Catalog (419)

A piece of cloth with many kinds of cotton shibori fragments. It shows several kinds of shibori techniques. All machine-sewn. In excellent condition but white parts are slightly changed to pinkish because of the color bleeding. The second half of the 20th century. 45cm x 2m

A piece of Narumi-Kongata (also called Urumi-zome) cloth which is hand-spun cotton and dyed with vegetable indigo. Narumi-Kongata is one kind of katazome (stencil-resist-dye) imitating shibori. It had been produced from late Edo to Meiji period but not produced anymore. It has auspicious shrimp motif with intricate pattern which requires high dye and stencil making technique. In excellent condition. 35cm x 172cm

Five pieces of cotton diaper with Sekka shibori pattern which is one kind of clamp-board dye. They are all unused and in excellent condition. Hand^sewn in ring shapes. 20th century. 34cm x 63cm

Hand-woven silk sakiori obi (sash) whose weft is bunch of mixed color of silk yarn and warp is off-white silk yarn. Generally sakiori is hand-woven of recycled strips from old cloth for wefts , however we call the one also sakiori whose wefts are bunch of yarns. In good condition but has folded line along the length. 20th century. 25cm x 3m42cm

Hand-woven silk sakiori obi (sash) whose weft is bunch of mixed color of silk yarn and warp is black cotton yarn. Generally sakiori is hand-woven of recycled strips from old cloth for wefts , however, we call the one also sakiori, whose wefts are bunch of yarns. In excellent condition. Black borders are recycled cotton strips. 20th century. 13cm x 2m56cm

A pair of miniature wood sculpture of Ebisu and Daikoku which are two of the Japanese Seven Dieties believed to bring good luck. Ebisu is a diety of fishery which brings plentiful catch and Daikoku is a diety of agriculture which brings good harvest. Both are in excellent condition with an original wood box. 20th century. H:5cm each, w:3.6cm each.

Cotton and silk, mixed weave haori with shibori asanoha (hemp leaf) pattern which is dyed with the root of murasaki or murasaki-sou (lithospermum), one kind of grass. It is called "shikon-zome". Murasaki was grown since Asuka period (very late 6th to early 8th century) and purple was thought as the noble color. Shikon-zome was promoted by Nanbu-han (Nanbu Domain, now part of Iwate and Aomori prefecture) in Edo period but fell into a decline because of the chemical dye in Meiji period, however it...

Furoshiki (wrapping cloth) with sashiko which is made of hand-spun cotton and vegetable indigo dyed. It has the sashiko owner's name. The first half of the 20th century. In excellent condition. 124cm x 124cm

Hanten remade from Echigo-jofu kimono which is handwoven with choma (ramie) and both weft and warp are hand-plied. Echigo-jofu has been woven in Echigo region in Niigata prefecture since ancient time. Especially, pictorial and cross double kasuri patterns were very popular and much produced in late Edo period (the first half of the 19th century). Those Echigo-jofu with cross double kasuri kimono are seen many in Ukiyo-e. This hanten has double kasuri pattern and stripes. 19th century. In good co...

Baby's ceremonial kimono made of Echigo-jofu which is hand-woven of choma (ramie) and dyed with indigo. The fine kasuri pattern is yoko-gasuri (weft kasuri) and bamboo, pine tree and plum bloom motifs. Echigo jofu was first woven asa kasuri in mainland Japan having been influenced by Ryukyu (Okinawan) kasuri. The dye is called Ai-sabi which is very dark blue dyed with vegetable indigo mixed with shoen (burnt pine shoot) or other catalysts. It has rare charms, one is ribbons made of red silk crep...

Silk meisen kimono with double kasuri block pattern. It has red cotton lining so that it was made in early Showa, 1930s. In excellent condition except for tiny moth holes in wool muslin cloth in the wrists inside. 126cm x 144cm

Shonai obi (sash) hand-woven of cotton for warps and paper yarn for wefts. It is made in Shonai region in Yamagata prefecture in Tohoku district. It is dyed with vegetable indigo and has beautiful tassels in both ends. In excellent condition except for a few tiny stains. The first half of the 20th century. 29cm x 3m56cm

Silk meisen kimono with double kasuri apple and strawberry pattern on yellow ground. Kasuri pattern was dyed with stencil-resist-dye (katazome) for both weft and warp yarn (heiyo-kasuri). Generally in good condition but has some brownish stains and some in the lining too and the silk tape in the hem is a bit dirty. Mid 20th century. 126cm x 146cm

Cotton kimono with geometric pattern. The weaving technique is "Kobai-ori" which is woven with thick and thin yarn loosely so that it is translucent. In excellent condition. Mid 20th century. 142cm x 124cm

A bag for backpack made of Miyama Kansuge, "hiroro" by dialect which is a group of carex. It is made in Aizu region in Fukushima prefecture. It has purple and dark indigo cotton cloth interknitted in the cord. 20th century. In excellent condition. 40cm x 39cm.

Noragi (work wear) made of asa (hemp) whose both wets and warps are hand-plied. The sleeves are vegetable indigo dyed cotton. A few holes with mending patches. Late 19th to mid 20th century. 109cm x 71cm

Yuki-boshi (snow hat) made of weed and from Shonai region in Yamagata prefecture in Tohoku district. It is said it was worn by "matagi", a hunter. It has fragments of washi dyed with kakishibu (persimmon tannin) for waterproof. The second half of the 19th to early 20th century. In good condition. 45cm x 50cm

Rare item. Rokushaku Kanban which was worn by a palanquin bearer (kago-kaki) who was a servant worked for a feudal lord (tono-sama) and a bearer of a palanquin when the lord went out. There are various theories that the kimono is called "Rokushaku-Kanban": servants worked in the lord's residence or a castle are called "rokushaku" and the kimono has "kanban" which means a symbol or a family crest. Another theory is the length of the kimono is 6-shaku (approx.2m). This one is made of hemp whose w...

Minsa obi (sashi) made in Taketomi Island in Okinawa. The features of Taketomi Minsa obi are: both wefts and warps are machine-spun cotton and handwoven. It has four and five block warp kasuri pattern and both selvedges have uneven horizontal stripes which symbolize mukade (centipede). Minsa obi was a gift from a woman to a man meaning acceptance of engagement in old days. In excellent condition. 20th century. 8cm x 2m4cm u

Wood board used by a "nushi", a lacquer-ware artisan in charge of lacquering urushi. It has natural dripping and dried glue(natural) while lacquering. Both sides are beautiful. In good condition. The first half of the 20th century. 9.5cm x 91cm x 0.9cm

Baby's yogi which is one kind of bed cloth, a top cover in the shape of kimono. It has cotton cloth with katazome (stencil-resist-dye) for outside and indigo cotton for the lining. It has thick cotton inside for warmth and was used in the cold district or in winter. It is from Fukushima prefecture in Tohoku district. In good condition but has some light stains in the wrists and mending patches in the top shoulder. The first half of the 20th century. 92cm x 88cm

A bag made of rice straw. In good condition but some scraps of rice straw fall. The first half of the 20th century. W:39cm H:21cm Thickness:12cm

A bag for backpacking made of rice straw. It has indigo dyed hemp thread ornament. The cord is cotton. In excellent condition. The first half of the 20th century. W:41cm H:37.5cm Thickness:5cm

Han-gappa (short jacket) made of kuzdu-fu whose wefts are kudzu fiber and warps are cotton. Kudzu is one kind of leguminous plant. The collar is made of imported wool. Han-gappa made of kudzu-fu was worn in summer and other ones with lining was for winter. The design of the straps show it was made after Tenpo era (1830∼1844）in Edo period, according to the "Kinsei Fuzoku-shi" Buttons are made of the horn of the water buffalo. Kudzu-fu has been produced mainly in Kakegawa in Shizuoka prefectur...

Cotton lining for narrow sash (obi). Most of the fragments are hand-spun cotton cloth, such as plain cotton indigo dyed, itajime mame-shibori (clamp-board dye), katazome (stencil-resist-dye) etc. The second half of the 19th century. 15cm x 4m50cm

Cotton Wa-sarasa produced in Kyoto, called Kyo Sarasa. The word "Sarasa" means cotton cloth with designs which are hand-painted, woodblock printed and copper plate printed, Those sarasa cloth were brought by trade from India, Europe, Persia (Iran), Java etc. in 16th and 17th century. Cotton with colorful and exotic design fascinated Japanese people, especially tea ceremony masters and rich civilians. Many kinds of imitated sarasa were produced in Japan and they were named according to their pro...

Sodenashi (vest) with very fine sashiko　which is from Shonai region in Yamagata prefecture in Tohoku district. It is made of two layers of cotton dyed with vegetable indigo. In good condition. The first half of the 20th century. 48cm(hem) x 68cm

Sakiori obi for a casual kimono whose wefts are strips recycled from black cotton cloth and warps are silk yarn in green, brown and white. In excellent condition. 20th century. 12cm x 2m64cm

Ema (pictorial offering) with a pair of "Aka Oni and Ao Oni"(red and blue ogres) which is hand-painted. It is an offering at Kijin Shrine in Saitama prefecture next to Tokyo which is the one of four shrines worshipping ogres in Japan. In good condition. The first half of the 20th century. 14cm x 8cm x 0.8cm

Four sheets of Chiyo-gami which is woodblock print on washi (handmade paper). It is originated in Kyoto and developed in Edo later. It is used for paper dolls and paper crafts. The first half of the 20th century. 53cm x 38cm (the largest one)

4 sheets of Chiyo-gami with autumn leaves designs which are woodblock prints. The paper is washi, a handmade paper made from mulberry fiber. Chiyo-gami was originated in Kyoto and developed in Edo later. It was used for paper dolls and paper crafts. Generally the larger one is the older. Clockwise from top left: 53cm x 37cm, 52cm x 37.5cm, 41cm x 32cm, 53cm x 37cm The top left one has rather thick texture and others have thin texture. The fourth one has a break in the corner. The first half of...

A roll of asa (hemp) kaya cloth whose wefts and warps are hand-plied and dyed with vegetable indigo. In excellent condition. The first half of the 20th century. Approx. 34cm x 18m35cm

A pair of wooden tabi-kata, patterns for tabi socks. In good condition. The first half of the 20th century. L:21cm W:8cm H:5cm

Amazing boro tabi made of hand-spun cotton with mending patches. All original condition. The first half of the 20th century. 22.5cm x 11cm (sole)

Silk meisen kimono without lining. It has double ikat checker board pattern. In excellent condition. Mid century (1930s to 1940s) 128cm x 148cm

Sample book of fragments which are mostly hand-spun cotton with katazome (stencil-resist-dye) and also has ramie and hemp with kasuri pattern and bashofu with katazome. It has about 80 different fragments. In good condition. The second half of the 19th century. 8cm x 24cm x 3cm

Futonji or shikimono (carpet) made of many pieces of hand-spun cotton cloth except for the lining. Most of pieces are vegetable indigo dyed and some with chawata (natural brown cotton)It has some holes and mending patches. Late 19th to early 20th century. 120cm x 130cm

Cotton kimono with shibori (tie-dye) pattern which is paulownia flower motif. All hand-tied and dyed with vegetable indigo. In excellent condition. Mid 20th century. 126cm x 140cm

Cotton kimono with Miura Shibori and dyed with vegetable indigo. Hand-sewn and shibori is also hand-tied. In excellent condition except for indigo faded parts. 20th century. 128cm x 140cm

Cotton kimono with Nemaki Shibori (thread resisted rings) and Kanoko Shibori (Bound Dots) with a crest and characters motif. All hand-sewn and indigo dyed. The lining in the upper part is a recycled cotton towel (tenugui). In excellent condition. 20th century. 136cm x 140cm

A small bag made of ohyo fiber, one kind of elm. It is made in Asahikawa in Hokkaido. Warps and wefts are hand-plied. It has a wood carved decoration. In excellent condition with an original carton box. 20th century. 20.5cm x 10.5cm x 5cm

A sheet of "tatougami" made of recycled washi (Japanese handmade paper) used at a pawn shop. Hocked items were wrapped in this tatougami and kept. It is made of used washi with letters and kakishibu is painted for insect repellent and for moisture-resisting. The first half of the 20th century. In good condition but has one moth bite hole. 66cm x 66cm

A pair of tabi with sashiko which is made of white cotton cloth. In good condition but has some stains (washed). Late 19th to early 20th century. L:23cm W:10.5cm H:16cm

Furoshiki with tsutsugaki auspicious motif, sho-chiku-bai which are pine, bamboo and plum blossoms. It is made of hand-spun cotton and dyed with vegetable indigo and colored with pigments. In good condition but has a hole (2cm x 5mm) which is mended and pigment in plum blossoms is faded. Late 19th to early 20th century. 130cm x 142cm

Samurai's kaji-haori (jacket), mune-ate (breast pad) and ate (ornament in the back waist) and all pieces have Tomoe kamon (three-way family crest). The ground fabric is not sure, looks mixture of cotton and wool and the lining is cotton European print. There were many massive fires in Edo in 17th and 18th century. Edo government organized the fire prevention system by samurai and then by civilian firefighters (hikeshi) later. Civilian firefighters fought fire at the fire site but samurai did pa...

Two pieces of asa kaya cloth (hemp mosquito net. Warps and wefts are hand-plied and vegetable indigo dyed. Faded indigo blue and good condition. Late 19th century. 34cm x 2m80cm

Wood Sumikiri-bon with red urushi. Summikiri means a tray in the shape which four corners are cut. Four sides have painted in Negoro style which has partly black urushi. Used and some scratches and chips. Late 19th to early 20th century. 36.5cm x 36.5cm x 3.5cm

Huge maku (curtain) made of many sake-bukuro which are recycled. It has many mending patches and stitches. The first half of the 20th century. 2m56cm x 128cm

Small bamboo basket box with washi. The corners of the bamboo basket are rather breakable, so it has nice washi for reinforcement outside as well as inside. In good condition. The first half of the 20th century. 10.5cm x 16cm x 5.5cm (with a lid)

Sakiori obi (sash) for casual kimono. Wefts are strips recycled from silk kimono and warps are black cotton. In excellent condition. 20th century. 13.5cm x 2m40cm

Furoshiki (wrapping cloth) made of hand-spun cotton and vegetable indigo dyed. The crest is hand-drawn by tsutsugaki technique. It has sashiko on the four corners. In excellent condition except for a cut (1cm) in the crest. The second half of the 19th century. 135cm x 137cm

Boro furoshiki with many mending patches with various cloth and interesting mending stitches. The ground cloth is thin cotton cloth in gray. The first half of the 20th century. 126cm x 126cm

Bashofu kimono hand-woven of banana fiber for both wefts and warps. The yarn is rather thicker and tougher comparing with very fine yarn for thinner and higher quality bashofu, so that it is for a everyday kimono or work wear. Brown stripes are also banana fibers. Late 19th to early 20th century. In good condition except for a mending near the lower side in the back and wear near neck. 104cm x 115cm

Bag handmade of bamboo strips with nice color. Handles are also made of thin bamboo sticks. In excellent condition, no break or loose part. The second half of the 20th century. W:39cm, H:23cm, 6cm

A pair of cotton tabi with sashiko and a pair of kokake. Tabi is made of hand-spun white cotton and has nice sashiko for strength. Soles are machine-woven. Kokake is also made of hand-spun cotton and dyed with vegetable indigo and has fine sashiko for also strength. Kokake has no soles and it is worn over zori (Japanese sandals) for warmth and waterproof in winter. Both are in excellent condition. The first half of the 20th century. Tabi L22.5cm, W10cm, H13cm Kokake L26cm, H14cm

Miniature set of koi-nobori (carp streamer) which is put up on the Boy's Festival (or Child's Day on May 5). It is often decorated with miniature yoroi-kabuto (armors) or samurai dolls. Carp is a symbol of strength and success. 1970s. Two banners and outer cloth of two carp are synthetic. In good condition except for a small tip in the one of spears and one of tiny screw for wheels (yaguruma) is lost. It comes with original carton box. Highest: 1m7cm, Blue carp L:25cm Red carp L:15cm Black woo...

Two pieces of yogi (bedding) which are hand-sewn by a girl student at the sewing school which were established around 1880. It is called "hinagata" and generally one third of measurement of a real one. The left one is sodenashi yogi (sleeveless top cover) and the right one is yogi (top cover with sleeves). The purpose of making sewing samples is efficiency for time and material. It has been made till 1940s in the sewing school of which students are mostly girls. Each hinagata has a student's nam...

Juban (under kimono) made of three kinds of silk cloth. One is silk crepe with yamamayu (wild silk) stripes and the other is silk crepe with stripes. The third one is tsumugi (pongee silk) with katazome komon (stencil-resist-dye small pattern). All natural dyed. Yamamayu (wild silk) is rare and precious comparing with cultured silk. It is hardly dyed, so that it stands out shiny when woven together with silk crepe. It is sewn with very fine choma (ramie) thread so that it is rather old. The lini...

Sakiori sodenashi (vest) hand-woven of strips for wefts which are recycled from old indigo dye cotton cloth and warps are asa (hemp) threads. It has some mending patches and wear. The first half of the 20th century. 35cm x 63cm

Beautiful Okinawan uchikui which is a furoshiki (wrapping cloth) with cherry blossom design. The dye technique is tsutsugaki and bingata-zome which is traditional Okinawan dyeing technique adding colorful vegetable color or pigment. Uchikui is dyed with either tsutsugaki or katazome (stencil-resist-dye). Uchikui is used for not only wrapping but also covering gifts. This uchikui is two panels sewn together. Wefts are choma (ramie) and warps are cotton. Uchikui has same family crest in the last p...