Catalog: Antiques: Regional Art: Asian (459)

The variety and types of embroidery stitches on this antique Chinese hat are old typically Miao minority. Probably done by dotting grandmother. The silver ornaments, the butterfly, the bubbles are symbolic of the Miao myth regarding the birth of the human race. The hat shows some dirt but is otherwise in good condition.

Several of the Southeast Asian hilltribes from the "Golden Triangle" region would practice tattooing as body art and religious ritual. This Burmese tattoo tool with the figure head was used to scratch the skin surface and apply the dye.

Charming eggshell thin hand-painted scenic porcelain in excellent condition..makers mark on bottom of both cup and saucer

Ornately detailed Meiji period hard to find pair of imperial archers for palace display Girls Day Hina Dolls. 5.5 inches high to the top of the head...

These 6 antique Chinese needlework implements were brought to the US by the American Baptist missionary Rebecca Cloud-Stewart. They range in size from 3-6 inches long...

This baby carrier is from the Miao ethnic minority of Qui Yang. Characteristic of the antique Miao baby carriers from this area, the surface decoration is composed of very tiny cross stitches which form geometric embroidery pattern which, to Western eyes, resemble snowflakes...

This small Japanese case was most likely used for eyeglasses by a wealthy woman. The fine cloisonne work on both sides has slightly differed medallion patterns. Bird one one side butterfly on the other...There is s small sing (with lose on the bird side towards the edge...and the ding goes through to the inside of the case...piece is priced considering the damage...

This small embroidered wallet style purse would have been used by a traditional Han Chinese woman to carry coins during the Qing dynasty. There are pockets on each side of the purse. And the all satin stitched embroidery is also on each side of the wallet.

This pair of sleeve bands is made of black cotton satin weave fabric with very delicately stitched floral motif embroidery. Each panel measures 6" x 26" with embroidered area measuring 3" x 9"

This 8" high wooden figure of the sitting Tenjin was carved during the Edo period, the mid 19th century (1850). Tenjin is the Japanese "god" name name given to the Japanese statesman and scholar, Sugawarea Michizane, the 9th century poet and writer of Chinese prose and verse.

Possibly carved from cryptomera wood and darkened with age, this carved figure has both a simplicity and elegance which are, for me, the major characteristics of Japanese asthetics.

During the Qing dynasty, an essential part of the Chinese woman's costume was the doodoo, which was worn covering the chest. This one is fine silk with lovely embroidery and is lined with traditional blue silk. It measures 16 inches across and 17 inches high. excellant condition

This open hanging letter box is covered with beautifully detailed scenes painted in shades of gold on black lacquer. Late 1800's ...small chip at edge of scallop top right side ( last pic)

This old relic field marker was dug up by a friends father while doing archaeological research (i.e. digging up fields) in China years ago. For centuries, during planting,such markers were commonly buried in the fields as a talisman for a bountiful harvest. It is made of clay, high fired stoneware, and has a few chips missing...as to be expected after being buried in a field.....

This antique small iron mortar fits easily into the closed hand was used for grinding medicinal herbs. The pestle is attached with a hand made chain. Sourced from Maharasha, India...great aged patina.

This old Japanese Noh theater mask has the expressive face of an old man. The mask is carved from paulownia wood and dates to middle Edo period, around 1750. The patina is wonderful.

Mask measures approx 8 inches high and 6 inches wide

This Chinese pinafore style garment would have been worn by a small girl child of the Dong ethnic minority in Shui Kou. Fabric is handwoven from cotton fiber, hand stitched with intricate decorative applique work and hand woven snowflake pattern ribbon accents the border. No rips, no tears, and no holes...but this piece is old and has been worn and is a bit "dirty".... and still has its original ties. It is 14 inches wide and 21 inches long...great ethnographic textile for framing.

This unusual small triangular shaped snuff bottle 2 of the 3 sides of the piece have carefully repouse Tibetan symbols..no makers marks...a few tiny dents ...no loss. It was brought back from Tibet by a man who went on a long walkabout from Istanbul to Tibet back in the late 60's...China was not open at the time...and Tibet ..he traveled with a backpack,limited space,few small momentoes and he was picky...old pieces only... bottle is approx 1.75 inches high

The gently domed top of this incense box is decorated with a traditional painting of crane diving for fish over sea rock. The sides of the box lid have scalloped indents to allow for easy opening. Box is 5+ inches x 3+ inches X2 inches high.