Catalog (3336)

This is a miniature map, 3 3/8" by 4 7/8" inside the mat, titled at upper right "EUROPA", and bearing at lower right the name of the engraver cartographer, Pieter van den Keere (Petrus Kaerius). The entire sweep of Europe is shown, from Greenland and Atlantic islands on the west to as far east as Turkey, the Middle East, and "Tartaria". Kaerius (circa 1571-1646) was born in the Low Countries and fled to London due to religious persecution, in 1584. There he became established in engraving map...

A circa 18th century engraving of stone arch bridge over a river, more than likely in Italy, 10 3/8" by 15 7/8" inside the ornately drawn mat and 16 1/2" by 22 1/2" in a contemporary distressed style complementary silvery-colored frame. The work is not visibly signed. A google reverse image search did not turn up a matching image. The overall decorative effect of a black and white print in dark charcoal mat in silvery-goldish antique finish frame is very satisfactory---would work well in your...

For your high-end traditional interior, an impressive beautifully framed mid 18th century hand colored copper engraving of a species of duck, by the noted German artist known for his ornithological artwork, JOHANN MICHAEL SELIGMANN (1720-1762). Seligmann in his work "Sammlung verschiedener ausländischer und seltener Vögel" ("Collection of various foreign and rare birds") of 1749, which included plates based on works of pioneering natural history artists Mark Catesby (1683-1749) and George Edw...

A 1978-dated, oil on board painting of a Mid-Century looking building, apparently under construction, in an urban setting, signed at lower right "JAN BAZANOWSKI". The work, 17" by 23" inside the double mat and 24" by 30" in gold metal frame (no glass) is in excellent condition. Frame has some scratches and mat is soiled and could be replaced. The painting is simply very interesting, and unusual; would work well in a Mid-Century setting. A single color cream mat would be an improvement, as th...

The watercolor scene depicts a tent housekeeping camp on the shore of a body of water, with four figures, all African-American, in the composition, making it therefore quite unusual and scarce. The date of execution might be circa 1880 I feel, given the dress and the primitive camp set-up. The work is an historical record of African-American life in the 19th century. Size is 9 5/8" by 13 1/2" inside the mat, 18 1/4" by 22" in the narrow gold framing. I've looked in vain for a signature or hi...

Unsigned fine old nineteenth century ink and watercolor drawing of a great tree presiding over a pleasant forested landscape, two tiny figures at right and a small wooden structure at left providing the only evidence of human presence. The watercolor, 14 1/2" by 10 1/2" inside the mat, 24 1/2" by 21" framed, is probably English or continental European, and circa 1860's or thereabouts. The tiny figures are a woman gathering sticks for cooking, and her child. Condition is generally amazingly fr...

In the style of noted California artist Ellen Burpee Farr, this is a classic late nineteenth century watercolor of the distinctive leaves and "berries" of the pepper tree commonly seen in Southern California. Signed at upper left "A.C. Hough" (or "Haugh"---I don't see a listing for either name), this is a beautiful study that is possibly not finished (the leaves and berries at lower right---could be the artist's intention, or simply unfinished---you judge). It's in original condition, with wav...

Nineteenth century English hunting scene after the noted English artist who specialized in equestrian, racing, coaching and hunting scenes HENRY ALKEN (1785-1851). Alken's oil paintings sell for large sums at auction, and his prints are popular with interior decorators seeking that traditional look through sporting art. According to the fine print at bottom center this engraving was printed in the the year 1838 in London. Alken, himself a huntsman, is the best known of a family of prominent E...

Oil on canvas, circa late nineteenth century, 21 1/2" by 26 3/4" and about one inch wide framing, unsigned, featuring feathery trees, distant snowy mountains, a lake with small sail craft, and a gentleman pulling in nets on another small boat. This painting is in need of restoration, but, I believe it well worth saving for posterity. There are some holes, the largest about 3/4" by 1/2", at lower left, a similar one at upper left, and some much smaller punctures at far right. The painting is ...

PAIR of oil on gray art board panels, each 14" by 4 3/4", 20" by 10 1/2" as framed, unsigned, the subject of each a picturesque old castle perched on a prominent mountain outcrop, in each view, a bridge with tiny figures crossing a torrent in the foreground. These could be a "before and after" scene of the same view, as one bridge is of stone and obviously more substantial than the other, which is of wood. The artist did not sign the works, but on the reverse of each is penciled in 19th centur...

This is a nineteenth century European painting facsimile, consisting of hand coloring over a photo-mechanical print, the finished product quite convincing and possessing considerable decorative value. The work measures 10" by 7 3/4" (16" by 13" framed). The name of the artist who created the original painting from which this was derived appears in red at lower right, the name "Marqueta" or similar. These facsimiles of oil paintings can fool even some gallery and auction house personnel if the...

Circa late 19th century oil on canvas, 14 1/4" by 24" (18" by 27 1/2" framed), unsigned, though I think quite possibly by a listed artist, the subject one of the picturesque lakes surrounded by mountains in southern Germany or Tyrol in Austria, a lakeside chalet at right surrounded by trees and a pair of figures in a small boat just pulling up to the shore after their excursion. The painting is in excellent condition, having been cleaned and relined in 1976, as per a handwritten note in pencil ...

At first glance appearing to be a print, this is in fact a painstakingly executed watercolor drawing, likely French I am thinking, measuring 16" by 20 1/2" (23 3/4" by 28" framed). The subject is of formal 18th century (earlier?) figures lounging on a classical Versailles-like terrace. They are surrounded by a balustrade, fountain, distant trees, and, in the immediate foreground, a border of oversized flowers. Interestingly, curiously, at bottom center, written in Latin, is the following: "N...

Decorative old antique floral painting, 17 1/4" by 13 1/4" (20 3/4" by 16 3/4" framed), unsigned, featuring a variety of flowers, including a tulip, in a decorative metallic vessel, all against a dark background, in the style going back to 17th century Holland. It is hard to know exactly how old the work is but mid 19th century would likely be a good guess. The canvas weave is rather coarse, promoting the earlier look. The piece is convincingly old, with some small losses and extensive craque...

Fine watercolor painting of the famous Chartres cathedral in central France, signed at lower right "G. Lefevre" and titled at lower right"Le Pont du Massacre a Chartres" at lower left. The work is by listed French artist GABRIEL ALBERT MARIE LEFEVRE. Not a lot of biographical information is available, but he painted landscapes and historical buildings in France in the 19th century. This work measures 6" by 8 3/4" inside the fine hand-drawn ornate mat, and 16 1/4" by 17 3/4" as framed. Condit...

Truly old nineteenth century oil painting, 29" by 24 3/4" (32" by 27 3/4" framed), apparently unsigned, the subject probably Mary Magdalene, an extensive landscape visible at distant right. The painting's precise age is difficult to pinpoint, but mid 19th century would be close to the mark. No doubt it is a copy after an original Italian master work of the 16th century. The canvas as seen on the front is more coarse in appearance than the fine weave canvas seen on the reverse, leading me to t...

A PAIR of oil on canvas works, each 14" by 10", unframed, featuring hanging wild birds against a simulated wood-grain background, painted in the then-popular realistic trompe l'oeil manner of painters like William Harnett in America, or Michelangelo Meucci (1840-1909) in Italy. The paintings likely date to about the 1880's. They are signed but despite my best efforts, I have been unable to make out the worn and faint signature. An image of that area is provided. The works over more than 125 y...

Nineteenth century print of a scene including palace and figures strolling, titled in white gouache (by hand) "Florence" at lower center, the color throughout hand applied by a talented artist. This very nearly resembles a drawing rather than a print. Measurements 6 1/4" by 9 1/2" (14" by 18 3/4" in wood frame). The print was trimmed tight to the margin, then laid on a neutral gray/green background, and a white border was then hand applied. All in all a very nice print of traditional subject...