Catalog (130)

This adult female puppet is clothed in traditional Thai costume with a open shirt. All parts are hand-carved, tied and strung together, which gives the puppeteer lots of choices of movement. The face has eyes which can open and close independent of each other and the mouth can also be opened and closed. Head to toe, she measures is 21 inches tall and with the strings the total lenght is 34 inches. She is absolutely charming, and can hang quietly on a wall as an symbol of Thailand ethnographi...

This collection of 3 hand carved wooden hair combs is from the Nigerian Yoruba tribe. They were brought to the US by a (then young) anthropologist who traveled extensively in Africa during the early 1960's and have been retained in his personal collection until recently.

The taller center comb is 8 inches and the shorter combs on the sides are 4.25 inches. I prefer to sell them as a collection.

This traditional Dayak medicine container is made in 2 pieces. The upright piece is carved from wood representing ancestor spirits at the prow of a boat. The horizontal piece is a carved animal horn, presumably goat. The original wooden hinge pin has been replaced with a new piece of wood as the old one was broken and unusable. Dayak is the general name used for the various indigenous tribal groups living in Borneo, which is now called Kalimantan.

Old hand made tribal turkomen moon shaped silver necklace with carnelians with original chain...easy to wear...

This face-sized antique mask of a shaman or Buddhist priest is from Tibet. The hand carving is both delicate and simple, with chisel marks showing on the back of the mask.

This apron would be worn for festival by young woman, recently married and hoping to become pregnant or in the early stage of pregnancy. After the baby is born, the straps will be relocated so that the apron is converted to a baby carrier. The coin bottom border is show hope for good fortune for the baby. The 3 tassles on the end of the apron straps are show hope for eventually having 3 children. The butterfly is considered the mother of the Miao people.

During the Qing dynasty, carved wood blocks were used to produce the ancestor portraits which decorated the homes of many Chinese families. The Chinese translation of the term "ancestor Portraits" can be misleading to Westerners. These were not portraits of the particular family's ancestors. They were portraits of various Chinese officials, emperor, empress, etc. for whom the family wished to show respect and or allegiance.

This stencil is approximately 9" by 9" and has some calligraphy ...

This Indonesian container would have been carried by a man using the handmade string as a shoulder strap. The "purse" was hand carved out of a local hardwood and both the top and bottom have decorative details.

The container sits stably on it base but can also be hung on the wall as an interesting sculpture artifact.

Approximately 9 inches high, 7.5 inches across and 4 inches deep.

The Manus Island is one of the Admiralty Islands. This traditional hair comb which the islanders would make from the mid ribs of coconut palm fronds. It is covered with a hard patinarium paste made from the crushed fruit of the Nilit tree, sometimes called Puttynut.

This 8" high wooden figure of the sitting Tenjin was carved during the Edo period, the mid 19th century (1850). Tenjin is the Japanese "god" name name given to the Japanese statesman and scholar, Sugawarea Michizane, the 9th century poet and writer of Chinese prose and verse.

Possibly carved from cryptomera wood and darkened with age, this carved figure has both a simplicity and elegance which are, for me, the major characteristics of Japanese asthetics.

The face of this Japanese Boy's Day Doll, musha ningyo, would certainly scare away any demons...strands of his unkept hair tends to drift across the face, and his costume is elaborately detailed. Without the stand he is 11 inches tall...the stand adds another 2 inches to the height.

Condition excellant with the exception of a couple of small surface paint chips on face reveal white undercoat (clears shown in pictures)

Being of both simple and elegant design, this small religious shrine is so typical of Japanese aesthetics. It is made from Cedar wood and dated on the back as "Showa, 2nd year, March 17. Approximately 5" high and 3" wide.

This very nice traditional Chinese pillow has leg supports which fold up when it is not in use. The top is made of shaped and stained bamboo slats which flex for soft comfort. The body of the piece is made of a dark wood with carved scrollwork along the bottom edge. Each end has an elaborate carving of a bat in flight. good condition 15"x 5" x 4" with legs extended

The bone of this hair pin has carved series of circles and a very delicate cross hatch pattern. The top is decorated with strands animal hair. The hair pin is 7.5 inches long. This hair ornament is Naga, which is an indigenous tribal culture in the hills of the north east region of India.

This homemade Japanese tool was used in rural areas for cutting the groove in the tree to release and collect the sap which was harvested for the lacquerware. The wood handle is smooth to touch and has years of patina. The cutting blade is heavily aged but is in good condition. The tool is about 9" long and at least 150 years old.

This dagger was made from the leg bone of a cassowary bird. It was carved and used as a weapon by one of the indigenous tribal groups of Papua New Guinea, aka PNG. Approx 8 inches long with great patina and makes a wonderful example of an ethnographic artifact.

This old Chinese container would have been used by a poor farmer or fisherman to carry his lunch, and tea while he was off working for the day. The main container has 2 sections and there is an additional rimmed tray which fits just inside below the tightly fitted lid. All 3 pieces are made from very tightly woven from 2 different types of plant materials.

Roughly 9 inches x 9 inches x 4 inches, with a richly patinated surface, this container is a wonderful ethnographic artifact from anot...

This hollow silver anklet is from the Nuristani area of Afghanistan. With the loose metal rattle rolling inside the hollow space, a soft noise was created as the wearer moves. This anklet has nice patina and has a few minor dents, which attest to the age and travels of the artifact.