Long lengths of treads or first braided into a "tape" and then the tape is tightly sewn to a background in elaborate pattern to depict various elements of Miao legends and myths.
This is a charming baby carrier from Guang Xi which is similiar in shape to those carriers from Rao Jia region. It is made of hand-loomed cotton fabric which is hand stitched and hand embroidered with butterflies and flowers using both cotton and silk thread. The sculptural shape makes a very pleasing wall hanging. The condition of this carrier is very good.
This Korean antique is a hand carved woodblock which would have been used to print a repeating decorative design pattern onto a textile. It is very old, and well worn with great patina.
This apron would be worn for festival by young woman, recently married and hoping to become pregnant or in the early stage of pregnancy. After the baby is born, the straps will be relocated so that the apron is converted to a baby carrier. The coin bottom border is show hope for good fortune for the baby. The 3 tassles on the end of the apron straps are show hope for eventually having 3 children.
The butterfly is considered the mother of the Miao people.
This Chinese pinafore style garment would have been worn by a small girl child of the Dong ethnic minority in Shui Kou. Fabric is handwoven from cotton fiber, hand stitched with intricate decorative applique work and hand woven snowflake pattern ribbon accents the border. No rips, no tears, and no holes...but this piece is old and has been worn and is a bit "dirty".... and still has its original ties. It is 14 inches wide and 21 inches long...great ethnographic textile for framing.
Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes.
This pair of traditional short boots were made and worn by the Miao women of Anshun. They are in very good condition but the upper boot areas have some soiling and the soles show signs of wear.
A properly dressed Chinese woman would wear a pair of leggings that would cover her foot bindings from her lower leg to the top of her lotus shoes. The leggings would be tied into place with a hand woven sash made specifically for that purpose. These lotus shoe accessories are now rare and very hard to find.
This pair of silk sashes were were woven with a floral pattern using 2 colors of brightly contrasting threads. The long warp end threads are braided into tassels. This pair is in excelle...
Small embroidery with central floral motif using seed stitch, on traditional dark blue silk fabric. May have been used on garment as inside pocket. Approx 6.5 inches on each side.
This traditional Chinese woman's headband was made and worn during the Qing Dynasty toward the end of the 19th century. It has an applique embroidered butterfly on each end and a large full kingfisher feathered medallion in the center. The lotus shaped kingfisher is 4 inches x 2 inches. The entire headband in 16 inches in length.
This old Chinese child's cloud collar was hand sewn by a proud Miao Ethnic Minority grandmother. The ornate embroidery stitching includes applique and daiz which is misnamed the forbidden stitch by Westerners. The collar is in excellant condition and is 9.5 inches in diameter
This old pair of Chinese shoes were made for a small child. Appliqued onto the red cotton background fabric are bits of trim and cotton fabric which give the appearance of a cats face. Gold thread is used in a couching embroidery stitch for the design on the both sides of each shoe.
Probably used once and then packed away for another generation, this vintage silk traditional sari from Varanasi is a vibrant as the day it was loomed. A small leaf pattern of gold metallic thread dots the entire length of the deep green silk field. There is a 2 inch brocaded border on each side which also runs the length of the sari. The end panel is ornately patterned brocaded silk and makes extensive use of gold metallic threads. Throughout India, Varanasi sari are highly prized as wedd...
This antique chinese hat would have been worn for festival by a Yi ethnic minority girl (woman) from the Honghe area. Worn for festival, the "cockssome cap" is elaborately decorated with faceted silver beads. Enlargement 5 shows cock hat as it would be worn. Hat comes with its own custom made stand.
By the early 1900's, foot binding fell somewhat out of fashion with the upper social classes of Han Chinese women, especially in the north. With various degrees of success and a lot of pain, a few brave women chose to have their feet re-broken and reset into a more natural size and shape. This pair of boots belonged to one such woman.
Hand made using black silk fabric, and the old traditional methods, these boots are detail with embroidery on each side of the vamp with butterflies toward the...
This traditional embroidered vest was made and worn by the woman of the Miao minority culture living in the Ge Jia region of China generations ago. The textile fabric was hand woven with a specific thread count to allow for the geometric embroidery pattern which was added later.
This lovely small woman's purse was made from silk satin fabric and embroidered with silk thread useing the satin stitch. The purse still has the original silk ribbon attached to the bottom, and belt loop attached at the top.
Chinese Miao Ethnic Minority blanket panal from Huang Ping.
Approx 35 years old and excellent condition. Home spun cotton fabric pieced and appliqued. panel size approx 35 inches x 48 inches...the original border/bed overhang fabric (plain black) has been cut down and sewn to form a frame for the panel.