Catalog: Antiques: Regional Art (463)

These Chinese long wooden bobbins were used for winding thread for routine sewing chores. As a household tool, used by generations of women within the family, they were hand carved and painted with the continious use in mind. Inside each bobbin there is a small bead which freely moves back and forth and acts as a noise maker when the bobbin is in motion...or falling to the floor.

A must have for any lotus shoe collector. This iron was used for pressing lotus shoes. The thin curved end was useful for getting into the toe area. Made of iron, it is somewhat rusty-i.e. pleasantly aged. Length tip to tip is 13"

Only a wealthy Chinese woman would have been able to own this rare antique silk headband. Decorating each side of the headband are mirror images of an ornament depicting a bird and using the prized Kingfisher bird feathers. Intergrated with each kingfisher bird ornament is a finely embroidered bird on a branch.

This antique Chinese silk dragon court vest is couched with silk thread embroidery designs of dragons, birds, flowers, clouds etc. and accents of gold bouillion thread. Vest shows some minimal wear and is in overall good condition.

The vest dates to the mid 19th century and has a front rank badge with bird facing the wearers left shoulder. This indicates that the original owner was the wife of a civil official...

This Chinese ethnic child's hat has wrapped thread embroidery technique which was used by the Miao the Miao minority. The set of silver ornaments across the from are Buddha images. the The ornament in the back is a stylized butterfly of Miao Legend...the dangle of bells at the back is to scare off evil spirits who would attack the child from the rear..This hat is old and in surprisingly good condition

This unusual hat stand is made of 2 very thin interlocking pieces which were black lacquered and painted with a floral and peach motif.

This antique small iron mortar fits easily into the closed hand was used for grinding medicinal herbs. The pestle is attached with a hand made chain. Sourced from Maharasha, India...great aged patina.

This antique Japanese Marquetry box is a good example of the meticulous craftsmanship and attention to detail that marked the Japanese Meiji Period. The sides of the lid have scalloped opening which ease the removal opening of the box which was probably designed for glove storage. 10.5 x 3.5 x 3.75 inches

Lovely hinged old metal box with top depicting central figure of seated Quan Yin flanked with flying angels. All 4 sides of the box also have ornate filigree and stone work. Measures 7 x 3.5 x 1.25 inches. All metal work and stone work is intact but there are a few dents on the bottom of the box

This pair of Chinese lotus shoes were made by a woman of limited finances. She bought what materials were needed for the vamp and supplemented with the use of rough home spun fabric scraps to cover the shaped heals and soles. The limited amount of expensive gold couching threads outlining the floral embroidery pattern on each side of the shoes indicates that this pair of lotus shoes would have used only for special occasions...

The face of this Japanese Boy's Day Doll, musha ningyo, would certainly scare away any demons...strands of his unkept hair tends to drift across the face, and his costume is elaborately detailed. Without the stand he is 11 inches tall...the stand adds another 2 inches to the height.

Condition excellant with the exception of a couple of small surface paint chips on face reveal white undercoat (clears shown in pictures)

This old Japanese Noh theater mask has the expressive face of an old man. The mask is carved from paulownia wood and dates to middle Edo period, around 1750. The patina is wonderful.

Mask measures approx 8 inches high and 6 inches wide

This traditional tribal comb would be worn for festival by Yao ethnic minority woman of Southern China. The comb was carved from sections of bone which are held together with twining technique. The bone sections are inked with design pattern. The comb alone is 5.5 inches long and 3 inches wide. The combined length with the pompom and tassels is almost 12 inches long

The only differences between this matching pair of Japanese woman's hair combs are the very slight details in the hand-painted design and the size and spacing of the tines. The finely detailed lacquer design was painted in 3 shades of gold. Unfortunately the minute details, flower petals and tree knots are hard to see in the photos.

This pair of black silk lotus shoes date to the late Qing Dynasty. Back then, a woman's job was to make shoes for the members of her family. This woman was from a financially comfortable family with servants to do other household chores. Making this pair for herself, she choose a black silk satin fabric for the vamp and made an elegantly sloping sole which would accommodate separate inter changeable heels to be attached...

This antique Chinese box would have been used during the Qing dynasty, possibly by a scholar or shop keeper. The bottom of this box has covered compartments for seals, chops,calligraphy brush, ink sticks and a built in inkstone. There is an abacus built into the lid.

The original hinge pin was lost and has been replaced. The box was made with large dovetail joints and from a hard wood of unknown origins. The outside is dirty and I have not cleaned it...

Carved from animal horn this eyeglass case dates to the Qing Dynasty. What appears to be the original cord allows the case to be hung on a belt...The original toggle was replaced sometime (probably in the 50's) with current blue toggle...

This small old Chinese wood sculpture of a mounted horseman is probably of famous warrior or legendary character. Carved from wood and painted the horse and rider are fixed to the original wooden stand. Original paint with some loss and one arm missing. 6 inches high including stand and a charming artifact of centuries past.

Nicely detailed winter well worn Lotus shoes complete with heal flaps and straps...

During the Qing dynasty, an essential part of the Chinese woman's costume was the doodoo, which was worn covering the chest. This one is fine silk with lovely embroidery and is lined with traditional blue silk. It measures 16 inches across and 17 inches high. excellant condition

These 6 antique Chinese needlework implements were brought to the US by the American Baptist missionary Rebecca Cloud-Stewart. They range in size from 3-6 inches long...

This antique traditional Chinese pocket size opium scale comes in its original wooden case. Dating to the Qing Dynasty, the case contains all the original implements needed to weight gold and other precious metals and/or opium: a brass pan, a weight, and an ivory balance beam marked with 2 different weight calibration gauges. The wood case measures roughly 7 inches long and the ivory beam is 6 inches long.

This hand carved panel is from a Chinese Buddhist Temple erected around 1860. The panel is deeply carved with a scene which takes place at the foot of the sacred mountain. Bits of mother of Pearl are inlaid into the mountain and is also used to highlight a few costume details.

This panel was used as an architectural element and has the mortise cuts in the top which were used to hold the panel in place. It is one of a pair of panels which were taken from the temple...

This wonderful pair of lotus shoes are typical of boots from Shandong. They have a black cuff with hand-embroidered butterfly motif and the remanents of a thin pink woven band. The blue vamp is somewhat faded toward the front of the boot and has delicately embroidered butterfly on each side. The soles have worn leather heels. The inside silk lining is bright pink and in very good condition.

This lacquer serving tray from Burma (now called Myanmar) depicts has a central medallion with a mythical Burmese creature, a chinthei, surrounded with 12 individual vignettes depicting children and other creatures. The tray is 19 x 11 inches with a rim 3/4 inches high. The top surface is somewhat dulled from age and exposure.

Cocks and dragons are the predominate design elements of this colorful antique Japanese obi... Family crest of golden thread on the end. Heavy silk brocade, in beautiful condition

The 5 musicians from palace set of Girls Day Hina Dolls...the 2 musicians in the rear are are seated on stools are each 4.5 inches tall. The 3 seated on the floor are 3.5 inches tall

This antique Burmese betel nut box contains matching serving tray and 4 small containers. The side of the box is circled with an excellent example of the Burmese schwezawa technique of gold leaf in a striking swirling chu-pan foliage design. The top has a lively chinthe, a traditional Burmese stylized "lion" figure with a vine and leaf foliage border.

The outer box is 7 inches in diameter and 4 inches high...

This old Chinese hand made carpenters tool would have been used as a snapline just as the western metal chalk box and line are used today. Such tools were often hand made and passed from father to son for generations. This particular one has a small antler for a plumbob.

This Indo-Persian antique silver repousse lidded container box was probably intended for cosmetics. The elaborate design work is flawless and the attention to detail were hallmarks of luxury items made during the late 19th century in both India and Persia. There are 2 makers marks and some scratches on the bottom of the box. See picture

The box is 3.5 inches in diameter and is 1.5 inches high

This small Chinese hand made purse would have been made by a woman for her personal use or possibly as a gift to a female friend. It was made using cotton background fabric and hand embroidered with silk thread on each side. The butterfly and floral motifs were made with silk thread using a combination of satin stitches, chain stitches and couching embroidery techniques.

It is a charming example of a Chinese woman's needlework and is in excellent condition...

The Chinese ethnic minority Miao are very fond of silver and would use any festival to display their ornate silver jewelry. This dragon necklace was used by a young girl child from one of the many Miao villages around the hills of Kali. The pendent is 6.5 inches wide, childs' size, but the decorative chain is long enough for an adult to wear. Because the pendent is hollow, it is comfortable to wear. As one moves, the necklace makes a soft tinkling sound.

This Japanese pipe case, aka kiseruzusu, and matching sagemono, aka inro, are of burl wood and held together with ojime cord and a sliding bead coral

All along the four edges of this bone toggle, there is a carved circular pattern design. This pattern is very similiar to a Yao Ethnic Minority pattern and would be unusual in a Han piece.

The last picture enlargement shows how the toggle would have been used to secure the cords of a hat. The bead would be moved up the cords so that the toggle would be tight under the chin...

Each band of this pair of very fine silk embroideries have 2 sets mirror images: one set of floral motif and the other set of a couple celebrating. Both sets use satin stitch, french knot (aka forbidden stitch) and couching embroidery techniques. The embroideries are on a background fabric of fine patterned silk which measures 6" by 15". The floral embroidery is 1.5 x 2" and the couple embroidery is 1.5 x 5"...

Beautifully patterned horn chop with its horn seal box. The remenants of red ink indicate that this seal was used for official documents. The box has a slide top which closes tightly.

This Chinese lady's purse was made with silk satin fabric and hand embroidered with silk thread using a satin embroidery stitch...

This Chinese golden colored Sha-green is large by shagreen standards...it spans almost 7 inches at the longest point front to back, and stands just over 3 inches high. The top clearly has some scuffs and loss to the hide, which for me enhance the beauty of the box. The box is hinged at the back and the inside is lined with leather.

This traditional Chinese woman's headband was made and worn during the Qing Dynasty toward the end of the 19th century. It has an applique embroidered butterfly on each end and a large full kingfisher feathered medallion in the center. The lotus shaped kingfisher is 4 inches x 2 inches. The entire headband in 16 inches in length.

The outside of this antique perfume bottle, from Afghanistan, is covered with silver metal which has a detailed, etched and fire polished design. The bottom of the bottle reveals it lapis lazuli interior liner...bottle is approximately 4 inches tall

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

This charming pair of old Chinese lotus shoes were made from a sturdy cotton fabric and embroidered with cotton thread. The lack of silk matterials would indicate that the maker/wearer was probably from a less afluent family. The soles indicate are well worn but the vamps are in very good condition.

This antique carved wooden temple Buddha retains much of his original gilded paint. He sits on a tall base covered with the old Mon Khmer script which had been formed by scratching through the golden paint. The Buddha's head is topped with a stupa-shaped "flame" called usnisa, which symbolizes the realization of Nirvana. Perhaps that explains the soft smile and meditative expression on his face. He appears to be a Buddha from the Tai Lue ethnic group in Burma, the country currently known as...

This Tibetan gau (aka prayer box) is actually a small shrine. When not being worn as an ornament during festivals, it would be kept in the prayer niche of the family home. The back of the box slides open. Frequently, a special prayer i.e. sutra pages would be placed inside. The small glass window at the front displays a Tsa tsa, which is a clay statue of a Buddhist Deity. These statues were made only by the monks and considered to be a holy relic. This antique gau has a front piece of silv...

Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes.

Woven from wide bamboo strips, this lidded container was used for storing tobacco. Basket weaving was a traditional folk art throughout southeast Asia and most rural families relied on their own basketry skills to provide themselves with life's necessities.

This slightly miss-shaped container stands 8 inches tall and has the charm and patina which comes only with repeated use and age.

This is one of 4 small individual antique Chinese carvings which I am listing separately. I had always assumed them to be 4 of the eight immortals but upon close inspection, I am now not sure which gods, ancestors or legends they represent. Each character stands with its own faithful foo type dog and carries an implement of some kind. Each has a peg on the bottom which fits into the own homemade stand.

This character stands 5.75 inches x 3 inches wide and 1 inch thick. The stand adds anot...

For festivals including her wedding, a Yao girl of marriageable age would wear the traditional "celestial crown" clipped to her hair on the top of her head. This traditional ornament was common among the Yao of Laos, Thailand and China's Yunnan Province. Upon reaching puberty, the Yao girl would be expected to make her own crown following traditional patterns and methods of her local region. For some, the celestial crown would be worn as daily ornament, while other Yao groups would reserve the ...

This antique Chinese hat would have been worn by a child and probably made and embroidered by a grandparent. This hat is old and has unusual silver ornaments in the front. Condition is pristine with the exception that the large round silver ornament decoration is missing 2 small prongs, and the silk ribbon bordering the extension of the wind cover for protecting the back of the childs neck also has some deterioration areas.

The variety and types of embroidery stitches on this antique Chinese hat are old typically Miao minority. Probably done by dotting grandmother. The silver ornaments, the butterfly, the bubbles are symbolic of the Miao myth regarding the birth of the human race. The hat shows some dirt but is otherwise in good condition.

This ethnographic artifact is a seated ancestor female figure carved from goat's horn. It is from one of the Indonesian Islands by one of the indigenous Dayak tribes.

The horn is in good condition with no chips or losses and stands approximately 6 inches tall.

This old Japanese hand made sack (basket,bag) was made by a rural farmer or fisherman out of cotton cording. Handle holes were worked into the upper band which would have allowed for the changing of worn out handles. There is obvious wear and fading from use and age. The bag measures almost 11 x 15 inches It is Wonderful old ethnographic example of rural Japanese textile folk art

Beautifully carved powder horn from Chinese Miao ethnic minority over 90 years old from Guizhou Province. The underside of the horn is full of old writing. Unfortunately, no one can read the old writing. Around the turn of the century the forests around the Miao villages were full of game and the men would frequently hunt for game to provide family meals. Unfortunately, most of the game has diminished and many of the hunting skills are forgotten.

A properly dressed Chinese woman would wear a pair of leggings to cover her lower legs from the bottom of her skirt to the top of her lotus shoes. The leggings would be tied into place with a hand woven sash made specifically for that purpose. These lotus shoe accessories are now rare and very hard to find. See my listing TC236 and ZTC233. This pair of leggings are of very fine red silk damask weave fabric with ribbon and silk embroidered trim at the cuffs.

This charming round Japanese antique serving tray is 11 inches in diameter. A delicate gold leaf design is painted around the outside tray rim and extends down onto the 3 shapely legs. The top edge of the rim is gold and separates the outside black lacquer from the traditional red/orange lacquer interior of the the tray. The red, black and gold lacquer paints are somewhat dulled with age and exposure. An old type written label on the bottom of the tray dates the tray to 1830. Personally I wo...

This Chinese pinafore style garment would have been worn by a small girl child of the Dong ethnic minority in Shui Kou. Fabric is handwoven from cotton fiber, hand stitched with intricate decorative applique work and hand woven snowflake pattern ribbon accents the border. No rips, no tears, and no holes...but this piece is old and has been worn and is a bit "dirty".... and still has its original ties. It is 14 inches wide and 21 inches long...great ethnographic textile for framing.

This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet.

The Tibetan Buddhists used the gau as a prayer shrine usually placed on a special shelf in the home along with any other religious relics o...

This is the second of 4 small individual antique Chinese carvings which I am listing separately. I had always assumed them to be 4 of the eight immortals but upon close inspection, I am now not sure which gods, ancestors or legends they represent. Each character stands with its own faithful foo type dog and carries an implement of some kind. Each has a peg on the bottom which fits into the own homemade stand. This character stands 5.75 inches x 3 inches wide and 1 inch thick. The stand adds ...

Carved from a single block of hardwood, this Chinese drum has great patina aged surfaces. An old folk art instrument, it shows the wear of use during many musical performances at chinese operas and street festivals. When "beaten" with its accompanying drum stick, it has a deep attractive sound.

This old drum from Nepal was used for festival and carried in parades. The man would use the left hand to hold the drum by the handmade ropes across the back of the drum. He would use the right hand to strike the drum skin. The chains and metal bits hanging from the bottom would add an extra "jangle" sound while drum moving. Clearly made as folk art instrument, the drum is somewhat out of round and about 18" at the widest diameter.