Antique Stones Japan
All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1700 item #1400534 (stock #847)
Antique Stones Japan
$600.00
Left arm of a standing Fudo-Myo, the Knowledge King associated with Dai-Nichi Buddha, sculpted from unfinished hinoki wood (Japanese cypress). Late-Muromachi/early-Edo Period ca. 1600, possibly earlier. Very minor old loss, with desirable patination overall. Wooden box included.

Length: 20 cm

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1700 item #1400373 (stock #846)
Antique Stones Japan
$2,400.00
Gorinto (5-tiered stupa) sculpted in four pieces from a gray-hued igneous stone. Late-Muromachi Period ca. 1500. Excellent condition, with only very minor old loss and desirable lichen accumulation overall.

Height: 59 cm
Width: 24 cm
Depth: 24 cm
Packaged weight: 42 kg.

The gorinto is a distinctively Japanese style of stupa comprising five geometric forms. The Japanese Shingon sect of esoteric Buddhism views the gorinto as a symbol of Dai-Nichi Buddha, who, underlying all things, manifests himself in the five elements making up the physical world.

Gorinto sculpted in four pieces, the uppermost piece comprising two of the five geometric forms, are far more uncommon than gorinto sculpted from a single stone. This is a notably handsome Muromachi-Period example, all of a piece and showing pleasing formal balance.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1399738 (stock #844)
Antique Stones Japan
$700.00
Standing Ebisu, one of Japan's 7 lucky gods (Jp. shichifukujin), with a sea bream (Jp. tai), Ebisu's characteristic attribute, held vertically in the left hand and a fishing rod in the right. Mid-Edo Period ca. 1750. Very minor old loss.

Height: 18 cm
Width: 13 cm
Depth: 9.5 cm
Packaged weight: 3 kg

Of Japan's 7 lucky gods, only Ebisu has Japanese roots, the other six gods having either Indian or Chinese origins. Stylistically, this small-scale example is a rarity, with the sea bream held vertically in the left hand rather than tucked horizontally beneath the left arm and the fishing rod held in the right hand pressed against the body. Highly collectible.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1700 item #1399568 (stock #843)
Antique Stones Japan
$1,500.00
Buddhist triad comprising three figures in bronze, namely, Amida Buddha (center), Jizo Bosatsu (left), and Kannon Bosatsu (right), standing upon a rock-form wooden dais atop a multi-tier gilt-wood plinth attached to the floor of a traveling shrine (zushi) made of wood with lacquer and gilt interior and lacquer exterior and gilt-copper metalwork. The three bronze figures Muromachi Period ca. 1500 and the zushi early-Edo ca. 1650. Interior gilt rubbing and exterior lacquer loss.

Height: 12.3 cm
Width: 9 cm
Depth: 4.2 cm

In Japanese Buddhist sculpture, the most commonly depicted triad is the Amida Triad (Jp. Amida Sanzon), comprising Amida Buddha, Kannon Bosatsu, and Seishi Bosatsu. Beginning from the Kamakura Period (1185~1333), depictions of a similar triad comprising Amida Buddha, Kannon Bosatsu, and Jizo Bosatsu appeared, reflecting rising popularity of the three deities among the common folk, who revered Amida for the coming life in paradise, Kannon for earthly deliverance, and Jizo for salvation from hell.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1837 VR item #1395568 (stock #842)
Antique Stones Japan
$1,550.00
Standing Jizo Bosatsu holding a long-handled censer in both hands, figurally sculpted from a gray-hued igneous stone. Clearly dated on the back to the opening year of the Kyowa Era (1801), late-Edo Period. Very good condition overall, with notable exceptions of old loss to the figure's right hand as well as old loss to the front edge of the circular base.

Height: 50 cm
Width: 17.5 cm
Depth: 15 cm
Packaged weight: 20 kg.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1900 item #1393928 (stock #841)
Antique Stones Japan
SOLD.
Seated Ebisu, one of Japan's 7 Lucky Gods (Jp. shichifukujin), with a sea bream (Jp. tai), Ebisu's characteristic attribute, tucked beneath the left arm. Late-Edo Period ca. 1850. Very minor old loss, with traces of polychrome. Light lichen accumulation.

Height: 35.5 cm
Width: 22.5 cm
Depth: 20 cm
Packaged weight: 14 kg

Of Japan's 7 Lucky Gods, only Ebisu has purely Japanese roots, the other six gods having either Indian or Chinese origins. This is a notably charming example, well-sculpted and in excellent condition.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1700 item #1393897 (stock #840)
Antique Stones Japan
$1,200.00
Jizo Bosatsu standing atop a stylized lotus-form dais with hands pressed together in the gassho adoration mudra, sculpted in shallow relief from blue-green schist. Clearly dated to the 12th year of the Kanbun Era (1672), early-Edo Period. Excellent condition, with only very minor old loss around the perimeter. Light lichen accumulation.

Height: 53 cm
Width: 24 cm
Depth: 14 cm
Packaged weight: 30 kg.

All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1700 item #1393784 (stock #839)
Antique Stones Japan
SOLD.
Fragment of a multi-section folding screen (Jp. byobu) depicting a Portuguese trader in Japan seated on a folding chair beneath a large umbrella, executed in natural pigments and gilt on silk. Momoyama Period ca. 1575. Significant old loss.

Fragment height: 73 cm
Fragment width: 23 cm
Wood-and-plexiglass frame height: 94 cm
Frame width: 43.5 cm

An exceedingly rare example of authentic namban-themed Japanese art. Decorative and highly collectible.

All Items : Antiques : Regional Art : Asian : Japanese : Pre 1800 item #1392826 (stock #837)
Antique Stones Japan
$1,400.00
Standing Jizo Bosatsu, the hands forming the gassho adoration mudra, sculpted in relief from a high-ferric-content sandstone. Clearly dated to the 11th year of the Kyoho Era (1726), mid-Edo Period. Excellent condition, with only very minor old loss. Variegated lichen accumulation.

Height: 66.5 cm
Width: 24 cm
Depth: 15 cm
Packaged weight: 30 kg

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1492 item #1392630 (stock #836)
Antique Stones Japan
SOLD.
Gorinto (5-tiered stupa) sculpted in four pieces from a large-grained igneous stone. Muromachi Period ca. 1450. Old loss, most notably to the cubic foundation stone. Variegated lichen and moss accumulation.

Height: 56 cm
Width: 19 cm
Depth: 19 cm
Packaged weight: 26 kg.

The gorinto is a distinctively Japanese style of stupa comprising five geometric forms. The Japanese Shingon sect of esoteric Buddhism views the gorinto as a symbol of Dai-Nichi Buddha, who, underlying all things, manifests himself in the five elements making up the physical world.

Gorinto sculpted in four pieces, the uppermost piece comprising two of the five geometric forms, are far more uncommon than gorinto sculpted from a single stone. This is a handsome example of type, all of a piece and showing good formal balance.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1700 item #1390271 (stock #835)
Antique Stones Japan
$1,200.00
Seated Amida Buddha, the hands placed centrally on the lap in the Amida jo-in concentration mudra, sculpted in relief from a brick-hued igneous stone. Late-Muromachi Period ca. 1550. Very minor old loss. Light lichen accumulation.

Height: 32.5 cm
Width: 22 cm
Depth: 11 cm
Packaged weight: 12 kg.

A glance backward in time across the field of Japanese Buddhist stone sculpture tends to become a wide-eyed stare upon discovering a distinct stylistic shift somewhere around the beginning of the Edo Period ca. 1600. Six commonly observed characteristics of pre-Edo stone sculpture are as follows: (1) flatness, in two senses, namely, (a) shallow depth relative to height and width, and (b) shallow relief sculpting; (2) a triangulated upper mandorla resembling a pediment, usually jutting ledge-like outward over the figure; (3) a tapered base for insertion into the ground as opposed to a flat base for placement upon the ground; (4) stylistic primitivism with regard to the treatment of the deity depicted; (5) an overwhelming predominance of Amida Buddha depictions, invariably in the seated position with hands placed centrally on the lap in the Amida jo-in concentration mudra; and (6) an absence of both date and inscription.

A thoroughly classic Muromachi-Period stone Amida Buddha in excellent condition, suitable for either indoor or outdoor display. If displayed indoors on a hard, flat surface, some form of lateral support, such as a wall, is required. If displayed outdoors, the tapered bottom can be inserted directly into the soil.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1900 item #1389788 (stock #833)
Antique Stones Japan
$900.00
Tengai, a canopy originally suspended horizontally above a Buddhist sculpture, sculpted in octagonal form from wood and finished in lacquer and gold leaf, incorporating lotus and cloud motifs. Late-Edo Period ca. 1800. Minor old loss and desirable patination overall.

Diameter: 52.5 cm
Thickness: 4 cm

All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1900 item #1388863 (stock #831)
Antique Stones Japan
$500.00
Kai-awase, made from a natural clamshell (Jp. hamaguri, Lat. Meretrix lusoria), the interior surfaces of both halves depicting a nearly identical scene from the Heian-Period literary classic Genji Monogatari hand-painted in the traditional Yamato-e style, characterized primarily by a predominance of gold leaf in addition to natural-pigment polychrome. Late-Edo Period ca. 1825. The actual shell, the two halves of which fit snugly together to form an air-tight container, is in virtually flawless condition, with neither cracks nor chips, while the interior paintings remain bright and clean with only very minor old loss to the gilt and polychrome.

Width: 8.5 cm
Depth: 6.8 cm
Height: 4 cm

The shell-matching game of kai-awase, full sets of which comprise 180 pairs of shells, has a history in Japan extending back to the Heian Period (794-1185). Kai-awase paintings oftentimes depict scenes from Genji Monogatari, as in the present example. Also quite common are bird-and/or-flower genre scenes.

Edo-Period kai-awase in fine condition, i.e., both shells free of chips and cracks and thus air-tight when closed, are commonly employed as kogo (incense boxes).

All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1900 item #1388824 (stock #830)
Antique Stones Japan
$500.00
Kai-awase, made from a natural clamshell (Jp. hamaguri, Lat. Meretrix lusoria), the interior surfaces of both halves depicting a nearly identical scene from the Heian-Period literary classic Genji Monogatari hand-painted in the traditional Yamato-e style, characterized primarily by a predominance of gold leaf in addition to natural-pigment polychrome. Late-Edo Period ca. 1800. The actual shell, the two halves of which fit snugly together to form an air-tight container, is in virtually flawless condition with neither cracks nor chips, while the interior paintings remain bright and clean with only minor old loss to the gilt and polychrome.

Width: 8.8 cm
Depth: 6.7 cm
Height: 4.2 cm

The shell-matching game of kai-awase, full sets of which comprise 180 pairs of shells, has a history in Japan extending back to the Heian Period (794-1185). Kai-awase paintings oftentimes depict scenes from Genji Monogatari, as in the present example. Bird-and-flower (Jp. kacho-ga) genre scenes are also quite common.

Edo-Period kai-awase in fine condition, i.e., both shells free of chips and cracks and thus air-tight when closed, are commonly employed as kogo (incense boxes).

All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1900 item #1388820 (stock #829)
Antique Stones Japan
$400.00
Kai-awase, made from a natural clamshell (Jp. hamaguri, Lat. Meretrix lusoria), the interior surfaces of both halves depicting a nearly identical bird-and-flower (Jp. kacho-ga) genre scene hand-painted in the traditional Yamato-e style, characterized primarily by a predominance of gold leaf in addition to natural-pigment polychrome. Late-Edo Period ca. 1800. The actual shell, the two halves of which fit snugly together to form an air-tight container, is in virtually flawless condition with neither cracks nor chips, while the interior paintings remain quite bright and clean, with old gilt loss confined mostly to the moriage-relief lower borders.

Width: 9 cm
Depth: 6.7 cm
Height: 4.2 cm

The shell-matching game of kai-awase, full sets of which comprise 180 pairs of shells, has a history in Japan extending back to the Heian Period (794-1185). Kai-awase paintings oftentimes depict scenes from the Heian-Period literary classic Genji Monogatari. Bird-and-flower genre scenes, such as in the present example, are also quite common.

Edo-Period kai-awase in fine condition, i.e., both shells free of chips and cracks and thus air-tight when closed, are commonly employed as kogo (incense boxes).

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1388533 (stock #828)
Antique Stones Japan
SOLD.
Stone Dosojin comprising two figures standing side by side, the female figure on the left holding a flask in the shape of a hyotan (a gourd symbolizing good fortune) and the male figure on the right holding a shallow drinking bowl, sculpted in relief from a gray-brown igneous stone. Clearly dated to the fifth year of the Horeki Era (1755), mid-Edo Period. Minor old loss and light lichen accumulation.

Height: 58.5 cm
Width: 40 cm
Depth: 24 cm
Packaged weight: 75 kg

Dosojin is the Japanese Shinto manifestation of an originally Chinese Taoist deity believed to guard the border between this world and hell. Charged with obstructing the passage of evil spirits and gods of disease into human communities, Dosojin stones were traditionally placed on roadsides and mountain passes as well as at crossroads and village boundaries.

Classic Dosojin examples typically feature a depiction of two standing figures, traditionally construed as a male/female couple, with the female figure holding a flask and the male figure a shallow drinking bowl, as in the example offered herein.

Talismanic as opposed to memorial in function, Dosojin stones have long been highly sought-out by collectors in Japan and as a result are no longer readily available in the domestic market. This example was sourced from a Japanese collector in suburban Tokyo. A rare opportunity.

All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1900 item #1387845 (stock #825)
Antique Stones Japan
$400.00
Kai-awase, made from a natural clamshell (Jp. hamaguri, Lat. Meretrix lusoria), the interior surfaces of both halves depicting a nearly identical thistle-flower genre scene hand-painted in the traditional Yamato-e style, characterized primarily by a predominance of gold leaf in addition to natural-pigment polychrome. Late-Edo Period ca. 1850. The actual shell, the two halves of which fit snugly together to form an air-tight container, is in virtually flawless condition, with neither cracks nor chips, while the interior paintings remain bright and clean with only very minor old loss to the gilt and polychrome.

Width: 8 cm
Depth: 6.5 cm
Height: 4 cm

The shell-matching game of kai-awase, full sets of which comprise 180 pairs of shells, has a history in Japan extending back to the Heian Period (794-1185). Kai-awase paintings oftentimes depict scenes from the Heian-Period literary classic Genji Monogatari. Bird-and/or-flower genre scenes, such as in the present example, are also quite common.

Edo-Period kai-awase in fine condition, i.e., both shells free of chips and cracks and thus air-tight when closed, are commonly employed as kogo (incense boxes).

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1384763 (stock #820)
Antique Stones Japan
$1,900.00
Standing Sho-Kannon Bosatsu, the left hand holding a long-stemmed lotus bud and the right forming the segan-in mudra symbolizing the fulfillment of the historical Buddha's vow to strive for the salvation of all sentient beings, figurally sculpted from a gray-brown igneous stone. Mid-Edo Period ca. 1725. Very minor old loss, with slight traces of polychrome. Light lichen accumulation.

Height: 57 cm
Width of base: 18 cm
Depth of base: 14 cm
Packaged weight: 17 kg.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1900 item #1384201 (stock #819)
Antique Stones Japan
$950.00
Seated Kukai (774-835, known posthumously as Kobo Daishi), the right hand holding a three-pronged vajra (Jp. sankosho) and the left a string of juzu prayer beads, Kobo Daishi's characteristic attributes, sculpted in relief from an iron-rich igneous stone. Late-Edo Period ca. 1850. Very minor old loss and surface cracking. Variegated lichen accumulation.

Height: 39 cm
Width: 18 cm
Depth: 17 cm
Packaged weight: 17 kg.

Founder of the Japanese Shingon sect of esoteric Buddhism, creator of the kana syllabary still used in modern written Japanese, and master calligrapher, Kobo Daishi heads the list of Japan's great cultural heroes. This is a notably well-executed example, suitable for either indoor or outdoor display.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1384113 (stock #818)
Antique Stones Japan
SOLD.
Standing Jizo Bosatsu, the hands bearing aloft a sacred jewel (Jp. hoju), figurally sculpted from a brick-hued igneous stone. Clearly dated on the back to the 11th year of the Kansei Era (1799), late-Edo Period. Minor old loss and desirable softening of the lines and contours overall. Variegated lichen accumulation.

Height: 37 cm
Width: 18 cm
Depth: 15.5 cm
Packaged weight: 14 kg.

All Items : Antiques : Regional Art : Asian : Japanese : Pre 1800 item #1383767 (stock #816)
Antique Stones Japan
$900.00
Nyoirin Kannon Bosatsu in characteristic seated pose of royal ease, sculpted in relief from a gray-brown igneous stone. Mid-Edo Period ca. 1750. Minor old loss.

Height: 39 cm
Width: 23.5 cm
Depth: 11.5 cm
Packaged weight: 15 kg

A notably charming example of Edo-Period Japanese stone sculpture, showing a precociously modernist stylistic bent.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1383404 (stock #815)
Antique Stones Japan
$1,800.00
Standing Jizo Bosatsu, a shakujo (crozier) held in the right hand and a hoju (sacred jewel) in the left, figurally sculpted from a gray-brown igneous stone. Mid-Edo Period ca. 1725. Excellent condition, with only very minor old loss.

Height: 52 cm
Width: 21 cm
Depth: 18 cm
Packaged weight: 22 kg.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1383010 (stock #814)
Antique Stones Japan
SOLD.
Sho-Kannon Bosatsu seated upon a lotus-form dais, the left hand holding a long-stemmed lotus bud and the right forming the segan-in mudra symbolizing the fulfillment of the historical Buddha's vow to strive for the salvation of all sentient beings, figurally sculpted from a relatively soft, iron-rich sandstone. Mid-Edo Period ca. 1750. Old loss, most notably to the back, and lines of repair on and around the head and neck. Variegated lichen accumulation.

Height: 40 cm
Diameter of upper surface of lotus-form dais: 28 cm
Packaged weight: 23 kg.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1381720 (stock #812)
Antique Stones Japan
$2,800.00
Seated Dai-Nichi Buddha, the hands forming the chiken-in knowledge-fist mudra (also known as the six-elements mudra), sculpted figurally from a gray-brown igneous stone. Clearly dated on the back to the third year of the Anei Era (1774), mid-Edo Period. Excellent condition, with only very minor old loss. Light lichen accumulation.

Height: 42 cm
Width: 30.5 cm
Depth: 24 cm
Packaged weight: 25 kg.

An exceedingly uncommon depiction of a figurally sculpted Dai-Nichi Buddha clearly dated to the mid-Edo Period, with substantial size and in excellent condition. Highly collectible.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1492 item #1380544 (stock #811)
Antique Stones Japan
SOLD.
Standing fragment of Indara Taisho, one of the 12 Heavenly Generals (Juni-Shinsho) that defend and protect the Healing Buddha (Yakushi Nyorai), sculpted from wood using yosegi-zukuri (joined woodblock) construction and finished in polychrome. Late-Kamakura~early-Muromachi Period ca. 1300~1400. Significant old loss, with remnants of a gesso-like ground and traces of polychrome.

Total height, including custom-made wooden stand: 44.5 cm
Height of figure only: 41 cm
Width of stand: 22 cm
Depth of stand: 14 cm

Each of the 12 Heavenly Generals is associated with one of the 12 animals of the Chinese zodiac. The snake coiled atop this figure's head suggests that it is most probably a depiction of Indara Taisho.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1379521 (stock #808)
Antique Stones Japan
$1,000.00
Jizo Bosatsu seated upon a stylized lotus-form dais, the tiny hands holding a large hoju (sacred jewel), sculpted figurally from a rust-hued granite. Mid-Edo Period ca. 1725. Very minor old loss, with overall softening of the lines and contours. Variegated lichen accumulation.

Height: 32 cm
Width: 19.5 cm
Depth: 16 cm
Packaged weight: 13 kg.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1700 item #1379421 (stock #807)
Antique Stones Japan
$400.00
Gorinto (5-tiered stupa) sculpted in one piece from an ochre-hued sandstone. Early-Edo Period ca. 1650. Very minor old loss.

Height: 21 cm
Width: 8.5 cm
Depth: 8.5 cm
Packaged weight: 4 kg.

The gorinto is a uniquely Japanese style of stupa comprising five geometric forms, which correspond (from bottom) to earth, water, fire, wind, and ethereal space. The Japanese Shingon sect of esoteric Buddhism views the gorinto as a symbol of Dai-Nichi Buddha, who, underlying all things, manifests himself in the five elements making up the physical world.

A charmingly small-scale gorinto. Uncommon.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1492 item #1378569 (stock #805)
Antique Stones Japan
$2,500.00
Gorinto (5-tiered stupa) sculpted in four parts from tuff, an igneous stone composed primarily of volcanic ash. Nanbokucho~early-Muromachi Period ca. 1400. Desirable old loss and lichen accumulation.

Height: 85 cm
Width: 35 cm
Depth: 35 cm
Packaged weight: approx. 90 kg.

All Items : Antiques : Regional Art : Asian : Japanese : Wood : Pre 1700 item #1378085 (stock #802)
Antique Stones Japan
SOLD.
A matched pair of decorative plaques incorporating a stylized peony (Jp. botan) motif, each plaque sculpted from a single piece of zelkova (Jp. keyaki), a relatively hard, heavy wood, and left unfinished. Early-Edo period ca. 1650. Minor old edge loss, cracking, and discreet repairs.

Diameter of each plaque: 32 cm
Depth: 5 cm

Sculpted with a notably robust elegance and in excellent condition despite significant age, this pair of decorative plaques, originally displayed in a Japanese temple or shrine, was de-accessioned from the holdings of the Museum of Fine Arts, Boston, in the wake of the 2008 global financial crisis.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1700 item #1377670 (stock #801)
Antique Stones Japan
SOLD.
Gorinto (5-tiered stupa) sculpted in one piece from a brick-hued fine-grained granite. Momoyama/early-Edo Period ca. 1600. Minor old loss, with lichen accumulation overall.

Height: 55 cm
Width: 16.5 cm
Depth: 15.5 cm
Packaged weight: 25 kg.

The gorinto is a uniquely Japanese style of stupa comprising five geometric forms, which correspond (from bottom) to earth, water, fire, wind, and ethereal space. The Japanese Shingon sect of esoteric Buddhism views the gorinto as a symbol of Dai-Nichi Buddha, who, underlying all things, manifests himself in the five elements making up the physical world.

A sizable, notably handsome gorinto, showing excellent formal balance and desirable patination.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1376160 (stock #798)
Antique Stones Japan
SOLD.
Standing Sho-Kannon Bosatsu, the left hand holding a short-stemmed lotus bud and the right forming the segan-in mudra symbolizing the fulfillment of the historical Buddha's vow to strive for the salvation of all sentient beings, sculpted in bold relief from a gray-brown igneous stone. Clearly dated to the 10th year of the Kyoho Era (1725), mid-Edo Period. Very good condition, with only a couple of points of very minor old loss. Light lichen accumulation.

Height: 67.5 cm
Width: 33 cm
Depth: 19 cm
Packaged weight: 46 kg.

An elegantly sculpted Sho-Kannon clearly dated to the mid-Edo Period, with significant size and in excellent condition. Highly collectible.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1492 item #1375336 (stock #796)
Antique Stones Japan
$2,300.00
Gorinto (5-tiered stupa) sculpted in four parts from a high-quality granite. Nanbokucho/early-Muromachi Period ca. 1400. Very minor old loss, with light lichen accumulation.

Height: 61 cm
Width: 23.5 cm
Depth: 23.5 cm
Packaged weight: 50 kg

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1375281 (stock #795)
Antique Stones Japan
SOLD.
Standing Jizo Bosatsu with hands forming the gassho mudra of adoration, figurally sculpted from tuff, an igneous stone composed primarily of volcanic ash. Mid-Edo Period ca. 1700. Minor old loss and overall softening of the lines and contours, with significant lichen accumulation.

Height: 36.5 cm
Width: 16.5 cm
Depth: 12 cm
Packaged weight: 9 kg.

A notably charming example of early- to mid-Edo Period stone sculpture.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1373884 (stock #792)
Antique Stones Japan
$850.00
Two Jizo Bosatsu figures standing side by side with hands forming the gassho adoration mudra, sculpted in relief from a gray-hued igneous stone. Mid- to late-Edo Period ca. 1800. Very minor old loss; traces of decorative polychrome on the figures' garments.

Height: 17.5 cm
Width: 10.5 cm
Depth: 6.5 cm
Packaged weight: 4 kg.

Dosojin is the Japanese Shinto manifestation of a Chinese Taoist deity charged with guarding the border between this world and hell. Believed to obstruct the passage of evil spirits and gods of disease into human communities, Dosojin is associated particularly with roads, crossroads, mountain passes, village boundaries, and travel generally.

Because Jizo Bosatsu is Dosojin's honjibutsu, or Buddhist counterpart, Dosojin stones oftentimes take the form of two Jizo figures either standing or seated side by side.

An unusually small-scale Dosojin stone possessing outsize charm. Highly collectible.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #1373011 (stock #789)
Antique Stones Japan
$1,500.00
Stone gorinto (lit. 5-tiered stupa) sculpted in four parts, the lowermost of which is highly unusual inasmuch as it is columnar rather than rectangular in shape. Clearly dated on the side of the column to the opening year of the Genbun Era (1736), mid-Edo Period. Old line of repair visible on the roof-like part third from the bottom symbolizing fire; otherwise, only very minor old loss, with light lichen accumulation.

Height: 71 cm
Diameter of column: 23.5 cm
Packaged weight: 52 kg.

The gorinto is a uniquely Japanese style of stupa comprising five geometric forms, which correspond (from bottom) to earth, water, fire, wind, and ethereal space. The Japanese Shingon sect of esoteric Buddhism views the gorinto as a symbol of Dai-Nichi Buddha, who, underlying all things, manifests himself in the five elements making up the physical world.

Gorinto sculpted in four parts, the uppermost part comprising two of the five geometric forms, are far more uncommon than gorinto sculpted from a single stone. The example offered herein departs radically from the norm owing to the columnar shape of its lowermost part, which in conventional gorinto examples is rectangular.

An intriguingly unconventional gorinto, boasting good size and pleasing formal balance.

All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1700 item #1371390 (stock #787)
Antique Stones Japan
$1,200.00
Standing Jizo Bosatsu with hands forming the gassho adoration mudra, figurally sculpted from a large-grained granite. Early- to mid-Edo Period ca. 1700. Minor old loss, most notably to the fingertips of both hands, and softening of the lines and contours overall.

Height: 60 cm
Width: 24 cm
Depth: 24 cm
Packaged weight: 40 kg.