Catalog: Antiques: Regional Art: Asian (197)

Boro futonji with many mending patches and sashiko whose ground cloth is hand-spun cotton with stripes. It is dyed with vegetable indigo and the red color looks benibana (saffloer dye). Mending is very nicely done with sashiko. The second half of the 19th to early 20th century. W:94cm, L:172cm

Girl's kimono made of hand-spun cotton with flower motif which is Yuzen-zome (hand-painting). The ground cloth is benibana (safflower) dye. Benibana was grown in Yamagata prefecture in Edo period, and it was very precious. It was traded to Kyoto and dyed there for kosode kimono or others for women of a family of high-ranking samurai or merchants. Benibana dye has faded in upper back, but generally in good condition. Late Edo period (mid 19th century) W122cm, L:124cm

Chogappo made of fragments of ramie, one of bast fibers, which is recycled from white and natural color ramie. It has beautiful gradation of natural color fragments. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995). Both warps and wefts are hand-plied...

Sample book of the Japanese sarasa, whose title is "Kame Jirushi Sarasa Book" It has 56 fragments of silk gauze with katazome (stencil-resist dye) designs. Generally, in good condition. Early 20th century. W:22cm, H:16cm

Woodblock print, Ukiyoe, the original picture is painted by the third generation of Utagawa Toyokuni (Utagawa Kunisada, 1786～1865）The place is Nihon-bashi in Edo, the first stage of the "Tokaido Fifty-Three Stages". The man is a "katsuo-uri", bonito fish vender. In good condition. Mid 19th century. W:25cm, L:37cm

Asa (hemp) furoshiki with four owner's names, hand-written with sumi(ink). Both warps and wefts are hand-plied. It has some holes and stains, however it is washed. Probably from Nagano prefecture or Tohoku district. The second half of the 19th century. W:126cm, L:132cm

Amazing boro made of hand-spun and vegetable indigo dye cotton fragments. It used to be the lining of yogi, which is one kind of futon, in the shape of kimono. It is from the Japan Sea side district in Kansai, such as Fukui or Kyoto. It is partly sewn with hemp yarn. Late 19th to early 20th century. W:95cm, L:165cm

Urushi sakazuki (sake cup) made of wood and painted with black urushi. It has hand-painted sculp with red urushi which is for a charm against evil spirits and used in a temple or a shrine. It is from Akita prefecture in Tohoku. Late Edo period (The first half of the 19th century). In good condition. H:3.5cm, Diameter:10.3cm

Tamba-yaki tokkuri (bottle for sake) with hand-drawn letters of the sake maker. Generally in good condition. Early 20th century. H:22cm, Diameter:11cm

Zabuton, a floor cushion made of hand-spun cotton and vegetable indigo dye. One side has kasuri pattern. It has four layers of cloth and sashiko (quilting) with white cotton yarn. Generally, in good condition but has wear or breaks in hems. Early 20th century. W:58cm, L:59cm.

Cotton kimono with tiny shibori which is "Fundo-tsunagi" pattern, the continuous pattern of the weight for the balance scale. It is dyed with vegetable indigo. The shibori is called "Asamai-shibori" which is made in Asamai in Akita prefecture in Tohoku district. In excellent condition. The first half of the 20th century. W:124cm, L:124cm

Small furoshiki, made of hand spun cotton and vegetable indigo dye. It has tsutsugaki auspicious motifs, "Sho-Chiku- Bai", the pine tree, the bamboo and the plum bloom. In excellent condition. Late 19th early 20th century. W:69cm, L:77cm

Boro small rug or a part of it which is made of almost countless fragments of vegetable indigo dye cotton. In cold districts, such as Tohoku and along the Japan Sea area, cultivation of cotton was difficult and cotton cloth was precious in old days, so that people bought fragments of cotton and made them to noragi, futonji, rugs and so on. This one has 7 to 8 layers of cloth. The late 19th to early 20th century. 91cm x 96cm. 1550gm

Maekake (apron) made of Ohmi jofu which is hand-woven of hemp with kasuri pattern. Weft kasuri yarns are clamp-board dye, so that it has bar-code like white lines in both selvedges. In excellent condition except for both white cotton belts have dirt. Late 19th to early 20th century. W:66cm, L73cm

Maekake, apron made of Ohmi jofu, which is asa (hemp) with kasuri pattern. Weft kasuri yarns are board-clamp dye, so that both selvedges have bar-code like white lines. All hand-sewn and in excellent condition. It has red cotton belts. Late 19th to early 20th century. W:49cm, L:73cm

Chogappo made of fragments of ramie which is recycled from old bast fiber, hemp or ramie and indigo dyed. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995). Both warps and wefts are hand-plied. Hemp or ramie ones are for wrapping summer clothing. In excellent condition...

Noren, a shop curtain made of hemp (taima) whose wefts and warps are hand plied and dyed with kakishibu (persimmon tannin). It has the shop logo "Tawara (俵）”with sumi. All hand sewn. In good condition but has some stains and a hole (1cm x 0.5cm) and mending stitches. The second half of the 19th to early 20th century. W:125cm, L:147cm

Large furoshiki made of hand spun cotton and vegetable indigo dye. It has tsutsugaki (freehand drawing with paste-resist-dye technique) crane and turtle motif. Used and has some stains and tiny holes. The second half of the 19th century. The crest is "Ken-ni-Katabami Mon, (sword and oxalis). W:132cm, L:145cm