Catalog: Antiques (402)

Opaline or overlay peach-coloured and white satin glass perfume bottle, France around 1890. Floral decoration in enamels and raised gilt with applied clear glass swirls. Bottle and stopper marked 35. Height "8 1/3 / 21 cm. Condition: fine.

An urn-shaped perfume bottle, French around 1890. Blue opaline glass with satinized surface, floral decoration in enamels and raised gilt. Bottle and stopper marked 41. Height "9/ 23 cm. Condition: fine.

Eggshell thin cup and saucer of lobed and fluted shape, ivory matt glaze to the exterior, twig handle and raised gilt leaf decoration. French, unsigned, around 1890, the design with a touch of Japonisme. Height of cup "2/ 5.3 cm, diameter of saucer "4 / 10.2 cm. Condition: fine.

An amber colored vase with an etched and gilt “Oroplastic” frieze of Amazon warriors, the base facet cut. The Oroplastic decoration method was introduced by the Moser glass company around 1915. It became a great success, totally in line with the emerging Art Deco style. Signed Made in Czechoslovakia Moser Karlsbad. Height "3 ¾ / 9.5 cm. Condition: fine.

Japanese dish or bowl, Ko-Kutani revival from the Meiji period, late 19th century. Enameled in purple, yellow and green with a wave-line border surrounding a motif of poets (?) and a weeping willow in a mountainous seascape. Dark brown rim, the back with Kutani mark in green. Diameter "8 ½ / 21.5 cm. Condition: the back with some rubbing marks and a glaze bubble (cf. pics).

Two bowls and a lidded box in blue opaline glass. The bowls undecorated, the box with some gilt. All three French and from the 2nd empire / Napoléon III period, c 1850’s. The blue colour is the same as the “bleu céleste” so much en vogue in Sèvres porcelain of the time. Height of larger bowl: 3 ¼”/8 cm, diameter 4 ¾”/12 cm, diameter of box "2 ¾ / 7 cm. The box with polished base. Condition: wear to the gilt (cf. pics).

A pair of Milchglas / milk glass cups and saucers with flower decoration in gaudy enamels, made around 1760. Relief moulded wth ribbed and diamond-patterned sides and applied foot rims. The model is to be found in the Corning glass museum collections and elsewhere as originating from the glassworks of Flühli in Swiss Luzern. Diameter of saucers "5 ¼ / 13 cm, of cups "3 ¼/ 8 cm. Condition: one cup with old and yellowed glue repair (cf. pics).

Jugendstil pewter dish of trefoil shape, the wedges between the leaves filled with softly modelled violets. The base with three minimal ball feet for the balance. German, c 1900, marked Rein Zinn 95 % (Pure Pewter 95 %) under a crown. Width "6 ¾ / 17.5 cm. Condition: fine, keeping its original oxidized decoration and patina, never polished.

A red and white overlay and marbled glass vase by Loetz, Bohemia. From the Carneol series, of square shape and decorated with a lace-like pattern in white enamel and gilt. Carneol glass was produced in 1888 and 1889. Height "4 / 10.5 cm. Condition: fine.

Two Eau de Cologne scent bottles, flacons, with sterling silver lids, c 1880-1900. Of square shape, the upper parts faceted and the corners bevelled. Cut glass stopper and screw-on lid to one, the other lid not belonging. One lid with monogram engraving, the other with the traditional English design of a hand holding a dagger. The smaller bottle with a paper label saying something like "Another mist" in Russian - the name of a perfume? Height of both "3¼/ 8 cm without the lids...

Two exquisitely enameled Höchst coffee cups, one with a rose and the other with a tulip. The porcelain manufacture of Höchst near Frankfurt am Main was founded in 1746, and the two coffee cups were made around 1765. Underglaze blue wheel mark to both, and brown rims. Height "2/ 5 cm, diameter "2 ¾ / 7.1-7.3 cm. Condition: fine.

Eight dinner plates transfer printed in blue with the Wild Rose border and Nuneham Courtenay pattern, early to mid-19th century. The park at Nuneham House near the Thames was designed by Capability Brown. Many early Victorian potteries produced this pattern and the backstamps reveal a palette of potteries: four plates by Samuel Moore & Co in Tyne & Wear, impressed flowerhead mark for Swansea in Wales, impressed and underglaze blue mark of Bell Cook & Co, Phoenix pottery in Newcastle...

Punch bowl, a mid 19th century copy of the Chinese bowls made for the European market a hundred years earlier. The exterior dark blue and gilt with birds and vases in Famille Rose enamels in reserves, the interior with scattered flowers. Unmarked but most certainly made by Samson of Paris c 1880. Many of Samson’s Chinese Export models derive from a large collection of Chinese porcelain held by French industrialist Ernest Grandidier now to be seen in the Musée Guimet...

A pair of oval dishes with godrooned borders, soft paste / pâte tendre, creamy white with decoration of flowers in underglaze blue. Made c 1780 in Tournai, then France and now Belgium. Ronda was the most popular Tournai pattern, produced all through the 19th century till 1891 when the manufactory closed down. Width "10 ½ / 26.5 cm. Condition: firing crack and two little nicks to underside of rim of one dish (cf. pics).

Alt Wien / Old Vienna dish or plate – originally a stand for a vase or small tureen – with sparse decoration of stylized little tulips within a dark red border. The modern-looking design is a deceiver: the shape of the Royal Vienna Porcelain factory underglaze blue shield mark on the base shows a production date in the Empire period around 1800. Diameter "9 ½ / 24 cm. Condition: two small spots of glaze wear to the center, from the foot rim of vase or tureen.

A feather or shell edge plate beautifully enameled with scattered flowers in typical Rococo style. Late 18th century, made at the Royal Vienna Porcelain factory. Underglaze blue shield mark and painters mark in puce plus an impressed N, probably for Joseph Niedermeyer who was chief modeller 1747-1784. Diameter "9 ¾ / 24.5 cm. Condition: fine.

Small vase, an early piece from the Reissner & Kessel manufactory in Turn-Teplitz in present Czechia. The exterior unglazed with carved and enameled decoration of scrollwork and flowers, the interior white-glazed. Impressed crown mark for 1892 – 1910 to the base, Amphora, Austria, model numbers and more. Near the base the exterior has got another mark, partly illegible and possibly the name of the designer (T Goto (?) cf. pics). Height "5 ½ / 14 cm. Condition: fine.

Pearlware cup and saucer decorated with a silver resist (platinum) border of vines within thin red lines. As a cheaper alternative to luxury silver services and to avoid tarnishing, platinum on porcelain was used in the early 19th century. Silver resist or silver lustre wares were produced mainly in Staffordshire, before silver-plated metals took over the market. This cup and saucer was made around 1820 and is unmarked. Diameter of saucer "5 ½ / 14 cm and of cup "3 ¼ / 8 cm...