Both the wooden front and back covers of this Buddhist Sutra book are hand carved with different symbols. The numerous text pages are beautifully written with rich black ink with specific words written in red ink. The book still has its original leather binding strap.
This Tibetan sutra book approximately 12 inches wide, 4 inches tall, and 2 inches thick. Though the pages are in good condition, the covers show years of wear and use and is a wonderful artifact of an old culture.
The bone of this hair pin has carved series of circles and a very delicate cross hatch pattern. The top is decorated with strands animal hair. The hair pin is 7.5 inches long. This hair ornament is Naga, which is an indigenous tribal culture in the hills of the north east region of India.
This small hand painted picture on cloth, called a Tsakli was used for Buddhist religious instruction and rituals in Tibet. The back of the card has Tibetan writing...Obvious condition issues...This card and others listed on this site were all antique cards when they were brought out of Tibet in the 60's...roughly 3.75 x 3.5 inches
This Buddhist figure was cast in bronze and sewn into a leather case. It would have been carried in a pocket or worn hanging about the neck by the leather thong...a personal amulet or talisman meant for protection. Good condition, 4 the case in 4 inches high and 3 inches across at the widest point.
Lovely hinged old metal box with top depicting central figure of seated Quan Yin flanked with flying angels. All 4 sides of the box also have ornate filigree and stone work. Measures 7 x 3.5 x 1.25 inches. All metal work and stone work is intact but there are a few dents on the bottom of the box
This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival.
In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also...
The shape of this antique pendant is a Dharmachakra or "wheel with 8 spokes", which is one of the eight auspicious symbols of Tibetan Buddhism. Eight oval shaped turquoise surround a ninth turquoise stone, with each stone set in a silver bezel on a silver backing. When mined, turquoise is a soft stone, and all old stones were set into a bezel for protection. Later stablization processes were used so that bezels were no longer required...
Tibetan Buddhist monks Hand made folded paper with text and amulets. one side mostly with text and amulets on lower section. other side drawn amulet drawings with text
This piece was from a collection gathered in Tibet in the late 60's..aged conservatively from the 1800's
This Tibetan talisman has a sealed leather herb bag hanging on each side of a small bronze sitting Buddha which is also displayed in a leather casing. The Buddha is depicted as holding a small bottle. All 3 pieces are hanging from a matching leather strap so that it could be worn around the neck of the individual.
Beautiful antique silver bracelet from Himalayan region, my best quess is Nepal. Six Lapis Lazuli stones set in convex curve with etched leaf design that covers the background of the bracelet. Hinge and pin opening gives easy on and off usage.
Nice weight, no marks, width is 1.25 inches, each stone is .5 inches by .75 inches, nice weight, excellant condition, no dings, no dents
This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.
Lovely old pair of matching Tibetan tea bowls. Carved from burl wood with silver/metal decoration around the foot and silver liner inside the bowls.
bowls are roughly 2 inches high and 3.75 inches diameter across the rimmed bowl
This traditional small leather purse would have been used as an ornament and hung from a belt by a Tibetan woman during festival. It is heavily decorated with silver metal, turquoise and coral beads. This is an old one and is in excellent condition.
This face-sized antique mask of a shaman or Buddhist priest is from Tibet. The hand carving is both delicate and simple, with chisel marks showing on the back of the mask.
This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...
This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...
This old Tibetan pouch would have been worn for festival both for decoration and coins...it is not a flint strike...clearly it has been used (probably passed from generation to generation)...decorated with coral and turquoise...a few metal enhavcements are missiog...
Hanging from the belt on a leather strap, the stylized milking hook was the essential item of ornamentation for any Tibetan woman properly dressed for a festival. Surrounding the hook surface is a heavy etched silver band. The bronze/brass hook has is etched with markings and is inset with 5 large beads, set in silver bezels. The original leather strap shows lots of wear.
These ceremonial hooks have become hard to obtain...