The front of this Tibetan Flint Pouch is decorated with silver and bronze ornamentation and an inset coral bead. The back is decorated with bronze buttons to protect the leather from excessive wear. The pouch still has its original leather strap which would have been used to secure the pouch to the wearers belt.
Flint was an essential and valuable item for nomadic and indigenous cultures and as such was frequently carries in pouch specifically designed for its use.
This elaborate woman's dress bodice is from Afghanistan, formerly Baluchistan. The fabric was first elaborately embroidered with an applique of thin strands of braids. Then it was heavily decorated with coins and beads.
Hanging from the belt on a leather strap, the stylized milking hook was the essential item of ornamentation for any Tibetan woman properly dressed for a festival. Surrounding the hook surface is a heavy etched silver band. The bronze/brass hook has is etched with markings and is inset with 5 large beads, set in silver bezels. The original leather strap shows lots of wear.
These ceremonial hooks have become hard to obtain. The hook alone measures 5.5 inches long and the strap adds anothe...
This Chinese hair comb was hand carved from a beautifully "grained" translucent animal horn.
Obtained from an ethnic minority person, the pair of ducks carved into the handle were commonly used by mainstream Han Chinese as a symbol of a long and happy marriage. Items with this symbol would often be gifted for an anniversary.
This hand carved wooden comb belonged to a Miao Chinese minority women with limited means.
Comb would have been worn horizontally between the top of the woman's head and under the twisted bun of her hair. Comb is decorated with symbols which a burned into the wood. comb is 5 x 4 inches
This shoulder bag was made and used by the Hmoung women of northern Thailand. It would carry all the traditional items which would have been commonly found in a woman's purse. The bag fabric was hand loomed from the indigenous plants and then embroidered using traditional cross-stitched with geometric patterns. Beads, silver ornaments and tiny pompoms are added for decorative enhancement of the bagface. This piece is in good condition.
This Many Westerners have been told that the Miao et...
These 6 barefoot maidens are elaborately costumed in traditional ethnographic clothing lots of bangles with bangles, and each is playing a different instrument. They stand approximately 8-9 inches tall. a few are missing a bangle and a few have very small dents in the metal work...metal is assumed to be very low grade silver tin combination.
Decorative dolls such as these were made as a traditional folk art in India for a couple of centuries...
The groups of Yao minority live in in both China and Thailand. This necklace is of low grade silver which was typical of the Chinese jewelry around the late 1800's and early 1900's. The necklace is light weight and comfortable to wear.
This antique Tibetan neckace bronze pendent has a cast bronze pendent with coral and turquoise beads. The pendent is suspended from a hand made chain.
This rare ceremonial Chinese "lock" necklace is Hmong ethnic minority. Made from pure bouillon silver, it over weighs 4.5 lbs. The Hmong Ethnic Minority group range from southern China into Northern Thailand. This piece was sourced out of China to a dealer sometime between 1920-1930. In both Chinese and ethnic minority cultures, the lock necklace acts as a talisman and symbolically "protects" the wearer from ill fortune, much as a lock on a piece of furniture will protect the contents inside...
Common to South Arabia and Yemen, the mesh "labbeh" or "Kirdam" were worn wrapped around the neck or attached to the sides of the headgear hanging down as a frame to women’s chin. This particular libbeh is from the late 1800’s–early 1900. I had it restrung to be used as a necklace. This very finely made tribal labbeh has elaborate lengths of filigree and numerous dangling beads. This type of jewelry would have been part of a woman’s dowry given to the bride by her father
Women of the Miao Chinese minority did not cut their hat...when the hair was worn "bun Style" on the top of the head, the comb would be positioned
horizontally, with the tynes pushed under the "bun"...and the silver dangles would hang down...the actual "comb" is hand carved and covered with silver for decoration...
this is a large antique hand-made pair of earrings of low grade silver, lots of filigree work...Though obviously not wearable for most Westerners, the make a wonderful ethnographic, tribal arts display.
Used by the bride for wedding this elaborate kingfisher feather crown is a very old and rare piece. The oldest kingfisher ornaments were made by glueing the feathers onto heavy paper. Metal wire was only used to attach pieces together. Both paper and the feathers are fragile, so not many of these old pieces have survived. This one is in average to good condition, some paper loss and some feather loss. It has its original long silk tassels and large glass beads though some of the small beads...
This traditional style of India woman's necklace has a bead at the ends which slides to adjust the length of the necklace to suit the wearer. The silver pendant would hold a lingam stone and has a cluster of small silver balls attached using a technique called "goli". The balls are not welded to the base, but are attached with a wire, giving them some slight movement.
this antique Tibetan pendant may have originally been used as earring or clothing ornament. I have slipped a simple black cord so it can now be used as a necklace. Coral and turquoise beads and silver decorations are all strung on a long silver post, so they can pivot around. the silver filigree disc at the bottom is missing one small filigree wire element, and possibly there was one a small stone in the middle of the disc...pendant measures 3+ inches long
Clearly for a wealthy family, this small lamp was meant to be used as a personal light. The cat like figure has a filler hole between the ears, good weight (important for stability) and is silver in color, but exact metal content is not known...He/she is charming...4 inches x 3.5 inches wide and 1.5 inches deep...
This Chinese ethnic child's hat has wrapped thread embroidery technique which was used by the Miao the Miao minority. The set of silver ornaments across the from are Buddha images. the The ornament in the back is a stylized butterfly of Miao Legend...the dangle of bells at the back is to scare off evil spirits who would attack the child from the rear..This hat is old and in surprisingly good condition