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Wonderful Tobe Chawan with a fantastic glaze, made by the great 3rd Rakuzan Tamai (1924-1990) about 50 years ago. Rakuzan Tamai was accepted several times at the Nitten Exhibition in Japan. His work is part of the imperial houshold as well.
In mid 18th century Tobe ware was started in Ehime prefecture, Japan, and in the end of the 19th century, there was an increase in the production of tableware for export to South East Asia. Nowadays such type of Chawan is hard to find.
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Another wonderful example of the beauty of Shino-yaki from the early Edo Period: Little deformed cylinder (hazutsu) shaped, in the style of shino ware - the bowl shows finger marks from throwing; foot ring and bottom have been cut with a potters knife. Typical for a Nezumi-Shino shino bowl, the light, unrefined Mino clay has been covered with an iron bearing engobe - with the exception of the bottom area.
A floral decoration on the wall and a circle inside near the brim has been i...
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So unique: fantastic light blue Celadon porcelain tea bowl by master potter Makoto Wakao.
Wakao Makoto was born in 1959 in the city of Tajimi (current Gifu prefecture), one of Japan’s great ceramic center known for Mino-yaki (Mino ware). He studied industrial design and at 24 was selected for the Asahi Journal Exposition and the exposition of the Japanese Traditional Crafts Association. Since 1998 his works have been frequently exposed at the famous Kuroda Toen gallery in Ginza, ...
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This expertly crafted Chawan was made by great contemporary artist Kobayashi Takeharu, born in 1944. It is an elegant example of the beauty of Shino ware, a four hundred year old tradition that has produced some of the most spectacular tea ceremony vessels. This is a sober yet enchanting piece that craves to be held and used. It comes with its originally signed and sealed wooden box and a profile of the potter.
Kobayashi Takeharu has exposed all over Japan. His kiln is located in To...
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A wonderful hand-modelled Aka Raku tea bowl with compressed ring foot and covered with a red and black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932). His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû. He enjoyed his retirement in practicing tea ceremony and wri...
$650.00
Splendid and absolutely rare double vase of old Karatsu-yaki. It has a vivid Chosen-Karatsu glaze, and the grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion.
This very decorative vase was made around the mid 19th century (late Edo Period).
Very good antique condition with only a light crack of glaze on the back of the white top, which enforces the all over wabi-sabi look.
Size: 23 cm height x 25 cm w...
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Slightly distorted half cylinder shaped (hanzutsu) chawan with a rounded brim, made of light, refined Mino clay. The expertly thrown body was only slightly trimmed with a potter's knife in its lower part. The shape is of a type frequently found in early Shino bowls.
Under the semi-opaque Shino glaze is a decoration of criss-cross lines representing grass and something which maybe a landscape, executed in iron-bearing clay (oniita).
This is a typical piece of the Ogama ty...
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From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.
In the style of Seto kuro bowls this Chawan was covered with a light brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze.
...
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Wonderful distorted shoe shaped (kutsugata) tea bowl made of light, fine, unrefined Mino clay. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured.
Just the foot ring and its immediate surrounding was left unglazed. The decoration scratched into the iron oxide engobe is very uniq...
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Rare Kiyomizu Nodate Summer tea bowl with fantastic hand-painting, made during the Japanese Meiji Period (1868-1912).
This summer bowl is in great condition with no chips or cracks.
Size: 7,3 cm height x 8,1 cm in diameter.
The history of Kiyomizu ware began approximately 400 hundred years ago. Kyoto was the center of culture and the biggest economic market at the time, which led it to feature pottery from all over Japan. In the 16th century, tea ceremony bec...
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Only very little distorted half cylinder shaped (hanzutsu) tea bowl made of light, coarse, unrefined Mino clay.
The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in two different technics: on the left in nezumi shino style are hanging persimmons (hoshikaki) scratched into the engobe and on the right a tea room window and a plum blosso...
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A splendid Oribe chawan (oribe tea bowl) made by Suzuki Goro (b. 1941), one of the most recognized contemporary Japanese potters. Oribe ware has been made in Japan since the end of the sixteenth century, under the guidance of Furuta Oribe (1544-1615), a feudal lord and one of the most illustrious students of tea master Sen-Rikyu (1522-1591).
The asymmetric design, with abstract markings, give a primitive look to the vessel; that is the genius of Oribe pottery, the timelessness of ...
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Hard to find nowadays: slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo Period with a rounded brim, made of little iron bearing, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.
The whole body was decorated with wide white parallel lines in a white engobe over which a thin line in iron oxide was drawn, over which finally transparent ash glaze was applied - really stunning.
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Magnificent hand shaped Shino Chawan, made by Kentaro Sesshu 80-90 years ago. Kentaro Sesshu is a descendant of legendary artist Shessu Toyo (1420-1506). The seal of the artist is stamped on the bottom. The chawan with its great wabi sabi aura comes with its originally signed and sealed wooden box.
No chips or cracks.
Size: 8,8 cm height x 10 cm in diameter.
Free shipping.
$4,500.00
A true Mashiko Chawan by greatest Shoji Hamada with a real beautiful Ameyu glaze, double boxed and originally signed and sealed by the artist.
This treasure was part of the exhibition "The artists who searched for Mingei".
Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English st...
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Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.
In the style of Ao-Kuro bowls this bowl was covered with a green copper oxide glaze. Two windows on two sides were left unglazed. One was decorated in iron oxide engobe with an image of a tree and a tea house, the other half was decorated with a sketch of a fence in iron...
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A cultural treasure - our oldest and most important mizusashi: wonderful Chosen Karatsu Tataki Mizusashi from the Momoyama Period (1573 - 1603). It was perfectly thrown first into a cylinder shape and then squeezed and paddled into a distorted pear. Iron oxide glaze has been poured inside and out.
On the rim a blueish rice straw ash glaze has been applied in the typical Chosen Karatsu fashion. The mizusashi is supplied with a tailor made lacquer lid of a somewhat later date. The lid...
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What a great Chawan! Cylinder shaped (hanzutsu) tea bowl thrown on a kick wheel. The little iron oxide bearing clay has been fully (except the footring and its surrounding) covered with a wood ash glaze which reacted with the iron oxide in the clay.
The thick and glossy glaze (guinomi-de) has a fine beautiful crazing. Before the glazing a flower and patterns have been incised, which where highlited by wonderful and vivid tanpan marks ( copper green marks ).
Ki-Seto is said...