Catalog (106)

This elaborate beaded breastplate would have been worn for festivals by a wealthy Tibetan woman. The main section has 3 ornate silver and turquoise ornaments surrounded by a raised beaded coil which is bordered with cowrie shells. The neckline rolled and padded.

It is 13 inches across at the widest point and can be tied around the neck using the attached fabric ties. As is obvious in the pictures, there are a couple areas of lose on the turquoise ornaments.

During the 1800's and early 1900's, "Rocaille beads" from southern France were brought into the coastal regions of southern China and used to bead various accessory articles such as headbands purses and shoes... The area of China known as the "staits" became famous for such beaded items. . The Straits Chinese referred to the beads as manek potong ('cut beads') and acquired them from street peddlers and specialist merchants for the purpose of beading and embroidery. this pair of beaded str...

Manchu women never practiced foot-binding. However, during the Qing dynasty, they did wear pedestal aka platform shoes, hoping to give the appearance of smaller feet. These shoes would give the woman a more careful walk which was perceived as dainty and more sensual. In addition, the tips of the shoes would appear to peak out from under the robes, giving the foot more dainty appearance. These shoes are embroidered on both sides with a floral motif. They are in good condition, showing minimal ...

This Chinese lady's purse was made with silk satin fabric and hand embroidered with silk thread using a satin embroidery stitch. The edges are bound with carefully aligned silk threads. Each side opens to a separate storage compartment and there is a third compartment which is accessed from the top of the purse.

Made and used during the late Qing Dynasty, the quality of the materials and workmanship clearly show that this purse was used by a woman of means. Unfortunately, this use has left...

This wonderful pair of lotus shoes are typical of boots from Shandong. They have a black cuff with hand-embroidered butterfly motif and the remanents of a thin pink woven band. The blue vamp is somewhat faded toward the front of the boot and has delicately embroidered butterfly on each side. The soles have worn leather heels. The inside silk lining is bright pink and in very good condition.

This antique Tibetan purse would have been used as a costume ornament during festival. It is decorated with silver and bronze fittings and coral and turquoise stones. Passed from generation to generation, and used extensively, this piece shows it age. Such purses would have held precious coins and the occasional flint but would not be considered as a Tibetan "strike a light" because of the lack of the striker plate.

This traditional tribal comb would be worn for festival by Yao ethnic minority woman of Southern China. The comb was carved from sections of bone which are held together with a twining technique. The bone sections are tatooed with traditional Yao design pattern. The comb alone is 5.5 inches long and 3 inches wide. The combined length with the pompom and tassels is almost 12 inches long.

This well worn pair of Woman's Lotus shoes for bound feet are from the later part of the Qing Dynasty about 1870-1880. The vamp fabric is red cotton with a matching floral embroidery pattern on each side. The delicate hand stitching detail clearly shows the pride taken by the owner/maker. The soles are short of the toe vamp which was done to give the wearer a more floating and sensual appearance when walking.

According to traditional Chinese culture, shoes were considered to be a symbol of good luck, and shoes and a gift of token shoes would have been given as a sign of well wishing.

This tiny pair of wooden shoes are meticulously carved, with pierced work on both sides and the soles of each shoe...scarcely 2 inches long...excellant condition

Charming child's cotton collar from the Qing Dynasty, hand stitched with appliqued flower design. very good condition

By the latter part of the 19th century the ruling Qings were obsessed with every last detail of dress. This antique top grain leather fan case could only have been owned by very wealthy Chinese woman.

In China for centuries various civil officials showed their rank by the finial worn on their hat. The color of the central stone at the top of the metal finial indicated the rank of the wearer... Brass/gold was the lowest rank... The hats were further decorated with a long ring of red silk tassels attached between the finial and the hat... This antique court hat finial along with the circle of tassels is from the Qing dynasty the finial and the ring of tassels are displayed on top of ...

This Chinese hair comb was hand carved from a beautifully "grained" translucent animal horn. Obtained from an ethnic minority person, the pair of ducks carved into the handle were commonly used by mainstream Han Chinese as a symbol of a long and happy marriage. Items with this symbol would often be gifted for an anniversary.

This pair of black silk lotus shoes date to the late Qing Dynasty. Back then, a woman's job was to make shoes for the members of her family. This woman was from a financially comfortable family with servants to do other household chores. Making this pair for herself, she choose a black silk satin fabric for the vamp and made an elegantly sloping sole which would accommodate separate inter changeable heels to be attached. She did very fine needlework on the floral embroidery on each side o...

This antique beaded headband is from Guang Dong province in China, and is typical of headgear worn by Chinese woman around the turn of the 19th-20th century. It would have been worn the narrow portion across the forehead, with the rounded flap portions covering the ears and fastened in the back of the head.

Originally part of a full sized Tibetan adult costume, this piece was cut down to complete a childs festival costume. Decorated with turquoise, coins, tassels and silver ornaments, this type of textile accessory would often be attached to the elaborate headdress or hat and drape down the back to complete the wearers costume. The Tibetan people are not wastefull and items of festival garments in any condition are hard to acquire. I have had it hanging on my wall for a number of years. Today, ...

This charming old Chinese headband was handmade for a small child sometime in the late Qing dynasty. It is one of the nicest animal headbands that I have seen, and it is in good condition. The cat's face would have been worn at the child's forehead and is 3 dimensional. Made with silk fabric, with silk thread for the elaborately embroidery, the face is complete with ears that flap, and side paws. Opened at the back seam for easy framing, it can easily be re-sewn to fit display stand.

During the Qing Dynasty, Chinese court gentlemen and ladies used elaborate hair styles. To assist in these construction of the "hairdo's", they used a wire form was covered with a mesh fabric. This particular "cap" was used to cover a bun of hair on the center of the head. The silver flat "hairpin" was used to hold the cap in place by pushing it through one side hole, between the hair bun and the scalp and through the other side hole. The inside of the cape clearly shows its age and use.