestors or legends they represent. Each character stands with its own faithful foo type dog and carries an implement of some kind. Each has a peg on the bottom which fits into the own homemade stand. This character stands 5.75 inches x 3 inches wide and 1 inch thick. The stand adds ...

This is a charming stoneware Japanese bowl censor from 1750. It fits perfectly into the hand carved wooden stand which was probably made for the incense burner around 1900. There are no makers marks on either the bowl on the stand for identification. Covered with a thick matte gray white glaze with iron flecks and decorated solely with 3 button tabs below the rim, the censor is a wonderful early example of Japanese mingei stoneware ceramics.

This knife sheath would be hung from the woven shoulder strap by the hill tribe hunter. This one was brought back from the border region by a friend. Now heavily patinated with use and age, it was beautifully hand made many years ago and was both light weight and serviceable. It is a wonderful artifact of an age and culture that is rapidly disappearing.

Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes

This antique Chinese rectangular serving tray is elaborately inlayed with Mother of Pearl. The ornate MOP design covers the surface of the tray and also goes about the exterior face of the narrow rim. Wood is most likely ebony and tray dates from mid 18th century.

Condition: All the MOP inlay is intact but there are numerous tiny nicks and chips in the surface finish on the inside and outside edges of the rim surround. Most of these nicks can only be seen when the edges are caught in a spe...

This Indonesian container would have been carried by a man using the handmade string as a shoulder strap. The "purse" was hand carved out of a local hardwood and both the top and bottom have decorative details.

The container sits stably on it base but can also be hung on the wall as an interesting sculpture artifact.

Approximately 9 inches high, 7.5 inches across and 4 inches deep.

This is a Tibetan Ritual Celestial Crown also know as a Diadem or Ringga. It is worn by a necromancer or oracle during rituals. The "crown" consists of 5 separate paintings on paper and each painting is backed with thin cardboard for stiffness. The sections are connected with string. When worn, the crown is tied around the head with string. The sections are painted with the five Dhayani, celestial Buddhas, each painted with his traditional color and gesture. Each section is 4 wide by 6.5 h...

This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...roughly 3x 4 inches

These Chinese woman's Lotus shoes are from Shanxi province and are from the mid 1800's. In Chinese culture, to have, wear or use something from an ancestor (parent, grandparent,etc) was considered as a talisman and gave an element of protection to the user. This pair of lotus shoes was passed to a younger generation whose embroidery skills were, well, not as advanced as the original maker. But clearly the child left her mark on the shoes with the added embroidery of the birds etc.

Barely used, this baby head cover was once attached to the upper part of a baby carrier so that it could be raised around the baby's head to protect it from the hot sun during a festival. Hand batiked with hand embroidered details, the border is decorated with rows of the tiniest hand stitching. measures 13.5 x 14.5 inches

I was thrilled to acquire this rare Mongolian textile. Utilizing all couching embroidery technique on red wool fabric, it depicts 2 golden dragons chasing the sun. The condition of this piece is remarkably good condition for its age, showing 2 small areas of repair on the top corners. It measures 40" long by 18" from the top to the bottom tip of the tasseles

This Chinese golden colored Sha-green is large by shagreen standards...it spans almost 7 inches at the longest point front to back, and stands just over 3 inches high. The top clearly has some scuffs and loss to the hide, which for me enhance the beauty of the box. The box is hinged at the back and the inside is lined with leather.

This Qing Dynasty scroll is a kossu woven silk tapestry (kesi is the Japanese term) meticuliously depicts the famous Chinese painting scroll by Ding Yunpeng called The White Horse Carrying Sutras. The original painting was done in 1625 and illustrates the story of the 2 monks who traveled through Western China with a white horse carrying the Buddhas Scriptures. The original hangs in the National Palace Museum (Forbiddon City in TaiPei).

The kossu textile is in excellant condition. It is sur...

This beautiful antique short strand of beads would have been carried in the pocket and taken out for ritual religious prayer...2 spacer counter beads are honey amber and the 3rd is red coral...

This traditional antique basket purse was made and used by the men of the tiny island of Balika,Indonesia. The patina shows both the age and the wear pattern. This is one of a pair of "old purses" which were brought back to the US by an Anthropology intern who spent a summer studying and documenting the lives of the islanders in 1980. The condition is very good and the piece measures 16" high by 12" wide and 4"